When I was five, I got out of school. It was the first day and I had already made friends. But none of us knew what was happening. I heard a lot of talk about crash mess fall tall. Why was everyone talking about mess fall hit hurt and tears. Fear. My mom took me home. The streets were empty. I heard fire trucks and police cars. Then my mom told me. The two towers were missing. I was five. It was September 11. Suddenly, I felt unsure. Ashok Kaul, 11New York, New York
September/October 2008
A Different Kind of Light
Amy ran. She ran and ran and ran and ran because she never wanted to stop. She flew past churches and office buildings, the sound of her Nikes crushing the gravel guiding her. Her muscles didn’t hurt; her skin was simply a garment she could peel off when she got hot. Amy wanted to get as far away from that building as she could get. The smell still permeated her nostrils and she ran harder, ran faster, as if the closer she was to home the faster she could get rid of the smell. Sweat dripped down her back, nestled itself in the crevices of her face, but she didn’t care. Amy ran faster. Never had she run like this before, but she found that the more she thought, the more she wanted to go home, the farther her legs would take her. Running was a mental sport, Amy decided. She had heard the words—I love you—but she had not responded to them Amy did not slow down for several miles. How far away was she from that hospital, that place she never wanted to see again? Seven miles, she reasoned. She approximated the route at thirteen miles, which seemed reasonable, so she would have about six to go. On any other day, Amy would be intimidated, but not today, not when all she wanted to do was go home. Away from that hospital, which reeked of antiseptic and sick people, away from her father, who couldn’t say two words to her, away from the nurses and doctors all in white, who fake-smiled at Amy while secretly feeling sorry for her. Forty-five minutes, give or take, she’d be home. Home. The image of her mother flashed in her mind as she ran, becoming more vivid and then suddenly blurry in a flash; she found that she had to probe her mind to find the good images of her, not the ones where her mother was small and frail, but the energetic woman Amy knew her to be. A twinge of guilt stabbed her heart, letting misery flow through her veins; it took extra energy to keep running now. She had been selfish, uncaring. She had left the room in a hurry, wishing she would never have to go back, despite the calls from her father. Her mother had even called her name, whispered three words down the hall, where they floated in her ears, but she had not turned around. Amy wished she had. She had heard the words—I love you—but she had not responded to them. Amy had not cried, although anguish was pouring out of her in buckets. And Amy knew that the way to rid herself of the permanent melancholy that had overtaken her was to cry, but she never cried. She had stopped crying a long time ago. Four miles to go. Amy pulled her watch up to her face; she had forgotten to wear her glasses that day. Nine twenty-four. The little display glowed in the darkness, the only light she could see that was not a streetlight. The moon wasn’t even out to guide her… her mother loved full moons, she thought. But Amy pushed the thought out of her head and ran faster. Harder. Amy knew they glowed because her mother was there with them, no longer with her Amy felt a blister form on the back of her heel; she did not slow down to accommodate it. She pulled her watch to her face again. Astonished at the speed of her running, she silently thanked her mother for that gift. The sudden remembrance of her mother brought a whole rush of memories into Amy’s consciousness, and Amy came to a direct halt. She stayed at a standstill for several minutes, her blood pounding and her heart racing. The sky was stained with pitch, as if someone had thrown blueblack paint, the same color as her heart, over the sky and blanketed it in darkness. Amy looked up, expecting to see only a sea of misery blue, and she instead saw that the stars glowed with a different kind of light. They cast a sheer glow on Amy’s face; Amy knew they glowed because her mother was there with them, no longer with her, but in the stars somewhere, glowing that different kind of light. And Amy cried, for what she had left unspoken. Catherine Babikian, 12West Des Moines, Iowa Grace Lackey, 13 Lynnwood, Washington
I Am Rembrandt’s Daughter
I Am Rembrandt’s Daughter, by Lynn Cullen; Bloomsbury Children’s Books: New York, 2007; $16.95 How many of you know who Shakespeare or Beethoven were? Many of you, probably, but how many of you know who Rembrandt was? I know who Shakespeare and Beethoven were, but I had no idea who Rembrandt was until I read the book, I Am Rembrandt’s Daughter. This book is not told through the eyes of Rembrandt, but through the eyes of his daughter, Cornelia. It is a wonderful book filled with romance and mystery that is based on real characters. Cornelia has always felt ashamed of her father, Rembrandt, or vader as they say in Dutch. She is ashamed because Rembrandt paints with rough brushstrokes that can be seen, unlike the other painters who paint with smooth, hardly visible brushstrokes. It is because of this style of painting that Rembrandt, her brother, Titus, and Cornelia have to move from their big house to a small house. The only reason they survive is because of Neel, the very quiet student who pays to take classes with Rembrandt. Cornelia doesn’t give much attention to boring Neel, and she doesn’t realize how many times she might have broken his heart. Cornelia has always wanted to learn how to paint, but Rembrandt has never offered to teach her. I can relate to this because, like Cornelia, I have always loved to paint, and I am always eager to learn new techniques with the brush. For Cornelia, there has always been a great emotional distance from her vader, Rembrandt, so she tries to find a companion for herself, such as the gold-mustache-man. When he is no longer a suitable companion because he doesn’t come to their house anymore, she finds a sweet boy named Carel. Cornelia falls head-over-heals in love with him. Her life crashes down when unanswered questions about her past become known. Also, what happens when Titus comes down with the plague that kills her mother along with many others? I liked this book not only because it had an outstanding ending, but it also has many important themes and conflicts, such as the difference between rich and poor. Cornelia has been ashamed of her status in her community. Some see her as the poor mad painter’s daughter, and she soon realizes that being rich is not always as good as people think. I also really enjoyed this book because of the different times that the book was set in. One time period occurs in the present when Cornelia is sixteen and the two other time periods occur in her past. The last reason that I liked this book is because it is a bit of a mystery. You want to try and figure out who she was literally—who were her real parents?— and who she was emotionally—is she really just the crazy painter’s daughter or is she more? The author proves that not every relationship is meant to be when you are confronted with a life-and-death situation, and that those who help are the ones you should really appreciate. I was horrified when Carel backed away from Cornelia when she needed him most. But I love who Cornelia chose in the end. This is an emotionally touching book that truly takes you into her past, present, and future. Stephanie Murphy, 12Baltimore, Maryland