The narrator and her mothers try to come to terms with some terrible news There was a mourning dove sitting on our roof. Well, sitting might not be the right word. Most of the time, we say one word because a better word doesn’t exist. For example, if there was a word that meant there is a bomb whistling toward your family and all you can do is wait for the explosion which will ruin your life, then the nurse with purple lipstick would have said it, instead of just “I’m sorry.” And how do you receive an apology when you can never accept it, even if you pretend you can? Most of the time, people act like apologies are gifts the apologizer is giving to the person they’re apologizing to. But, looking at the shiny purple lips of the nurse, I wondered what to do with her apology. When you have a gift you don’t want, do you still have to write a thank-you note? I guessed you did. So, I just told the nurse, “It’s okay.” I think that was maybe the first lie in an avalanche of lies. Or maybe it wasn’t. But there was a mourning dove sitting on our roof. And the reason that I wasn’t sure that sitting was the right word, is that it wasn’t moving at all. Usually when people sit, they fidget, or move their head around if they’re a bird. But the mourning dove wasn’t moving at all. “Why won’t it move?” asked Aunt Jasmine, trying to pretend everything was normal despite the traces of tears on her cheeks that proved the opposite, looking up at the beautiful bird. It really was beautiful, with its gray-brown feathers with smudges of purple, and eyelids a brilliant blue green. But I didn’t want beauty. Or maybe I did. “Maybe it’s dead,” I said, in a voice that didn’t sound or feel like me. The words didn’t sound or feel like me, either. “No, don’t, I mean—” Aunt Jasmine’s eyes filled with the kind of fear a six-year-old gets. She had flinched when I said the word “dead.” “Dead” was the word that the doctors and the nurses had been afraid to say. It disgusted me that Aunt Jasmine was afraid of it too. I wondered if she thought that if we didn’t say that word, the bomb wouldn’t explode. But it would explode. I knew it would explode. She looked at Aunt Mama. “It’s okay,” said Aunt Mama. But we all knew it wasn’t. We weren’t. Was that me? The not-okay girl. The not-okay family. Aunt Mama was afraid too, only she was trying not to show it, while Aunt Jasmine’s fear was too big to contain, so big that Aunt Jasmine had given up trying. She had cried in front of the purple lipstick nurse. But I hadn’t. I wasn’t ready to give up anything, even with the bomb coming closer and closer. I didn’t want to give up. Or maybe I did. Aunt Mama covered her fear by changing the subject back to the mourning dove, who still hadn’t moved. “You could try to sing to it,” she said, acting like the conversation had never changed. Part of me was grateful, but I knew we would still think about the bomb, even when the conversation was elsewhere. I played a mourning dove’s song through my head twice, enough that I felt ready to replicate it. Even with the bomb, we could still have our bird obsession. Aunt Mama and I had always loved birds. Aunt Mama could recognize any bird in the sky, in a bush, or swimming in a lake. I could recognize every bird by their song or call and could respond to them. Aunt Mama called me “The Bird Whisperer,” but I really couldn’t understand them at all. I couldn’t understand anything, really. I couldn’t understand why the mourning dove wouldn’t move. I couldn’t understand why the purple lipstick nurse didn’t use a better word, or why a better word didn’t exist. I didn’t want to understand the words that the doctors and nurses had used, words like “terminal” and “end.” Any word but “dead.” I didn’t want to understand that word either. Mostly, I couldn’t understand myself. So, I tried to sing the song of a mourning dove. “Coo-oo, coo, coo, coo.” The minute the sounds left my mouth, I knew they were wrong. My pitch was too high. Instead of a mournful lament, it sounded like the feeble human imitation it was. I knew how it had to sound in my head, but I just couldn’t make it sound right. I tried again twice, but neither was right. One was too low, and one I jumbled up the sounds, even though I usually never jumbled up the sounds. The mourning dove didn’t move at all after any of them, didn’t even blink. Didn’t even sneer, like I would have done if I were a mourning dove. I tried not to