July/August 2019

When Marnie Was There

Directed by Hiromasa Yonebayashi, 2015. When Marnie Was There is the last movie released by the famous Japanese animation studio called Studio Ghibli, and the first I saw that got me hooked on anime, a style of Japanese animation. The story follows Anna, a young teenage girl suffering from asthma, who is sent to the country by her foster parents to live with her relatives for a while. One day, she comes across an empty house known as the Marsh House. She returns to the house time and time again to find no one living inside until, one day, she finds a young girl named Marnie who insists that Anna never tell anyone about her. As the movie progresses, we learn more about Anna and Marnie’s personal backgrounds and life stories, and finally, about how their two lives might intersect . . . There are three reasons I absolutely love this movie. First, I felt great empathy toward Anna. Anna is a shy and lonely girl who is trying to fit in, and I am also shy. Marnie is a good friend to Anna: she is kind and lighthearted and always tries to cheer Anna up. Secondly, I appreciate that the two girls don’t have a normal friendship. Other movies about friendship typically show friends having fun until a problem occurs that tests their friendship—and then the friends either reunite or break up and drift apart. For example, Bumblebee (part of the Transformers film series) is about a young girl and a robot who become close friends. They have various fun adventures during the movie until the girl finds out Bumblebee is being hunted by other robots. When Marnie Was There is different because Anna and Marnie never get to really know each other. There seems to be a mystery or secret that’s keeping them at a distance from each other. And so, this creates suspense and leaves the viewer waiting for more. Who is Marnie? Is she a real person? Is she a ghost? Is she a figment of Anna’s imagination? What is their relationship? The plot is never pieced together, and it’s up to you to figure it out. This is a concept I have never seen before in a movie. Finally, I love the animation. Most other anime films have gross characters and ugly worlds. For example, Spirited Away, another Studio Ghibli film, has a really twisty world with really ugly characters; they all look old and wrinkly. But in When Marnie Was There, the animation is realistic, and you can see everything perfectly just like in the real world. Unlike Disney animation, the anime in this movie is more beautiful because you can see all the details on the birds, flowers, and trees, and you feel like you’re in Marnie’s world. Disney animation has mostly empty worlds, and the setting doesn’t feel alive. This is because the Disney world focuses primarily on the story happening in the movie and not on world-building. This movie, while insanely good, does have some flaws. You see, the entire movie is literally Anna going to Marnie, and nothing else; there are barely any scenes in the movie that are not related to the friendship between the two girls. Another annoying thing is that the movie is really slow. Anna learns about Marnie very slowly. So you always have to wait for Anna to find Marnie over and over again and also wait patiently through many unnecessary scenes of Anna drawing, doing chores, etc. What’s up with this slow waiting? Other than those two flaws, I feel this movie was extremely clever for a friendship story. If you like a fast-paced thriller or action like the Harry Potter movies, then this movie is not for you. This movie requires deep thinking. Overall, When Marnie Was There is a wonderful Studio Ghibli movie and will stay in my mind as one of the greatest emotional movies of all time. There is pain, sadness, hope, and loss, and that is why I cried at the end! Abhi Sukhdial, 11Stillwater, OK

