Stone Soup contributor and 20-21 intern Anya Geist, 14, talks with three time winner of the Weekly Flash Contest Enni Harlan, 13, about writing a novel, the research that goes into historical fiction, and the feeling of living in your story. 0:18 – How were you introduced to Stone Soup? 0:49 – How did you decide to submit to the Flash Contests and how did you feel when you won? 1:05 – Did you ever not win when you submitted? 1:18 – What was it like to receive a rejection? 1:28 – Have you ever submitted to Stone Soup Magazine? 1:39 – Did it feel different to submit to the Magazine than it felt to submit to the Flash Contest? 2:08 – What was your favorite part about the Writing Workshop? 2:30 – How did it feel to write a book? 2:53 – What was your book about? 3:24 – Would you write another historical fiction novel? 3:49 – What was your favorite part about writing a book? 4:06 – How did it feel to submit the finished product? 4:45 – What is your favorite thing about writing? 5:05 – Which is your favorite genre to write in? 5:29 – Do you find that the writing you do for school is different from the writing you do for fun? 6:03 – Do you have any writing advice for your peers? 6:21 – How would you describe Stone Soup?
Stone Soup Newsletter: January 16, 2021
“Music to my Ear” by Keira Zhang, 11 (Los Altos, CA) Published in Stone Soup January 2021 Illustrating “The Director” by Anya Geist, 13 (Worcester, MA) A note from William Waitlist for the Saturday Writing Workshop: The writing workshop begins next Saturday, Jan. 23. It is going to be a fun class. We are working with creativity and chance. Yes, we will be rolling dice! Enrollment was opened to existing class members last week, and 38 students have signed up. As I don’t want the class to get too big, we have closed off registration. If you want to take the class, then please register as soon as possible. You will be added to a waitlist. We will give priority to students who were in the class but haven’t yet registered. If you are in that situation, in addition to registering at EventBrite, please also write to Sarah at sarah@stonesoup.com. We will allow a few more students in, but only a literal few. If a student drops, we will fill that spot from the waitlist, so you do need to get on it to be considered for a spot in the future. Apologies! But we have to give priority to students who area already enrolled. Art: Firstly, Keira Zhang’s charcoal drawing, Music to my Ears, is just simply gorgeous. Look at it, letting your eye take it in. The drawing is also a technical tour de force. Such a beautiful, warm, and yet odd drawing! That ear! We love this drawing. Which is why it is the cover image for one of our sketchbooks. What else to say? This work is in a very old Western art tradition—the still life used as a learning tool. Studies of this kind used to be standard practice for people learning to draw. The style is now very rare. In fact, it is vanishingly rare to see such a young artist working in this traditional style. Large forms—including basic forms, like in this case a ball—illuminated with a strong light coming from a clear direction so that it casts sharp shadows. What is great about the still life for drawing students is that nothing moves! You set up your object, set the light so it shines on it to cast clear shadows, and then you start drawing: Eye. Hand. The strong light, which you see in this drawing, helps emphasize light and dark, which is what Keira was working with to create the illusion of dimensionality in her drawing. By working with I mean focusing on the light and dark and the tonalities in between to create the illusion of three-dimensional forms. The still life is the ultimate training in eye-hand coordination. Keira worked in charcoal. This offered her a medium that produces a rich, warm drawing while also being at least a little flexible. With charcoal, one can lighten patches that turned out too dark and darken patches that are too light. If you choose to use charcoal, you might consider looking at YouTube videos for some pointers on making a still life with charcoal. Weekend art project: A still life is the art project for the weekend. Yes, you can do this as a photograph if you wish. You can choose normal household objects or make something that is a bit odd, like Keira’s combination of a huge plaster ear, a ball, and a violin. Balls, triangles, and cubes are very common in this style of still life. For cubes, think of toy blocks or a piece of two-by-four. Whether you are using a camera or drawing, the lighting is the key. Strong lighting emphasizes volume. Strong lighting helps you, as the artist, to focus on light and dark as the way to render volume. The ball in Keira’s drawing looks round because of the very bright part of the ball in the center in contrast to the darker edges. Starting out just drawing a well-illuminated ball could be a good approach. Pay attention in Keira’s work to the contrast between the deep black and lighter portions of her drawing. There is no way you will achieve a finished charcoal drawing at this level on your first try, so my advice for this weekend it is to keep it simple: set up your scene with a clear, strong light source. More general advice: Stay relaxed! Don’t be overly critical! If you have never ever done this before, then consider seeking advice form YouTube. One suggestion I am sure you will encounter on YouTube is that you block out images with fuzzy lines—not crisp lines like in a coloring book but thicker, more forgiving approximate outlines. This will enable you to evolve the edges by letting you both add shading and pull shading away as your feel your way to the realistic outline. Courage! If you find yourself getting discouraged, then please stop and come back to the drawing later. Writing. “The Director,” the story below, is written by Anya Geist. Anya has been writing for Stone Soup for years and is now a Stone Soup intern. She also won the Editor’s Choice in the 2020 Stone Soup Long Form Book Contest. Anya helps post to the website, develop writing prompts, and is helping develop our forthcoming podcasts. Fortunately for Anya, but sadly for us, Anya is now in high school! I haven’t yet checked with Emma or with Anya, but my guess is that this is one of the last, if not the last piece that Anya will have published in Stone Soup. So, I would like to thank Anya for her fabulous writing and photography. Her contributions to Stone Soup will be long remembered—and will be read for years to come. Thank you! The story you find below, “The Director,” is, also a tour de force, like Keira’s drawing with which it is paired. There is just so much in this story to talk about—and so little space! What I am asking you all to do today is to click on the link
Stone Soup Author Interview: Liam Hancock
Stone Soup contributor and 20-21 intern Anya Geist, 14, talks to Liam Hancock, 12, about inspiration, persevering after rejection, and the Writing Workshop. 0:19 – How were you introduced to Stone Soup? 0:32 – What is your favorite thing about writing? 1:00 – How did you decide to submit to Stone Soup? 1:21 – How did it feel to have your story accepted? 1:46 – Was the accepted story, “Slaying Monsters,” one of the first stories you’d written? 2:14 – How did it feel when you were rejected the first time? 2:42 – Have you submitted anything else after your first acceptance? 3:00 – What was it like to write a book two years in a row? 3:39 – Do you feel like you grew as a writer between submissions? 2:54 – What inspired you to write “Slaying Monsters”? 4:35 – What is your favorite part about the Writing Workshop? 4:56 – Do you find that the writing you do for fun is different from the writing you do for school? 5:56 – Is there anything else you want to talk about? 6:10 – Do you have any writing advice for your peers? 6:47 – If you could tell somebody about Stone Soup, what would you say?