slump, but I think I failed. Aunt Jasmine started to chant “you can do it,” but was too exhausted to continue past “you can.” Aunt Mama put her arm around Aunt Jasmine and kissed her, but ruined the comforting effect by starting to cry, making Aunt Jasmine cry too. But not me. I didn’t cry. The bomb hadn’t even exploded yet, and already we were all mourning. But I wasn’t going to cry, because I had to be happy before the bomb exploded, even if it was impossible. Aunt Jasmine and Aunt Mama had sat down on a rock, the big boulder under the oak tree in the backyard. There was room for three people to sit there, but I remained standing. I was too afraid that if I joined them, I would start to cry too. Afraid that somehow the tears would hasten the explosion. I imagined the bomb whistling toward my family. Aunt Mama and Aunt Jasmine were sitting on the rock,
Monochrome
Watercolor Ashley Jun, 13Short Hills, NJ
Bloom
Watercolor Ashley Jun, 13Short Hills, NJ
Editor’s Note
This month, I would like to draw your attention to the art by Ashley Jun that you can find both on our cover and throughout the issue. Except for one digitally altered photograph (Trace, on page 35), all of Ashley’s artworks are abstract watercolors. Bloom, the cover image, is peaceful and uplifting—the colors remind me of renewal, sunshine, and life. Monochrome, on the other hand, which I chose to pair with Meital Fried’s excellent, melancholy story “Mourning Dove”, captures the way I feel on my worst days: like the world is only black and white. Waterdrop also has a melancholy feel, but a softer one than Monochrome; it is blue, not black and white, and so conveys a feeling of blueness, which is closer to a rainy-day kind of sadness. Finally, I want to address a question you may have: what do we mean when we call art “abstract”? Abstract art is nonrepresentational, which means it is made of shapes, patterns, and colors rather than images of places, objects, or things. A painting that is obviously “of” something is not abstract. Ashley’s painting Bloom is not a painting “of” a flower; instead, she has the used title in concert with the colors and shapes to evoke the feeling and idea of the flower. This month, I challenge you to make some nonrepresentational art—this could mean writing a poem, play, or story that doesn’t make “sense,” or creating abstract works of art like Ashley. Till next time,
Stone Soup Honor Roll: October 2021
Welcome to the Stone Soup Honor Roll! We receive hundreds of submissions every month by kids from around the world. Unfortunately, we can’t publish all the great work we receive. So we created the Stone Soup Honor Roll. We commend all of these talented writers and artists and encourage them to keep creating. – The Editors Scroll down to see all the names (alphabetical by section), including book reviewers and artists. ART Shiloh David, 4 Angelica C. Gary, 10 Eva Humphris, 12 Sela Milgrom-Dorfman, 11 Ainsley Rhoton, 13 PERSONAL NARRATIVES Edward Antwi, 12 Matthew Fic, 12 Eleanor Moy, 11 Tyler Oberdorf, 12 Deniz Ozsirkinti, 11 Ramona Weinstein, 11 POETRY Tarun Chava, 13 Priscilla Chow, 7 Hava Goldfinger, 8 Penn Kerhoulas, 7 Jaya Khurana, 10 Iris Kindseth, 10 Georgia Marshall, 12 Madeline Smith, 8 Kalyani Spieckerman, 12 STORIES Filzah Affan, 6 Sol Chung, 9 Aashi Gupta, 10 Carolina Henderson, 10 Sofia Huntley, 6 Olivia Hush, 12 Sophia Li, 10 Samuel Liang, 6 Alma Mendez, 12 Mia Shazeer, 8 Andrea Shi, 13 David Yu, 11
Highlights from Stonesoup.com
From the Stone Soup Blog Book Review: How to Sharpen Pencils by David Rees Brais Macknik-Conde, 11Brooklyn NY How to Sharpen Pencils: A Practical & Theoretical Treatise on the Artisanal Craft of Pencil Sharpening for Writers, Artists, Contractors, Flange Turners, Anglesmiths, & Civil Servants by David Rees, is a gold mine for anyone wishing to sharpen a pencil. David Rees is a celebrated cartoonist, television host, writer, and artist. From listing the essential supplies for pencil sharpening (at a reasonable $1,000!) to describing the anatomy of a pencil, to explaining how to preserve a freshly sharpened tip, this manual has it all. This truly is the ultimate guide to pencil sharpening. Rees’s guide walks the reader through different sharpening styles and how they may apply to different styles of people and professions. One of my favorite sections describes how to sharpen a pencil with a pocketknife. For example, he recommends producing a