Book-Reviews

Olive’s Ocean

Olive’s Ocean by Kevin Henkes; Greenwillow Books: New York, 2003; $15.99 Olive’s ocean should be sold with a complimentary bag of Kleenex. I could tell from the beginning that this wasn’t going to be The Boxcar Children. I must admit that I was really prepared for the worst. I’ve read soooo many books that are supposed to touch your heart and are just boring and predictable. This is not the case with Olive’s Ocean. You see, Kevin Henkes is a true writer. He’s not some sappy poetic writer wannabe. He has this way of writing that’s plain but still very powerful. I play the cello, and when I just play a note really in tune and whisk the bow across the string neatly, it sounds just as good as when I wiggle my fingers a lot and do all these fancy flourishes. This lachrymose writing has an elegant simplicity that really works. And I’m not talking about the Lily’s Purple Plastic Purse Kevin Henkes anymore. (Yes, it is the same author.) This new Kevin Henkes is more grim and sentimental. Just try to picture one of those perky and cute little mice having their classmate, Olive, being run over by a car, almost drowning on a vacation at their near-dead grandmother’s beachside house, and being horribly betrayed by their boyfriend. Since the grandmother will die soon, she and our red-haired protagonist, Martha, have talking sessions about each other every day, and through talking with Granny and reading dead Olive’s diary, Martha evolves into a writer. She writes this haunting yet beautiful poem that is even better if you haven’t read the book because it’s just a chaotic jumble of a bazillion thoughts plopped on a piece of paper. I love that. She even plans to write a book, but we’ll talk more about that later. At the beach, Martha finds love with the grandmother’s neighbor, Jimmy, who turns out to be a total creep. One thing that Kevin Henkes did take with him on the path to this tear-jerking read from a world of five-year-old mice, though, was his fabulous understanding of a kid’s brain. Only Henkes can capture the feeling of the last day of a trip. I certainly know that feeling, considering the millions of trips my overworked parents are always taking the family on. Haven’t we all experienced that sensation of “this is the last time I’ll sleep on this pillow, the last time I’ll walk through this door, the last glass of orange juice here . . . ?” I always feel like I have to do something special on the last day, but at the same time I want to remember what it was normally like here. I’ll never forget choosing the last-dinner restaurant. Whether to pick a new, exciting one, or the boring, humdrum one we went to every day. (Being the more boring, humdrum type, I always choose that second option.) But back to Olive’s Ocean, there’s only one thing that annoyed me. This is the type of book that you turn a lot of pages afterwards looking for more, and you yell obnoxiously to the poor book cover, “What? That’s it?” (scaring the cat off the sofa). I am still not at peace as I write this review. What happened to Martha’s book? Is Grandma dead yet? Did Martha keep writing? If you read this book, you won’t find out. Don’t worry though, it’s still worth your time. Olive’s Ocean is the type of book that makes you lean back and sigh. I felt so lucky to know that all my friends are with me, that my life is stable and good, and that I don’t know any boys named Jimmy Manning. Isabel Ortiz, 12Davis, California

