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Search Results for: Stone Soup author interview

Dwelling on a Memory

This piece contains some additional resources for educators. Click here to read them. Alone at her family’s Country House, once a gathering place for “The Cousins,” the narrator reflects on summers past I am nestled on the window seat, cocooned by the voluminous cream-colored curtains, when I look up from my book, Jennifer Nielson’s The False Prince. I am stunned by how quiet the house is. There is no boisterous echoing noise, there is no impatient shouting, there is no raucous laughter. Lately, my visits to the Country House are solitary, quiet trips. Looking out the window, I gaze around the fertile garden teeming with wildflowers and Canadian evergreens and think about how everything has changed. The Country House has always been the central meeting point, where The Cousins would gather each summer to play, to fight, and to just be. It was fun, it was comfortable, it was predictable. I did not know that it would not always be that way. I am the youngest of The Cousins; the oldest, Spencer, is now twenty- four. I now know about colleges, internships, and trips, and all the things that fight against the pull of the Country House. It seems that there is no one left but me. Now, I only go for a few days each year. The first summer of Covid, 2020, was the last time I went for an extended period of time, and even then, only my mom’s youngest sister’s children came, not the others. As I scan the yard, perched at the window, the worn-out hammock recalls memories of seven-year-old me challenging my cousins to intense rounds of the card game Spit. I see the jungle gym Zaidie constructed by hand and reflect on how we used to play American Ninja Warrior and swing on the trapeze bars. I smile at a more recent memory of a workshop at Cirque School where we spent my birthday last year when The Cousins were in LA. There is also Uncle Ari’s motorboat and the wooden dock. I would slide off and get splinters, my feet hidden by the then-giant (size extra-small) attached water skis I have now outgrown. I can now fit into the bigger, more grown-up detached skis, but there is nobody here to drive the motorboat and nobody to cheer me on. I take a break from my book and head down to the beach, building my first sandcastle in two years. In the distance, I can see Blueberry Island and remember the first time The Cousins dared me to jump from the rocky outcropping, eventually shoving me off the cliff, teaching me how to “fly.” I unwillingly embraced my fears, and by the time I was nine I was the queen of front flips, often competing with The Cousins to see whose cannonball would make the biggest splash. Blue Bay I see the red deck chairs on the dock belonging to our neighbor—my second cousin’s grandmother. I catch a glimpse of the shiny new speedboat that replaced Uncle Steven’s old pontoon. We used to hitch rides into town for ice cream on scorching hot days, all piling on, always careful to make sure that there were enough life jackets for the dozen of us. After a while, I head back upstairs, shower, and start building a Lego model, the first one I have worked on in a long time. The den is cluttered with forgotten toys and half-finished projects. There is barely any room to construct, but I make do. When Bubbie calls me down for a Shabbat dinner of chicken soup with matzo balls, brisket, and knishes, I head to the silver candelabra, recently polished and ready to light. I think of how The Cousins used to crowd around, impatiently waiting their turn, wanting to be the first one to light in order to snag the coveted center candle. When I reach for the matches, I catch a view through the window of the sun setting over the lake. I wish on the first star I see, wanting to turn back time and relive the memories of summers past. Additional Resources Author Interview Summary & Analysis Discussion Questions Author Interview What inspired you to write this piece? This essay was prompted by a school assignment. The directions were to write the story of what I see when I look through a window and to tell the tale of what I’ll miss when I’m gone. The content of the essay was based on my memories of summers past at my grandparents’ cottage in the mountains north of Montreal. Can you share more about your creative process? How did you write this? I wrote it over the course of 10 days. This essay was not at all how I was expecting it to come out. I didn’t expect it to be sad, I was just striving to follow the instructions. I wrote the story of what I see when I look through a window and telling the tale of what I miss now that circumstances have changed. When I was assigned this essay, I was originally going to write about something different, relating to bunk beds and my sleepaway camp. However, one afternoon, after biking at the beach, my family called my mom’s parents, who own the house in the essay, and they were talking about how some of The Cousins had recently visited. I felt a little left out, so I decided to write about it to make myself feel better, a sort of emotional release. What’s your favorite single poem, short story, or piece of art? Why? My favorite short story is “The Tell-Tale Heart” by Edgar Allan Poe. In this story, the narrator kills an old man and is haunted by his heartbeat. However, the heartbeat is just his imagination, his guilty conscience, which makes him confess to the police. It is interesting that he decides to kill the man because of his creepy eye. I also like this story because of