steep-angled pencil tip for people with heavy hands, as this will make it harder to break the tip off. He also advises exposing a lot of the graphite in pencils for artists, as this will make for a light sketch that can be easily erased. Rees’s love of manual pencil sharpening is only surpassed by his hatred of electric pencil sharpening and mechanical pencils. Here is one hint: Rees’s feelings about electric pencil sharpeners involve the use of mallets. Without giving away all of this guide’s secrets, I must mention Rees’s most prized pencil-sharpening possession: an El Casco M430-CN. Created by a company that once made firearms, this double-burr hand-cranked machine, Rees declares, is the best pencil sharpener on Earth. I enjoyed reading Rees’s tongue-in-check manual not just for its jokes and wisecracks, but also for its factual information, and even its lifestyle recommendations. By reading this book, I have learned the proper hand-stretching exercises to do before long pencil-sharpening sessions, that a correctly sharpened pencil is an object of beauty, and that mechanical pencils make for good firewood. This book is where I will always look to for pencil-sharpening guidance and inspiration, and it is where you should too. About the Stone Soup Flash Contests On the Stone Soup Blog, we publish original work—writing, art, book reviews, multimedia projects, and more—by young people. You can read more posts by young bloggers, and find out more about submitting a blog post, here: https://stonesoup.com/stone-soup-blog/.
Nothing
Nothing, a void, a thing you can’t just put in an empty vase. Nothing, not a thing, you can’t lock it in a case. You can’t say it is, and once you embrace, it becomes something, and is just empty space. Nothing, not tangible, just a void without a face. Nothing, a place that isn’t here. Nothing, changing our lives, yet not ever there. A blank screen, outer space, even in the air. It seems to appear everywhere. It causes great despair. Nothing is the place you get to at nowhere. Maybe, just maybe, it can be we’re unaware, unaware of the greatness that ensnares the darkness of the fact that nothing’s there. It helps us when we need to think, or if we’re surrounded in a county fair. Appearing at its best, it can help us pass a test, or live through a war. Nothing, at its purest, is extremely rare. When we’re working, we are very aware of every single sound that is emitted through the air. Jake Sun, 9Winchester, MA Anna Weinberg, 11Washington, DC
Underneath
iPhone 6 Anna Weinberg, 11Washington, DC
Memories
After learning he has only a few days left live, a man looks back on his life Theodore Colin looked out from his too-small chair in his roach-ridden room. The majestic cherry tree stood outside, greeting him as always. It was the only color in his life; his retirement home was as grey as his soul. He recalled, as if it was seared into his brain, what his doctor had told him yesterday: he would have only a few days to live. As he’d dragged his feet back to his room, he could hear his nurse weeping, and when he’d told his friends yesterday, a few tears trickled down their faces. As he’d delivered the news to his sister, his only living relative, he could remember the silence that had followed. It was ironically loud. When he had gotten back to his prison, he sat down at his chessboard, randomly moving pieces about. He pushed it away in disgust. But even though the news saddened those close to him, he himself did not grieve. That night, his eyes were sore from staring into space. He could feel the chronic illness eating through him like a mold. It had gnawed at him unflinchingly for so many years, consuming the very thing that was keeping him alive. He rubbed his head and looked up. Again, the flowering cherry tree that stood outside his window was there to smile at him. Even though it was painfully pink, the same color as the cancer that was killing him, its long branches swayed like grass, waving to him, inviting him to relive the memories of his glorious younger days. Suddenly, he was hit with a snowball of nostalgia as he was brought back into his memories. * * * It was a bright shining day as he skipped home from school, spirits high. He could remember the distinct smell of the cherry blossoms that bloomed in the spring, always there to provide him with delicious fruit. And as the petals of that first cherry tree floated off, turning from a