January 2021

Sawterra

Sawterra, who thinks she looks as terrible as her name sounds, wishes to become beautiful Sawterra had a terrible name. She wished she had been called something beautiful, like Janis or Jasmine. But no. She had to be named Sawterra. Sawterra, I am sorry to say, looked exactly like her name. She had matted brown hair, muck-green eyes, and a sallow, drooping face. She had a height of nearly six feet, but was far wider than she was tall. She was flabby and sallow and drooping, and she wished more than anything to be beautiful. One day, as Sawterra was walking along, dragging her feet in the mud, she came across a stone gargoyle stuck deep in the ground. It was a tangle of scaly gray legs and arms and claws and tails, and its huge, gaping mouth looked wide enough to swallow a bowling ball. Sawterra took a great liking to it, as it looked so much like herself. “I feel sorry for that gargoyle,” she said aloud, though no one else was around. “I know what it feels like to be ugly.” And she pulled the gargoyle out of the ground and carried it home in her thick, floppy arms. *          *          * Sawterra’s parents were very rich, and very strange. They, unlike their daughter, were both very thin and hated other people. Her mother had stringy gray hair and pale blue eyes and unnaturally pointy eyebrows; her father had shiny black hair and a dashing black mustache. They were loving parents, and they always encouraged Sawterra to play practical jokes on the neighbors. Oh, and also: they adored frogs so much they filled their house with them. Frogs in the pantry when Sawterra went to fetch the sugar. Frogs in the frying pan when she tried to make breakfast. Frogs, frogs everywhere. Sawterra liked frogs too because, like her, they weren’t very pretty. Sawterra didn’t like pretty things. She felt jealous of pretty things. Because didn’t she deserve to be pretty too? Why did some things get to sparkle and glitter and shine while she was stuck being ugly and plain? Sawterra filled her room with ugly things, many of them even uglier than her. It made her feel good to actually be more beautiful than something. “The man I marry must be even uglier than me,” Sawterra would often announce. Because, after all, anyone less ugly than her would have to find her utterly disgusting. (Besides her parents, of course.) *          *          * Sawterra was sitting in her room, gazing lovingly at her gargoyle. It was nighttime, and she could see the stars through her skylight. Sawterra’s parents didn’t care when she went to sleep, so she stayed up as late as she wanted. Sawterra felt something cold and damp pressing against her hand. It was a frog, of course. She bent down and smiled at it. This frog’s name was Warty, and he was her favorite because he was especially slimy and warty and gross. Sawterra stared longingly through her skylight. One star was especially bright. She would have liked to be that star. That star was beautiful. “Staaar liiighttt, staaaar briiiighttt . . .” she began to sing. “Fiiiiirstt staaaaar I seeeee tooniiiighttt . . . ” Then she paused. What should she wish for? She looked at the gargoyle, its sweet little eyes gazing dreamily into space. And she knew. “Wiiiiishh I maaayy, wiiiiiiiiiishhhh I miiiighttt, haaaave the wiiishhh I wwiiishh tooniiighhttt . . .” “I wish,” Sawterra breathed, “I wish my gargoyle were alive.” At first, nothing happened, and Sawterra thought it wouldn’t work. Oh, how could she have been so silly? The gargoyle was made of stone. It wasn’t alive. Sawterra stared longingly through her skylight. One star was especially bright. She would have liked to be that star. That star was beautiful. But then the gargoyle seemed to stir, and its lifeless gray scales shifted into bright, shiny, silver diamonds along its body. Its eyes glowed, its mouth opened, and . . . “WHAT CAN I DO FOR YOU, O GREAT ONE?” it asked in a huge, booming voice. “Make me beautiful,” she answered. And so the gargoyle did. Or . . . he tried. He mumbled a spell under his breath, and suddenly Sawterra felt a coldness inside her. She gasped. She hurt all over. Her hair writhed and grew, changing from a drab, unattractive brown to a striking, shiny black. Her face twisted, transforming her features, changing them from ugly to beautiful. It hurt more than anything she had ever experienced before. Her mind went numb. She couldn’t think, she couldn’t breathe. Sawterra had no idea exactly when the change ended. Gradually the pain and coldness retreated, and everything was dark. Why was it so dark? Then she opened her eyes, and light came pouring in, blinding her. The gargoyle was bending over her, an expression of sorrow on his face. “OKAY, SO THAT DIDN’T GO QUITE SO NICELY AS I HAD EXPECTED,’’ he rumbled apologetically. Sawterra leaped up, her heart racing. “But—am I beautiful now?!” she cried, and her voice sounded different: high and singsongy, and nothing like her own. The gargoyle sighed. “YOU’D BETTER GO LOOK IN A MIRROR,’’ was all it said. She raced to the bathroom, glanced in the mirror—and screamed. Her reflection, staring right back at her, was nothing like her own; it might have been beautiful once, but it was far too damaged to tell. It was twisted and maimed, burned in places, coated all over with sweat and blood. One of her eyes was missing, leaving a dark hole where it should have gone. “HOW COULD YOU DO THIS TO ME?!” she screamed at the gargoyle, who shrank away from her in terror. “MAKE ME BEAUTIFUL—AND THIS TIME, MAKE IT WORK!” she demanded. “Y-YES, MASTER,” the gargoyle trembled, bowing so low his head touched

The Ambassador

After Giorgio de Chirico An ambassador. He has no mind, no face. He sits back in a daze. Like a dog, loyal to anyone who commands him to do anything. But with no mind. No, he stoops lower than a dog. He is not human anymore. He wears a breastplate— for every moment he is ready for a battle to lose. People treat him like a toy, a robot. Yet there are no people. Where he sits is not a city, but it has walls. It has no hope, yet it has strength. Perhaps the walls have hope, the ambassador thinks. The walls could talk. Or could they? They talked to him. He knows he is nothing. He wants to give himself away. Leave the curtain and chair, and enter the darkness beyond, where he will have to suffer nothing. But then the walls would be alone. Does he already suffer nothing? He is alive and not alive. How does he think? He is alive and not alive. Like a tree he stands still, not quite able to grasp the knife that he could put to his breastplate to ruin the mechanisms that hide there. To be gone from an awful world he is already gone from. Emma Catherine Hoff, 8Bronx, NY