Dad’s Stocks

This piece contains some additional resources for educators. Click here to read them. Up and down and up and down, that’s how stocks work. Up and down and up and down, that’s how Dad works. Then stocks go down and down and down and down— that’s what’s happening now. So Dad’s emotions go down and down and down and down— and suddenly he is silent. He is silent like the stocks— afraid. And now I realize I care about stocks.   Additional Resources Author Interview Summary & Analysis Discussion Questions   Author Interview What inspired you to write this piece? When Covid 19 hit, I wasn’t really worried about anything. I thought that it was far away, and wouldn’t affect my life at all. However, it affected the stock market. My dad’s work involves buying stocks. Because of Covid, a lot of people were scared to buy stocks and there were a lot of changes happening to the stock market. Everyone was stressed, especially my dad. I remember him having bags under his eyes, and he would barely have the energy to speak. I felt lonely, but more so sad that everyone was so worried. In the end, I felt inspired to write about how deeply my dad cares for his job, and I wanted to show him that I love him. Can you share more about your creative process? How did you write this? In the beginning, I knew that I was going to write this poem about myself: my worries, my fears, my loneliness. But later on, I was surprised by how the poem started being more and more about my dad. At first, I didn’t want to write about my dad in this way because I thought it would make me sound immature. But when I really started writing this poem, I realized that it’s okay to sound younger, to write in the voice of a child, or include another, less mature side of me in my writing. In conclusion, even though this poem turned out differently than I expected, it made me learn a lot more about trusting my instincts and I love the result. What’s your favorite single poem, short story, or piece of art? Why? My favorite poem is “In Flanders Fields” by John McCrae. I remember the first time I read it, I didn’t think much of it until my teacher read it to me again, and I really started to think about its meaning. I love how McCrae gives off a “creepy” vibe by writing in the voices of the dead, but his language is also so beautiful. I love the rhythm and rhyming, which is something I have often tried to include in my poetry. And not only is this poem really sad and beautiful, but it has also changed my perspective of how I look at death. What advice do you have for any young writers or artists hoping to be published in Stone Soup? My advice is to trust your own writing style. Don’t try to change your voice to get your work published because the most important part is that you keep true to your own style. If everyone wrote in one format and one tone, then writing would no longer be interesting. Just like how I embraced my childlike voice in my poem, don’t be afraid to write something that sounds “weird” or “strange.” Back to top Summary & Analysis “Dad’s Stocks” by Mia Xu, 11, is a short poem written in a single stanza. In it, the speaker observes her father’s relationship to his stocks and her own relationship to them, in turn.  The father’s mood mirrors the stocks, going “up and down and up and down” depending on their performance. Parents tend to watch the worth of stocks—the money given to a business in the hopes of receiving more money in return—because an investment could make them more (or less) wealthy. Some people consider stock investment a bit of a game. It can feel good to receive more money in return. However, it can also feel disheartening to see the worth of stocks go down because that means the investor is losing money. Investing can bring complicated feelings. How does this poet choose words carefully? In this poem, Xu uses repetition and rhythm to reflect the stock market fluctuations—the stocks going up and down.  Listen to the playful rhyme Xu uses when matching “down” and “now” in this segment:  Then stocks go down and down and down and down— that’s what’s happening now. This rhyming is considered slant rhyme, when words sound similar but don’t rhyme exactly. Slant rhyme matches Xu’s imperfect emotions in this case.  The speaker observes her father’s reaction to recent the stocks going “down and down and down”: “Dad’s emotions go / down and down and down and down.” He is losing money, and his mood is dropping. Finally, Xu writes: “He is silent / like the stocks—/ afraid.” Stocks are silent. They aren’t people with emotions, yet Xu draws a parallel between the quiet of stocks and the quiet of her father. The stocks aren’t afraid, but her father is.  Finally, in this reflective poem, Xu shares, “And now I realize / I care about stocks.” Although the speaker is learning about stocks and does not make investments herself, she realizes that she does “care” because of their effects on her father.   Back to top Discussion Questions What are some sound patterns and repetitions you hear in the poem that are interesting to the ears? Why do you think that poets use sound patterns? Can you think of a time when you, like Xu, have been sensitive to the emotions of a parent or loved one during their moments of silence? Back to top