“Hope” is the thing with feathers

“Hope” is the thing with feathers by Emily Dickinson, from THE POEMS OF EMILY DICKINSON, edited by Thomas H. Johnson, Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1951, 1955, 1979, 1983 by the President and Fellows of Harvard College. Gibbs Smith: Layton, Utah, 2019; originally published in 1891, believed to have been written in 1861. What is hope? Why do we feel hope? And why is hope so important to us? In a story from Greek mythology, hope was famously the only item to remain in Pandora’s box after it released the evils of the world, demonstrating just how valuable hope is to us: had hope escaped from our possession, humanity would have been unable to survive the evils of the world. Emily Dickinson believed in the power and value of hope just as strongly. Famously reclusive, this 19th-century American poet remained largely unpublished during her lifetime, by her own choice. After her death in 1886, however, her poems were discovered and published by her close friends and family. Since then, Dickinson has grown to become one of the most mysterious, emblematic, and loved poets of all time with her short but powerful poems. Much of her poetry is devoted to exploring the nature of life, death, and what she called the “Circumference,” the boundary where the reality that we know meets that of the sublime—God, for example, or for the less religiously inclined, Truth with a capital T. Dickinson was the first poet to really capture my attention when I was younger, and she is now one of my all-time favorite writers. In her beautiful poem “‘Hope’ is the thing with feathers,” Dickinson explores the power of hope and what it means to us as humans. In the first stanza, she introduces hope as a bird that “perches in the soul” and forever keeps us company to bear us through difficult days. In the second stanza, Dickinson emphasizes how only the most terrible situations could cause hope to falter, though hope becomes an even greater comfort to us when life is at its most difficult (a “gale” is a strong wind, while “abash” is to make someone disconcerted). Finally, in the last stanza, Dickinson brings home her message of how hope is always with us without ever costing us anything, no matter how difficult or dangerous something may be. I love this poem first and foremost for its message, and then for its structure and wording, which is also beautiful. The poem isn’t very long, but its message is still clear and potent. The rhythm of the words flows smoothly, and the words themselves are simple. I love how Dickinson feels no need to overstretch herself with elaborate and showy writing, and instead chooses to relay her message as simply as possible, which brings me closer to the poem and only heightens the impact of her message. Dickinson is well known for the seemingly hidden meanings and complex symbolism in her work. Though this particular poem of hers is relatively simple, I, like Dickinson and her “hidden” meanings, have a hidden reason for sharing this particular poem with you today. “‘Hope’ is the thing with feathers” is, without doubt, an extraordinary, thought-provoking work that showcases poetry at its best. But that’s not the only reason I chose to review it. In a time when the world increasingly has to deal with problems both large and small, from climate change to warfare to poverty to politics, it’s more important than ever to remember the message of this poem: hope can carry us through the darkest of storms, and even when all else has abandoned us, hope never will. And I hope (yes, I hope) that you will remember it, for hope never stops—at all. Kate Choi, 14Seoul, Korea

The Road Not Taken

“The Road Not Taken” by Robert Frost, from THE POETRY OF ROBERT FROST: THE COLLECTED POEMS, COMPLETE AND UNABRIDGED, edited by Edward Connery Lathem, New York: Henry Holt and Co., 2002. Henry Holt: New York, 2002; originally published in 1923. From choosing what clothes we wear to the career path we devote our lives to, life will always be full of choices. “The Road Not Taken,” by Robert Frost, is a poem that describes a traveler who encounters a fork in a road in a forest. Presenting him with a choice between two paths, the poem digs deep into the nature of making choices. “The Road Not Taken” has a melancholy yet peaceful tone to it. Through the description of yellow leaves, I assume that the season is autumn, when vibrantly colored leaves would be falling around the speaker, blanketing the path. The poem has a peaceful sadness emanating throughout, as the speaker laments being unable to experience both roads. In his indecision, he tells himself that he will follow the other path another day, but then adds, “Yet knowing how way leads on to way, / I doubted if I should ever come back.” In the end, he predicts telling the story of his choice with a sigh, wondering what would have happened if he had chosen differently. Robert Frost wrote this poem for his friend and fellow poet Edward Thomas as a joke, because, on their frequent walks together, Thomas was extremely indecisive about which route they should take. No matter what road they took in the end, Thomas would always regret that they had not taken another path, convinced that it would have led to better sights and better places. In my mind, this poem is not just about the traveler and his walk through the woods. In fact, picking a path through a forest is not such an important decision. But that decision is a metaphor for many of the life-changing choices people have to make in their “walk” through life. Whether you’re traveling through the woods or simply navigating through life, you have to set your eyes on a destination. I think the poem is telling us that we should think through all of our options, as it will impact the very direction of our journeys. There’s no point in concocting a million “what ifs.” Every choice you make should bring you closer to that destination. If you’ve made a wrong turn and there’s no going back, just learn from that mistake and stay focused on the destination. Regrets don’t change reality. What will change reality is your determination and how hard you work toward that ideal destination. Alicia Xin, 13Scarsdale, NY