Stone Soup Magazine for young readers, writers, and artists

Freedom of Speech Series: Public Schools

In 1966, in a packed hearing in Delano, California, then New York Senator, Robert F Kennedy, was arguing with the county sheriff, LeRoy Gaylen. LeRoy had arrested union organizers who had committed no crime, claiming the organizers “looked ready to violate the law.” Bobby Kennedy retorted, “May I suggest that during the luncheon period of time that the sheriff and the district attorney read the Constitution of the United States?” (PBS). Freedom of expression is probably the the most well-known, most agreed upon, and most treasured right in the United States of America; a country in which people disagree on almost everything else, including how the constitution should be interpreted, and the degree to which civil liberties, such as the right to bear arms, should be enforced. Despite these disagreements, almost all Americans—including liberals, conservatives, libertarians, democratic socialists, or folks of almost any other ideology—support and respect the First Amendment and believe there should be little to no restrictions on the free exchange of facts, opinions, ideas, values, and beliefs. But what does freedom of expression exactly mean, and how much practical protection is there for it? When is it or is it not okay to express yourself? Freedom of expression is not as solid, straightforward, nor black-and-white as many people think. The level of protection this right has been offered has changed over time, gone through many reforms and rethinking, and ultimately depends on a variety of factors (LegalInformationInstitute). I seek to explain the evolution of freedom of expression in the United States, and the laws, past and present, regarding one of the most important and basic human rights. In this blog, I’ll focus on public schools. The primary component of freedom of expression is freedom of speech, which can take place in a direct (verbal), or indirect (actions) way (LegalInformationInstitute). Freedom of speech, like all other civil liberties, is protection of our rights by the United States constitution from the government. This means that the level of protection free speech is offered ultimately boils down to the forum on which it takes place. If you are expressing yourself on a certain forum, the regulators of that forum are allowed to curtail your free speech as they see fit, and are not violating your constitutional rights, as it is their forum, and therefore their rules. A prominent example of this is the authority of schools to curtail the free speech of students in order to create a stable environment in which all the students feel safe, and nobody is disturbed by other students’ free expression.  This can be seen in the case of Morse V. Frederick in 2007. In a school-supervised demonstration, a student named Joseph Frederick held up a banner with the message “Bong Hits 4 Jesus.” Debora Morse, the principal of his school, confiscated his banner and suspended him for 10 days (Oyez). She justified her action by arguing that Frederick had advocated illegal drug use, which was a breach of the school’s policy, kind of like how when I went to elementary school, the students, such as myself, were not allowed to create any violent material (whether it was pretend play, a gesture, a drawing) within the school campus. Frederick sued under 42 U.S. Code § 1983, the federal civil rights statute, which stated that “Any citizen or resident of any US state, territory, or the District of Columbia subjected by another citizen or resident of any US state, territory, or the district of Columbia, of any constitutionally guaranteed rights, privileges, or immunities, will be liable to the injured party in legal action or other forms of proceeding for redress” (LegalInformationInstitute). The district court, however, found no constitutional violation in the school’s curtailing of Frederick’s free speech, and ruled in favor of Morse. And the court ruled that even if it was decided that Morse’s action was unconstitutional, Morse would have “qualified immunity” against a lawsuit. However, the US court of appeals for the ninth circuit rebuked the ruling of the District Court, and decided that Morse’s censoring of Frederick’s message was a violation of his first amendment right to freedom of speech.  Furthermore, Morse would have no qualified immunity because “any reasonable principal would have known that Morse’s actions were unlawful” (Oyez). So, this leaves us with two questions: does the first amendment allow public schools to curtail the free speech of students if they advocate illegal drug use? And does a school official have qualified immunity against a lawsuit  under 42 U.S. Code § 1983, when they curtailed Frederick’s first amendment right to freedom of speech? The answer to these questions is “yes and not reached” (Oyez). This case ultimately made itself all the way to the Supreme Court, and they made a 5-4 decision to reverse the decisions of the ninth circuit. Justice John Roberts Jr voiced the majority opinion that school officials do have the right to curtail the free speech of their students if they advocate illegal drug use. Though Frederick’s message was cryptic, it was clearly advocating illegal drug use; therefore, the school had the right to discipline Frederick for his message. However, the four dissenters argued that while they agreed that Principle Morse should have immunity from lawsuit, “the majority opinion was “[…] deaf to the constitutional imperative to permit unfettered debate, even among high-school students […]” (Oyez). This is only one example which shows that freedom of speech depends on the forum in which it takes place. Public school students do not have as strong a right to freedom of speech as adults do because the schools can regulate the behavior of its students in order to make sure that the school is a safe, comfortable environment for all. On the other hand, this does not mean that students have no freedom of speech in public schools, and this can be seen in the case Tinker V. Des Moines Independent Community School District. In Tinker, the Supreme Court ruled that Iowa Public School officials had violated the

