Stone Soup Magazine for young readers, writers, and artists

Saturday Newsletter: March 20, 2021

“Fly High in the Sky” (watercolor) by Sloka Ganne, 11 (Overland Park, KS) and published in the March 2021 Issue of Stone Soup A note from Emma This weekend we are thrilled to be launching our third annual book contest! Every year we refine the contest a bit more, and this year we decided that we will select two winners to publish: one in fiction and one in poetry. Comparing poetry collections to novels and novellas is truly an apples-to-oranges comparison, and we would like to be able to fully recognize the achievements in each genre by rewarding publication to two manuscripts. You can read the full guidelines for the book contest at our Submittable site. I have been working nonstop with last year’s winners, Tristan Hui and Anya Geist, on novel edits, and I am so excited to share their work with you later this year. We are all so amazed at the quality of work we receive for this contest, and of the evident effort put into each and every project. It is truly an honor and a pleasure to read your manuscripts, and I cannot wait to see what this year brings. To kick off the contest, Naomi Kinsman of the Society of Young Inklings will be leading her Design a Novel Weekend Workshop, an intensive two-day class to help those of you who are starting a new novel. The workshop will meet on Saturday, April 10, and Sunday, April 11, from 9 a.m. to noon. PDT (noon to 3 p.m. EDT). Naomi is a wonderful teacher, and working with her will set a wonderful foundation for your work! Although we regret not being able to offer a free novel workshop at this time, there are scholarships available. And if you would like to support our mission to support all creative children, regardless of income, please consider making a donation. As always, feel free to write us with any questions. I can’t wait to read your work! Highlights from the past week online Don’t miss the latest content from our Book Reviewers and Young Bloggers at Stonesoup.com! Anushka, 10, wrote a review of the 2015 novel Gorilla Dawn by award-winning author Gill Lewis, explaining how they think the novel “can inspire children and adults to work to conserve our environment.” From Young Blogger Dominic Ng: a persuasive article about their favorite video game, Minecraft. Ashlyn, 11, wrote an information-packed review/essay on George Orwell’s classic novel Animal Farm. To find out more about the autonomy of the self, check out a review of New York Times bestselling author Gordon Korman’s 2017 novel, Restart, by Emily, 10. At last week’s workshop, participants learned about the volta, peripeteia, anagnorisis, and metamorphosis in order to write pieces that “veered.” Read some of the work created during the workshop here. Contest, partnership and project news Our Young Authors’ Studio Summer Camps with the Society of Young Inklings are now open for booking! Find out more and secure your spot at the Young Inklings website. To reiterate, we are launching our third annual book contest, so make sure to check out the full guidelines at our Submittable site. Happy writing! From Stone Soup March 2021 The Flowers That Live Forever By Iris Chen, 10 (Rye Brook, NY) A young girl walked through the gloomy roads of Brickville. As she walked, some rain began to fall. Huh, the girl, whose name was Olivia Judertt, thought. What perfect rain for flowers. Olivia loved her town, but it had no real color. She also didn’t like the fact that the town had no flowers. Olivia hated gloomy and gray things. She was very fond of flowers and color. Olivia loved coloring more than sketching, and she would rather get a colorful paint set than a phone as a gift. Her room was painted rainbow, and the first time you set eyes on it, you had to shield your eyes: the colors clashed together so much and it was too bright. So when she noticed that the town was missing color and flowers, her two favorite things, she decided to change that. One day she hopped into the kitchen with a new idea forming in her mind. “Mom, Dad!” she exclaimed. “I would like to plant some flowers in our backyard!” Mrs. and Mr. Judertt laughed uneasily. “Oh, silly girl,” they said. “The soil in our backyard isn’t nice enough for some pretty flowers. Besides, the weather here is very foggy, and flowers need plenty of sun.” Stubborn Olivia refused to give up. She emptied her piggy bank and walked to the closest flower shop. Olivia looked around the flower shop. Lots of colorless, grown flowers covered one side while seeds were stacked on top of each other on the other. She walked around, trying to pick out the just-right flowers. All the flowers there were expensive and not very colorful. “This is hopeless,” Olivia grumbled after half an hour of searching for the perfect seeds. Then something caught her eye. On the top shelf at the back of the store, sitting proudly right behind two really ugly flowers, was the most beautiful and colorful flower Olivia had ever seen. Olivia scrambled around for a stool to stand up on. She found one, climbed onto it, reached high, and brought down the flower. “Oh, it’s just a package,” she said to herself. The name on the package really drew her interest, though. It read, “THE FLOWERS THAT LIVE FOREVER.” . . . /MORE   Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498. Stone Soup’s Advisors: Abby Austin, Mike Axelrod, Annabelle Baird, Jem Burch, Evelyn Chen, Juliet Fraser, Zoe Hall, Montanna Harling, Alicia & Joe Havilland, Lara Katz, Rebecca Kilroy, Christine Leishman, Julie Minnis, Jessica Opolko, Tara Prakash, Denise Prata, Logan Roberts, Emily Tarco, Rebecca Ramos Velasquez, Susan Wilky.  