Lazy Cat

This piece contains some additional resources for educators. Click here to read them. Oil pastel Additional Resources Author Interview Summary & Analysis Discussion Questions Author Interview What inspired you to paint this piece? I was inspired to create this piece because I wanted to try out a new medium along with a more colorful way to express myself. I normally use color pencil, so going out of my comfort zone to explore something new was quite fascinating. Can you share more about your creative process? How did you make this? This drawing took me about five or four days to create, mostly because I get distracted very easily. To be honest, I decided to go with the flow, and choose what color pleases me the most at the moment. What’s your favorite single poem, short story, or piece of art? Why? I have multiple favorite art works, but I especially enjoy most impressionistic pieces—for example, pointillism, and a few of Paul Signac’s landscapes. What advice do you have for any young writers or artists hoping to be published in Stone Soup I am not the best at giving advice, but I believe the best part of publishing is being able to showcase what’s truly unique to you and share it with other people. Back to top Summary & Analysis “Lazy Cat” is an oil and pastel painting by Tutu Lin, age 13. This painter uses warm and cool colors in what could be considered an Impressionist style similar to the artist Paul Cezanne. The cat is the focal point of this painting—it is centered in the composition, lounging on what looks to be a blanket. A distinct black line separates the cat from the blanket and this line emphasizes the cat as the center of attention. The cat is stark white in the center of these gemstone shapes. Why does a painter use cool or warm colors? Warm colors (such as red or yellow) can bring warmth, coziness, or happiness to a painting, and cool colors (blue or green) can bring coolness, fear, sadness, or wistfulness to a painting. As a person, you might be drawn to warm or cool colors depending on your own mood. Here, the lazy cat is generally depicted with warm colors, and the blankets contain both warm and cool colors. The use of oil paint creates texture on the painting, almost bringing the image to life. Our fingers could probably feel this sensation if we were allowed to touch it. Viewers are particularly drawn to the oil texture of the black, blue, pink, gray, and purple section directly under the cat. Lin seems to “pop out” this section. Wouldn’t we love to be this lazy cat on her comfy blanket? Back to top Discussion Questions Why might some painters use geometric shapes or wild brush strokes to create an image instead of painting a realistic, almost photo-like image? This painting contains a lot of depth. Viewers can see the environment of the cat very clearly. What are some painting techniques that create depth in Lin’s work? How do light and dark colors work hand in hand in this painting? Back to top

Get Myself a Rocking Chair

Katrina’s life changes when she starts visiting Mr. McCumber, a lonely old man with no family of his own Chapter One  Lord I been hangin’ out of town in that low-down rain Watchin’ good-time Charlie, friend, is drivin’ me insane Down on shady Charlotte Street,  the green lights look red Wish I was back home on the farm, in my feather bed The soft music of the guitar floated through the still air. Smoke from a chimney could be seen above the rooftops of town. Peter McCumber was an odd man. He spoke to no one, but he sang and played his guitar as if he was all alone in his own world. Nobody could remember the last time Peter McCumber had gone to church, let alone to visit somebody. The townspeople all kept their distance, as if he were ill or crazy or something. My father was the only person that would speak to him. I was interested in the old man; there were not many elderly people in Emerald Hills, where we lived. The only other one was Mrs. Gaffney, the milliner. But, like everyone else, I kept my distance. Our town, Emerald Hills, consisted of two neighborhoods. I lived at the very edge of the smaller neighborhood, closer to the part of town where all the shops were. My house was a tiny one-story cottage with whitewashed boards and sky-blue trim around the windows. I lived with my father and our cook, Helen. My mother died when I was only four, and I hardly remembered her. Helen came shortly after Mother died, and she had raised me for most of my life. I opened the kitchen door, and a wave of delicious scents hit me. Helen hardly ever made anything hot in the summertime, but today was Friday, and Grandmother was coming. Helen had cooked a whole chicken and made mashed potatoes, which were a special treat. She had roasted carrots and for dessert there was a large chocolate cake hidden in the cupboard. “Smells delicious!” I exclaimed, dropping into a chair. “It’s nothing,” Helen said with a smile. “But I could use some help. Go change and then help me set the table.” “Sure.” I left the kitchen and went into my bedroom. I picked out the blue dress Father got me for my birthday. It was very lovely, but I hated dresses, and I wore overalls almost every day. But I knew that Father would appreciate it if I dressed nicely tonight because Grandmother was coming. My father’s parents had died before I was born, but my mother’s mother was still alive. She was a stately old lady, and very old-fashioned. She did not really approve of my father, because my mother had run away to marry him. But with time she had grown to tolerate him, and after Mother died, she helped us in some small ways. Anyway, Grandmother did not approve of girls wearing pants, so every time she came, I donned a dress and stuffed my overalls to the back of my closet, in case she happened to peek in. The dining room was set up nicely with a pale yellow tablecloth and flickering candles. Usually, we ate at the kitchen table, but as I’ve said, Grandmother was very stately and old-fashioned and did not approve of dining in the kitchen. I helped Helen bring the various dishes to the table. Just as we finished, the front door opened and my father entered. I could hear him taking off his hat and putting down his umbrella. He had been in the city, picking up Grandmother. I ran to him and wrapped my arms around him. “Hey, kiddo. How was your day?” he asked, squeezing me to him. “Good,” I told him. Then I heard a loud sniff. I stepped away from Father to see Grandmother standing beside him. She was very short, not much taller than me, but Father once said that was a good thing, because if she were any taller, she would be too intimidating to even talk to. “Hello, Grandmother,” I said quietly. She sniffed again. “It is not proper to come flying at someone like that. And Martin, you must not say ‘hey’— it’s so unrefined! When I was young, we stood in a line in front of my father when he came home from work, so as to greet him. We never flew at him like small animals!” she said. That is what I meant about Grandmother. Father smiled. “Katrina was just happy to see me. That’s all,” he said. “Yes, well.” She sniffed again. “Really, Martin. I do think you should have named her Julia Margaret! That’s proper, you know! The first daughter named for her mother! Especially because her mother is now dead. Did you ever think about changing her name after my daughter died? It would make people see how much you were mourning her!” The stars appeared one by one, as if someone were lighting hundreds of candles to cut through the darkness. Grandmother brought this up every time she visited. But Father always said with his quiet firmness that my mother had hated the name Julia Margaret and had not wanted to name her daughter that. “Supper’s going to get cold. Why don’t we all head into the dining room and have a bite to eat?” suggested Helen, poking her head through the door. “And really, Martin. Servants should know their place! They should not interrupt conversations! They should not talk at all!” Grandmother said. “Helen is a dear friend, not a servant,” Father replied. He still spoke in the same calm manner that he always did, but I could tell he was aggravated. Helen did not seem to mind Grandmother’s remarks. I saw her hiding a smile as she withdrew back into the dining room. Dinner was mostly uneventful. Grandmother criticized everything from peeling paint on the walls to how Father’s wristwatch was seven seconds faster than the grandfather clock