Saturday Newsletter: May 14, 2022

Song at Dusk (watercolor) by Aspen Clayton, 11 (Lisle, IL), published in Stone Soup May 2022 A note from Caleb Happy second Saturday of May! This week, I’m delighted to focus entirely on two pieces of art from the May 2022 issue, which should have—if it hasn’t already—arrived for our print subscribers. (Once again, we apologize for the delay!) What we have with Aspen Clayton’s watercolor Song at Dusk and Necla Asveren’s poem “Golden Moons” is yet another example of our editor Emma Wood’s magnificent ability to match up artwork with written work. Of course, the obvious connection between these two works is the central object of Aspen’s painting and the title of Necla’s poem—a golden moon. However, I would like to focus more on the thematic links between these two pieces and how they work in conjunction to elevate each other. Necla’s poem is, at it’s core, a “song at dusk” in both content and structure. Its content is a lyrical eulogy to a crumbling society that flew too close to the sun, that had “beauty and riches beyond measure, and drowned in it.” In other words, a song at dusk. The structure or form of the poem can also be simplified into two things: song and dusk. At the molecular level, if we break down the two connotations of “song”—positive—and “dusk”—negative—the golden moon at poem’s end, of which the subjects of the poem “[crawl] out of our holes to see,” can be seen as the “song” of the poem whereas the setup—the fall of society—is the “dusk.” Of course, without Aspen’s painting and its title, I wouldn’t be able to analyze Necla’s poem in this manner. Most likely, the title of Aspen’s painting is in reference to the bird perched on a branch. Thus, a literal interpretation of the painting is a bird song at dusk. But placed next to “Golden Moons” and its descriptions of a society in collapse, the painting gains new meaning. Look at how thin, flimsy, and barren the branches are. Notice how the bird rises up out of the dark, spooky lower half and appears, with the help of perspective, to perch on the moon itself—the painting’s source of light. Like all great titles, “Song at Dusk” represents the literal image of the painting as well as its theme: the beauty of art and nature; that is, art and nature’s ability to champion lightness in the face of darkness, positivity against negativity. Until next time, Congratulations to our most recent Flash Contest winners! Our May Flash Contest was based on Prompt #202 (provided by intern Sage Millen), which, like her last contest prompt from February, dealt with food in a remarkably whimsical way. This time the food was pizza rather than tomato soup, as participants were asked to write a story where somebody betrays their best friend for a slice of slightly stale pizza. Once again, the submissions matched the sheer creativity and ingenuity of the prompt as submissions ranged from a direct address story in verse to a story set in an interrogation room to a piece of historical fiction set during the Bay of Pigs Invasion. We were also so impressed with the work of Ellis Yang in their story “An Unsent Letter” that we decided to publish it separately on the blog at a future date. As always, we thank all who submitted, and encourage you to submit again next month! Congratulations to our Winners and Honorable Mentions, listed below. You can read the winning entries for this contest (and previous ones) at the Stone Soup website. Winners “The Stale Pizza Slice” by Suanne Li, 8 (San Jose, CA) “The Perils of Pizza” by Lui Lung, 12 (Danville, CA) “The Triad Trials” by Emily Tang, 13 (Winterville, NC) “The Trash Pandas and the Pizza” by Michael Wilkinson, 12 (San Carlos, CA) “Would You Like a Slice?” by Joycelyn Zhang, 12 (San Diego, CA) Honorable Mentions “Hope” by Jeremy Lim, 9 (Portland, OR) “The Tale of the Raccoon” by Anushi Mittai, 10 (Beaverton, OR) “The Last Slice” by Arshia Ramesh, 12 (Overland Park, KS) “Kaleidoscope” by Cayleigh Sukhai, 12 (Swift Current, Saskatchewan, Canada) “Two Best Friends and a Slice of Pizza” by Savarna Yang, 13 (Outram, New Zealand) For the Stone Soup blog “An Unsent Letter” by Ellis Yang, 12 (Los Altos, CA) From Stone Soup May 2022 Golden Moons By Necla Asveren, 12 (Shanghai, China) And it was with bright eyes and a bold step that we reached into the stars. Grouped around our television sets and computers, we cheered the sun on—just one more day until a new start. And we pulled down the diamond net from the sky. The lovely, glorious, gold-silver— we drowned in it. Beauty and riches beyond measure, and we drowned in it. Fireworks turned into bombs and our stars were against us. Nothing was ever enough. ../MORE Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498. Stone Soup’s advisors: Abby Austin, Mike Axelrod, Annabelle Baird, Jem Burch, Evelyn Chen, Juliet Fraser, Zoe Hall, Montanna Harling, Alicia & Joe Havilland, Lara Katz, Rebecca Kilroy, Christine Leishman, Julie Minnis, Jessica Opolko, Tara Prakash, Denise Prata, Logan Roberts, Emily Tarco, Rebecca Ramos Velasquez, Susan Wilky.