Powerful Words

Powerful Words by Wade Hudson; Scholastic Inc.: New York, 2004; $19.95 This is a collection of poetry, rap, historical speeches, stories and biographies on the struggles and triumphs of African Americans. This book intrigued me because it was the ideas and thoughts from the eighteenth century to the edge of the twenty-first century. I could read the book part by part. I like rap music so I read the section about hip-hop star Lauryn Hill first. She expresses her feelings with music. I read the lyrics of a song about a person wondering where his life is going, “And I made up my mind to define my own destiny.” But she is not the first to express her feelings. Benjamin Banneker, an inventor, surveyor and astronomer, wrote a letter to Thomas Jefferson. It said, “We are a race of beings who have long laboured under the abuse and censure of the world, that we have long been considered rather as brutish than human and scarcely capable of mental endowments. The color of the skin is in no way connected with strength of the mind or intellectual powers.” Mr. Banneker died in 1806. Then I read about the first black newspaper, Freedom’s Journal. Publisher John Russwurm wrote, “We wish to plead our own cause. Too long have others spoken for us.” It lasted two years. By the Civil War, there were twenty-four African-American newspapers. One of my favorites was a story by Toni Morrison. The story is about an old, wise, blind woman who teaches a lesson about mockery and power. Mrs. Morrison’s biography informs the reader that she was presented a National Humanities Medal by President Bill Clinton and is the first African-American woman to receive the Nobel Prize in Literature. Her story was very different from Mary McLeod Bethune’s story. I never heard of this brilliant woman who started a public school for African Americans. Five little girls started in 1904. By 1923, it became Bethune-Cookman College and she was president. Many African-American children received educations because of her. I wish this had been the experience for Native Americans who instead were sent to government boarding schools where they could not speak their native language and were given Christian names. I would recommend this book to everybody who has a different culture and can compare their experiences. As a Native American, I learned about how we had some of the same experiences and different ones too. We share a history of discrimination, but we have succeeded in keeping our culture alive—our foods, music and traditions. That’s what makes all of our cultures different but very interesting. I sit with my mother and sister when they sing and play the pow-wow drum and I connect with my heritage. In the same way, African Americans connect with their culture with the gospel music composed by Thomas A. Dorsey, the son of a minister. He wrote, “Precious Lord, take my hand, Lead me on, let me stand, I am tired, I am weak, I am worn; Thru the storm, thru the night, lead me on to the light.” Read this book! The powerful words will teach you how many African Americans struggled and achieved great things, making America better for all of us. Celia Arguilez Smith, 11San Diego, California

The Wanderer

The Wanderer by Sharon Creech; HarperCollins: New York, 20oo; $16.99 About a year ago, my friend recommended The Wanderer to the girls in my Mother-Daughter book club. When she described it to us, I knew right away that it would be the perfect book for me—that I just had to read it. A few months later, when I was on a trip to London for February vacation, we were browsing around Foyles bookstore, and I saw The Wanderer on a shelf. I added it to the stack of books accumulating in my arms and bought them all. The day after I got back, I sat down on the couch with The Wanderer. I was absorbed from the first page, and didn’t move until I finished. One of the reasons I found it so gripping was because of Sophie, the thirteen-year-old protagonist. Like all the main characters in Sharon Creech’s novels (I have read four others), Sophie was so vividly portrayed and well developed that I felt like I was her—soaring across the wide Atlantic with my uncles and cousins on a sailboat, answering the call of the ocean that had captivated me every year—forever optimistic about finally meeting my grandfather who was waiting for me in England. She also made me feel haunted by the shadow of her parents’ death creeping back into her memory and stepping in and out of her dreams. I enjoyed every minute of this imaginary voyage because I associate the ocean with adventure, freedom and peaceful consolation, all as endless as time, just as Sophie does. I remember when I went on a whale-watching boat last summer, looking forward to the moment when the thin line of land behind me would disappear below the horizon and I would be surrounded by the wide ocean, stretching away in every direction. I thought of how Sophie eagerly anticipated getting underway and onto the sea. The most emotionally effective part of the book for me was when Sophie finally met her grandfather, Bompie, and retold stories from his childhood to him as a means of comforting him when he was sick. She also told him the tale that she had pushed aside for so many years, of her parents’ death by drowning, only to have it painfully emerge from the fog of forgotten memories and into her consciousness. The way she told this story, mingling it with Bompie’s stories, provided insight into her feelings in the moment as she finally discovered the true nature of her own past. This is a wonderful book for anyone who enjoys a deep analysis into what it means to survive a tragedy that claims someone you love. Even though I have never lost a loved relative or friend, after reading this book I feel as if I know what it would be like because the character of Sophie was so sophisticated and convincingly written. This book changed my perspective on death and helped me understand what was previously so incomprehensible in the way only an outstanding book can do. Charlotte Kugler, 12Concord, Massachusetts