A Long Walk to Water

A Long Walk to Water, by Linda Sue Park; Clarion Books: New York, 2010; $16 Have you ever found yourself running as fast as you could but not really sure where you were going? Maybe you were trying to clear your thoughts or simply running for pleasure. Maybe, like eleven-year-old Salva Dut, you were trying to get away from something. Have you ever had to perform a task so terrible and tedious that you can’t wait for it to be over? Nya, also eleven, must do this every day. The year is 1985, and Salva is living in the village Loun-Ariik with his family in southern Sudan. One day, while Salva is at school, he and his classmates hear gunshots. It is not long before they realize that the Sudanese civil war has finally arrived at their village and is being fought just outside the schoolhouse. The students all hurry outside and are instructed by their teacher to hide in a nearby bush. After Salva reaches the bush, he realizes it is important for his survival to get away from the fighting. By himself, he begins to run away from his homeland and the Sudanese war, towards Ethiopia. There Salva remains, separated from his family, until the Ethiopian refugee camps are shut down six years later. Now that the camps are closing, many people begin to lose hope, but not Salva. He remembers that there are refugee camps in Kenya and leads about 12,000 young men and boys, called “the lost boys,” safely to Kenya. In 2008, Nya, also living in southern Sudan, must make the trip from her house to a nearby pond to get water. She carries a large plastic container on her head, and the trip there and back takes her the entire morning. When Nya comes home, her mother gives her boiled sorghum meal for lunch, then she leaves once again, to get more water from the pond. Each day, she walks twice, to the pond and back, to collect the family’s water. One day, two men come to Nya’s village and begin to discuss plans for building a well. At first the process goes very slowly, and the only water that comes to the well is very muddy. Nya wonders if the well will ever be anything more than a dream. Reading this book made me realize how lucky I am. Every day I have enough to eat, enough to drink, and my family is always with me. Here we have two eleven-year-old children, both making long, tireless journeys and getting by on very little. Salva is part of a cultural group called the Dinka, and Nya is part of a group called the Nuer. I found out that the people of Sudan recently voted to split their country into two, in part because of irreconcilable differences between these tribes. Officials hope that it will stop the fighting. Hearing about problems such as this makes me very thankful to be living in America. Salva and Nya’s stories are ones of survival and perseverance, and both tales really inspired me. Salva’s story, in particular, made a lasting impression on me, and I was shocked to find that the book was based on the true story of Salva Dut. The author, Linda Sue Park, had the chance to meet Salva, read his written accounts of the journey and conduct numerous interviews with him. Without giving away too much, I’ll say that Salva was eventually able to use his amazing talent in leadership, his initiative and innovation, as well as his perseverance, to do something even greater for others and make a difference in the lives of many. Also, towards the end of the book, Nya discovers that dreams can come true. A Long Walk to Water is one of the most inspiring books I’ve ever read. Julia Elrod, 13Oberlin, Ohio