Writing Workshop #36: Veering

An update from our thirty-sixth Writing Workshop! A summary of the workshop held on Saturday March 13, plus some of the output published below “Nowhere is the haphazard and disruptive strangeness of veering perhaps more evident than in the space of literature. Veering involves all sorts of turns, funny and dark and revisionary. Indeed… in a sense veering is what literature is.” -Nicholas Royle, literary critic This week’s Writing Workshop on the art of veering (defined as a sudden change of direction) offered us a sneak peak of author, PhD candidate, and Stone Soup Lecturer Conner Bassett’s upcoming workshop series. We focused on four main types of veering: “the volta”, or poetic turn, “peripeteia,” or a sudden reversal in fortune/change in circumstance, “anagorisis,” or the moment a character discovers who/what they are, and “metamorphosis,” or a literal change in form. For each type of veering there were a multitude of examples within and outside of literature, including Queen’s “Bohemian Rhapsody,” James Wright’s poem, “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota,” the movement of Cubism, Toni Morrison’s Song of Solomon, and Ovid’s Metamorphosis, among many others. By workshop’s end, we had mastered four new key terms with which to impress our friends, and been inspired, once more, to write! Although everyone wrote something, those who read their work aloud were Rachael, Ismini, Olivia Z, Julia, Sierra, Liam, Peri, Enni, and Lindsay. The Challenge: Using one or more of the four main types of veering, write a story or poem that either changes genre, tone, mood, &/or plot halfway through, or, in which one character changes their mind &/or physical form. You can edit an older piece of writing or start something new! The Participants: Ismini, Georgia, Madeline K, Peri, Leo, Kaidyn, Julia A, Reese, Lindsay, Helen, Ava, Lucy K, Pranjoli, Liam, Margaret, Lena, Samantha, Eve, Lina, Sierra, Nami, Rachael, Maggie, Sophie, Anya, Tegan, Noa, Elbert, Ruhi, Olivia Z, Charlotte K, Sage, Anna, Angela, Tilly, Yasmine, Lucy R, Emma B, Enni, Olivia S, Charlotte M, Jonathan L., Nova Peri Gordon, 11Sherman Oaks, CA Haven Peri Gordon, 11 Peaceful nights Sitting by the ocean, resting on the shore, Watching the moon’s pull capture the waves And release them Peaceful days Watching the tranquil silhouette of a dove As it overlaps, from my angle, with the sun Serene sunrise, serene sunset The breeze of summer dawn Or the chill of winter dusk The sound of the seagulls, The salt of the seawater Overlapping with the sane sound of spring Or the calm cool of autumn   But when you’re bursting with anger And hate for humankind Sometimes, the fury can’t be drained By temporary peace So I leave. Liam Hancock, 13Danville, CA Pedestrians Liam Hancock, 13 I sat on the porch where I always sit, wringing sweat from my hands and squinting through the shimmery hot air. Across the street, Miss Reynolds scurried around her front yard in a frilly sunhat, undaunted by the suffocating heat and painted like a tribal warrior, sunscreen unceremoniously streaked across her shriveled old skin. Above the both of us, a clear day was speckled with wisps for clouds and the sun spread its warm embrace across the blue sky like something straight out of the Toy Story intro credits. From a distance, I could briefly make out the deafening rumble of the trucks as they passed by, their tail ends dragging across the gravel, stereos blasting with hard rock that shook our windows, drivers screeching, whooping, laughing as they went along. Miss Reynolds only briefly acknowledged the din with a deep scowl that spread fault lines of wrinkles across her face before returning to her garden with a new urgency. She crossed the crinkled brown grass quickly on shaky legs, water swishing from her can and gathering in brown puddles as she went, ripping through stands of poppies and rosemary bushes that I knew she’d been fostering for years, decades even. At her age, centuries weren’t out of the question. “Miss Reynolds?” I called questioningly. “What’s… uh, you okay over there?” Alarmed, her grey eyes shot up from beneath the brim of her gardening hat, searching my face as if she’d forgotten I was there. “Young’uns,” she cursed beneath her breath. No sooner did she resume her frantic disassembly of the front garden. “Young’uns and their guns’uns, and they’s trucks’ns. Nobody’s got my flowers, you see? Remember that, Velma. ‘Member it when they come.” I bit my lip, learning further back on my palms. “I think it’s better if you head back inside,” I urged her. “Cool down a bit?” “Guns’uns and trucks’uns,” she chanted. It had become some sort of disjointed kind of song. “They’s a big’uns and small’uns, child’uns and wild’uns.” I was just about ready to get up and call the Dementia Center– for the sixth time this month, of course– when the rumbling picked up again. I tilted my head, trying to decipher the skull-crushing music through the jostling of the tires through the scraping of bumpers along a low gravel road through Miss Reynolds’ mumbling, practically yelling now. The strangeness of it all finally worked some movement back into my stiff legs. I stumbled to my feet and tripped down the shallow front steps. Now, the noxious fumes of gas and exhaust was sharp and heavy over the street. Above us, the wisps of clouds, which hadn’t changed one bit, looked somehow different to me. “Those aren’t clouds…” I whispered to myself, panic fluttering in my chest. “It’s smoke!” Miss Reynolds growled, having appeared, pressed against the picket fence with a bundle of flowers and weeds tucked under her arm. She had no more time to explain before the sound of booming punk rock broke our hazy stillness and a fleet of heavyset trucks swerved through the tree line. Terrified, my gaze flew up to that plain, clear Toy Story sky, indifferently gleaming far above the grumbling engines and blasting rock music and somehow still beautiful despite how little it cared