Stone Soup Magazine for young readers, writers, and artists

We Want Math, and Band Too!

In June of this year, I learned that New York City’s Mayor Adams was planning to cut public school funding, which, considering our already underfunded school system, was an extremely bad decision. My school’s budget was cut by 16%, and there was a threat of losing teachers and our beloved band program. I wrote a petition which was signed by seventy-five kids in my school in just one afternoon; I sent it to local politicians and newspapers and attended a rally in protest of the cuts. Many people did things like this, and much more. However, despite the efforts of teachers, students, and parents, schools still lost the little they had left. My school lost its band program — one of only two extracurricular activities we had. We used to have two music teachers, but now some grades are without music class because we have only one teacher for such a large school. However, even this is lucky compared to other schools, which might not have any music teachers. This is just one example of the many injustices schools in New York City and many other cities experience — and most of these challenges fall upon public schools in poor neighborhoods. In wealthy neighborhoods, it’s possible for parents to fundraise, so the cuts don’t have much effect. However, in poor neighborhoods, parents cannot afford to do the same. Wealthy parents are willing and able to donate and organize fundraisers so that their children can be educated in a comfortable environment; however, not all parents are able to do this. In the United States, the quality of public schools varies based on students’ family wealth: a school full of rich kids will have arts programs, sports, and small classes. A school full of poor kids will be lucky to have even acceptable conditions — besides good teachers and a wide range of activities, the school needs money for things like air conditioning, heating, and sanitary bathrooms. Many wealthy parents, too, will send their children to private schools. So, while much money is pushed towards private schools, public schools are left in a predicament. However, the government also doesn’t provide schools with enough money — this year, for example, New York City’s Mayor Adams claimed that he was “weaning schools off the pandemic money” (though COVID is still not over), and that schools didn’t need so much money because many students were leaving the schools. But this seems counterintuitive: students are less likely to come back to public schools if the schools’ budget is reduced; they can find a private school or wealthy suburban public school that is able to provide them with more than their old one. In much of the United States, schools also get money from property taxes. What this means is that if you live in a rich neighborhood, you are more likely to have a better school because the many people that live there own expensive homes and pay high property taxes. Because people that live in poor areas are often poor themselves, their schools are consequently underfunded. If students are provided with supplies and good learning conditions, they will do better academically — but where will this money come from? Many students in lower-income neighborhoods need counselors and therapists, but hiring someone like that is a luxury usually only available in schools with more money. And, though students in poor neighborhoods may need more individual attention because they have fewer resources at home, their classes are usually much larger than in schools in wealthy neighborhoods. It’s outrageous that the kids who really need extracurriculars (like music, art, theater, phys ed, after-school sports, and a variety of clubs) don’t get them, but the people that can afford lessons outside of school have everything. Basically, schools are given “just enough” to show that the government cares — and most schools get even less. But why are the resources given to schools calculated in this way? Why can’t we have more, which is what we deserve? We could be discovering more and more talent — because talent isn’t just something you’re born with, it’s a skill that you get better at. But so many people don’t have the chance to get better at anything because they don’t have enough money. For them, school becomes a babysitting system, designed to turn students into low-wage workers. These students will never discover what else they could be. The fact that politicians think that this is acceptable shows that they don’t consider education important at all. Quality education is a right, not a luxury. The common cry for working people’s rights is: “we want bread, and roses, too!” Well, we want math — and band, too.

Saturday Newsletter: November 19, 2022

Lighthouse in the Rain (iPhone 8, Lightleap) by Tatum Lovely, 12; published in Stone Soup November 2022 A note from Laura Moran Dear Friends, As William mentioned last week, with the end of the year upon us, we at Stone Soup, are turning our attention to the annual fundraising drive. This year is a very special one as we mark the Fiftieth Anniversary of Stone Soup! This is cause for both celebration and determination. We celebrate the monumental achievement of showcasing and inspiring the vast literary and artistic talents of young people across the globe for fifty years and counting. In marking this moment though, we, at Stone Soup, must also focus on our determination to ensure another fifty years of this important work. Hence, this moment is a call to action as we turn to you, our Stone Soup supporters and donors, to help us reach our fundraising goal of $125,000. This money is pivotal to upholding the crucial platform Stone Soup provides for developing young writers and artists. A prominent element of Stone Soup, and one that is close to my heart, is The Stone Soup Refugee Project. The core goal of the Refugee Project is to extend the opportunities provided by Stone Soup-namely, publication, training, and creative engagement-to displaced youth across the globe. In other words, through the Stone Soup Refugee Project, we aim to provide a forum for these young people to tell their own stories, in their own voices. Compared to the broader Stone Soup project, the Refugee Project is still in its early, developmental phase-but what we have achieved in a short span of time is also cause for celebration. We’ve forged connections with ten plus organizations working on-the-ground with refugee youth worldwide, and through these connections, we’ve collected over three-hundred pieces of writing and artwork created by refugee youth. We’ve displayed some of these pieces in our print magazine, and all of them in our newly created Refugee Project web portal, which was built from scratch since the inception of this project. We’ve been able to connect, in real time, with refugee youth in one of the world’s largest refugee camps, Kakuma Refugee Camp, Kenya to deliver a series of creative writing workshops via skype. And finally, we’ve begun to explore forms of engagement and creative exchange between refugee youth and the broader Stone Soup family, through endeavors such as the Half-Baked Art Exchange, launched in June of this year with partner organization, the My Start Project. While we take great pride in celebrating these milestones, in order to ensure the continuation and expansion of the important work that we have embarked upon with the Stone Soup Refugee Project, we need the financial support of you, our Stone Soup supporters. We are beyond grateful for your support thus far, without which none of that described above would have been possible, and we humbly ask for your continued support to enable the expansion and continued development of these important endeavors central to the Stone Soup Refugee Project. In particular, funds raised in this drive will allow us to implement an expansion of the Refugee Project web portal in order to display the outcomes of a creative exchange between refugee youth and Stone Soup readers through the newly launched Half-Baked Art Exchange, as well as to support the expansion of this program. The newly created webpage will: detail the process of this exchange; display original pieces of artwork by youth in Kakuma Refugee Camp; display collaborative pieces of artwork in which our Stone Soup participants had the chance to learn about life in camp for these young refugees as they built upon their artwork; and finally, artist’s statements written by participants. This workshop was a powerful and unique experience and we hope, with the aid of your contributions, to extend the opportunity for many more to participate and display the results of their artistic collaboration. Thank you, once again, for believing in us and our mission. Your continued support has made this project possible. And to all who celebrate, wishing you a relaxing Thanksgiving and time spent with loved ones. With warmest wishes, Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.