brilliant pink to a muddy orange, he could remember the Christmas Eve of his nightmares. He was stuck at home with a fever choking him, a cup of cod-liver oil by his bedside. Jealousy plagued him, hearing the joyous cries of his friends as they threw snowballs at each other and built snowmen while he wiped snot off his face with his sleeve. But those hours of suffering had been only a wisp in his memory as he entered his golden years. So many things had happened in his twenties. It was the bliss of his life—booming business, new inventions. It was like the beautiful cherry tree. Then one rusty nail had ruined his happy daze: his friend’s doom. The Pearl Harbor attacks sealed William Smith’s fate. Theodore could recall the day he went to visit him. The hospital was white, too white. As he walked into his room and saw his friend on crutches and a deep scar on his face, there was a feeling of helplessness that ate at him the same way his cancer was doing now. They conversed on matters of little importance. But it was the shrill, shrill shriek from the neighboring room, followed by uncontrollable sobbing, that popped the bubble shielding Theodore. The feeling that there was a killer in white, blending in with the surroundings, being deceptively unalarming, still haunted him today. He could remember the cloud slowly devouring his friend, just like the illness he now had. He could see his future, the future of their friendship, being swallowed by this shadow. The Angel of Death was looming over him, ready to pounce when he was weakest. He’d backed out of the room, not bothering to answer or even say goodbye as his friend called after him, his face a mirror of confusion. He could remember the suffocating feeling he felt as he realized that Death would not let his friend live. At the beginning of their encounter, William had promised him that he would be fine. But Theodore realized that the promise was only a mirage, an illusion. All promises were just illusions. After he’d recovered from the terrible blow from the double-edged sword of friendship, he married Mae Tate. He was happy, business was exploding, and he was finally about to settle down with a family in Miami. But he smiled with remorse at the naïveté of his early days. How the tables would turn with time. He remembered how small arguments and tight smiles exchanged at breakfast turned into screaming matches that pounded on his ears and morale. After two years of spat insults and hostile glares, Mae left. At the time, he didn’t understand why. He knew, deep in his heart, that they were both good people. But they were bishops of two different colors. Bishops . . . Chess. Oh, how he loved that game! In the days before his time was stolen by painful headaches, he enjoyed a particular fascination with it. He would watch in wonder as great chess players rose to the occasion, setting new records and breaking the glass ceiling that constrained the game. He reviewed the brilliant games they created from nothing, how their seemingly simple moves crushed their opponents’ defenses as if they were made of sand. Who knew something so amazing could rise out of a simple touch of the hand to wooden pieces. But he also recalled the terror he felt when each of his champions was struck down and replaced with a more cautious player. There were no more resonating queen sacrifices that broke down the defense. There were no more aggressive and bold tactics. It was a new era. Chess had been his comfort, and now, seeing chess transform from a romantic and elegant game into something calculated and robotic shattered his heart. He hadn’t felt this broken since seeing his friend’s doom.
Desolation
iPhone 11 Pro Sabrina Lu, 13Ashburn, VA
The Earthy World
River water ripples like a smooth glass surface. Crickets play the drums while birds sing a joyful song. The sun leaves the sky and leaves no trace, The moon rises and dances along. Rain droplets fall to make many things new, And flowers bloom like fireworks. Fresh leaves decorated with dew, Stones sink, not floating like a cork. The natural scent of sweet lavender— The smell of nature fills the air. Waterfalls drop from the sky and meet the river. Butterflies fly in their home, the sky, an animal fair— The dreams of nature all come true. The clouds quietly float in the sky so blue. Olivia Wang, 10Atlanta, GA Sabrina Lu, 13Ashburn, VA
Supreme Sunshine
iPhone 11 Pro Sabrina Lu, 13Ashburn, VA