Stone Soup Magazine for young readers, writers, and artists

How Stories Work—Writing Workshop #63: Ways to Begin

An update from our sixty-third Writing Workshop with Conner Bassett A summary of the workshop held on Saturday, April 15 In this week’s workshop, we talked about different ways to begin a story. Conner began by saying we often feel the need to start a story with exposition—to start with loads of background information. We looked at openings of various stories and novels and found that in fact, there are many other ways to begin. We looked at stories that start in media res, or in the middle, such as The Handmaid’s Tale by Margaret Atwood. Other pieces, such as The Metamorphosis by Franz Kafka and A Clockwork Orange by Anthony Burgess, introduce a tone. Some examples, like Jane Austen’s Pride and Prejudice are humorous, others poetic. In the first few sentences of Toni Morrison’s Jazz, we even found the entire plot! To sum up the presentation, we reviewed three ways to begin a work of fiction that don’t involve mere exposition: we can reveal something, establish a style (or mood), or establish a theme or conflict. The Challenge: Write five different openings. The Participants: Emma, Amaya, Anushka, Ellie, Rachel, Samantha, Aaron, Philip, Yueling, Seva, Josh, Madeline, Polina, Ananya, Samarina, Stella, Nova, Catherine, Liesl

Poetry Soup Ep. 9 — “Declaration” by Tracy K. Smith

 Ep. 9: “Declaration” by Tracy K. Smith Transcript: Hello, and welcome to Poetry Soup! I’m your host, Emma Catherine Hoff. Today, I’ll be reading and talking about the poem, “Declaration” by Tracy K. Smith. Tracy K. Smith was born on April 16, 1972 in Falmouth, Massachusetts. She was largely inspired to begin writing poetry by the works of Emily Dickinson. Smith attended both Harvard (where she got her Bachelor’s Degree) and Columbia University (where she got her Master of Fine Arts in creative writing). Much of her poetry follows the theme of slavery and early American history. For instance, many of the poems in her collection, “Wade in the Water,” are drawn from historical documents and letters by former slaves. One example of a poem like this is “Declaration.” Tracy K. Smith was United States poet laureate from 2017 to 2019, preceded by Juan Felipe Herrera and followed by Joy Harjo. Smith has published four books of poetry and a memoir titled, “Ordinary Light,” in which she says that she was  inspired by Elizabeth Bishop and other poets. Her book of poetry, “Life on Mars,” which I greatly enjoy,  is dedicated to her father and his life. He has              sent hither swarms of Officers to harass our people   He has plundered our—                                              ravaged our—                                                                            destroyed the lives of our—   taking away our­—                                   abolishing our most valuable— and altering fundamentally the Forms of our— In every stage of these Oppressions We have Petitioned for Redress in the most humble terms:                                                                   Our repeated Petitions have been answered only by repeated injury.   We have reminded them of the circumstances of our emigration and settlement here.                                       —taken Captive                                                                                                                    on the high Seas                                                                                                        to bear— All of the lines in this poem are drawn in order directly from the Declaration of Independence, hence the title of the poem, “Declaration.” The Declaration of Independence states, “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.” However, when these lines were written, millions of Black people were enslaved. It was simply ridiculous for the writers of the Declaration, many of them slave owners themselves, to say that they believed men were created equal when they did absolutely nothing to stop the mistreatment of African Americans. So, what Smith does is that she cuts certain sentences off and picks just the right parts of the document to make it a Declaration of Independence for Black people today. The poem begins with what is perhaps the most important word, “he.” In the Declaration of Independence, “he” refers to the King of England, but here Smith makes that “he” refer to the capitalist system and white supremacy. The line, “he has sent hither swarms of officers to harass our people” could indicate the BLM movement and how hundreds of Black people are killed by the police every year in the US. Smith also makes connections between the tyranny of England’s rule during the time that the Declaration of Independence was written and the struggle against racism. When the poem says, “In every stage of these Oppressions We have Petitioned for Redress in the most humble terms…” it could refer to the Civil Rights Movement, to peaceful protests, to the many marches and speeches against racism. “Taken captive on the high seas to bear —” could be talking about the slave trade and slave ships. In a way, “Declaration” makes fun of the Declaration of Independence.  “Declaration” makes use of short lines, many of which are cut off before the sentence ends. Many of these sentences can be finished by the reader — for example, “he has destroyed the lives of our —” could be “he has destroyed the lives of our people.” Of course, what’s interesting about using line breaks this way is that there are multiple words to end this phrase besides “people.” The last lines, “taken captive on the high seas to bear —” can also be finished. From the very beginning, slaves were brought to the United States and to many other countries to bear years of oppression. Years of mistreatment. Years of unfairness. Years of having their rights taken from them. And years of torture.  This is a cool technique to use if you want to write a poem, because it allows the reader to imagine what the author means. So it’s almost like the poet writes half of the poem, but the reader writes the other, not only interpreting what the poem as a whole means, but also finishing the sentences. This is a style that I find really interesting. Maybe “Declaration” will inspire you to speak out about issues you care about. I hope you enjoyed this episode of Poetry Soup, and I’ll see you soon with the next one!   

Saturday Newsletter: April 15, 2023

Diversity is Beautiful (iPhone 11) by Tanvi Padala, 11; published in the April 2023 issue of Stone Soup A note from Emma Wood Hello, and happy spring! As I age, the brightness, warmth, and birdsong of spring seems to catch me increasingly off guard. Or maybe it feels this sudden every year, and I simply forget. Either way, I am luxuriating in the change in season. Spring is a time of renewal and celebration—so it is appropriate that Stone Soup will celebrate fifty years next month, in May. To celebrate, we’re planning a few events all month long—make sure you follow us on social media and subscribe to our newsletter to stay in the loop! All of these will culminate in a virtual open house and giveaway on May 20 from 11 a.m. to 12:30 p.m. Pacific. Join us for an update on the company from Editor in Chief and Executive Director, me; brief readings from recent magazine contributors; and an open discussion about what Stone Soup has meant to you and your family or classroom. Giveaway items include an annual subscription, a bundle of all of our books by young authors, a voucher for an upcoming Stone Soup camp or workshop, and a one-on-one writing consultation with me. Winners will be selected via random drawings during the live event. We hope to see you there! In line with the celebratory tone of this email and the season, we’re excited to announce that Laura Moran, director of Stone Soup’s Refugee Project, just received a grant from the Australian Anthropological Society, which will fund her next collaborative Stone Soup Refugee Project workshop. Congratulations, Laura! Finally, I would like to announce that Stone Soup is in the process of growing its board, and we are actively searching for a board member with a background in either middle school education or youth libraries. Please reach out if you’re interested, or be in touch if you might be able to connect us with an interested party who fits the description. Warmly, From Stone Soup April 2023 Here Comes Spring by Emma Yang, 8 On the trees Sway pretty leaves, Flowers bloom As I look through my room. Here comes spring, Nature rings. To read more from the April 2023 issue of Stone Soup Magazine, click here. Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.