Veera Hiranandani’s How to Find What You’re Not Looking for is a book that stays with you long after you have read it. The book explores difficult questions concerning religious and cultural differences that divide our society. This book also questions the meaning of religion and culture and their significance in everyday life. Is religion so important that you could sacrifice your family for it? The book is set in 1977 when young Ariel is about to start middle school. Ariel’s older sister, Leah, falls in love with an Indian man whose name is Raj. Ariel and Leah’s parents do not approve of this relationship because Raj is not Jewish. They are adamant about preserving their Jewish culture and heritage and forbid Leah’s relationship with Raj. The Supreme Court had recently banned state laws that forbid inter-racial marriages. Leah is so upset and disappointed at her parents stunning narrow-mindedness that she elopes with Raj. Ariel’s family pretends not to care and seem to go on with their lives as if Leah was not a part of their family any more. Ariel, who has a close and loving relationship with her sister, struggles to understand Leah’s decision to run away from home and her parents’ intolerance toward non-Jewish people. That is not the only problem Ariel has to deal with. Ariel’s family owns a bakery that will have to be sold and her family will have to move away from their home. During these difficult times, Ariel turns to poetry for support. She finds a new teacher who can advocate for her and help her with writing, which has always been hard for her because of a learning disability. Writing poetry helps Ariel cope with her feelings of loss, anti-semitism that she experiences, family tensions, and her confusion and disappointment over the intolerance of the adults around her. This book is a revelation on multiple levels. Much like Ariel, I was stunned at how the Ariel and Leah’s parents could be so stone-hearted. In discussing the plot of the book with my family and researching inter-faith marriages in India, my own heritage, I was surprised to learn that while the majority of Indian people think it is important to respect all religions, a staggering proportion of people oppose inter-faith marriages and think it is important to stop inter-faith marriages. The same research finds that many Indians would prefer keeping people who practice a different faith away from their neighborhoods. While people in America may be more open to inter-faith marriages today, most Americans still marry within their faith. At the same time, political, ideological, racial and ethnic polarization is a defining feature of contemporary American life. My family does not practice religion so I was intrigued at the impact religion could have on people’s decisions and their lives. Frankly, I never really understood how religion could be so important to some people that it could control your whole life, make you sacrifice your relationships, and not let you be with whom you love. It seems to me that some people are scared of letting go of their culture. It is hard for them to accept that culture changes and grows over time. They want their culture to stay the same. Another revelation was learning how healing poetry can be. I JUST LOVED Ariel’s poems in this book. They reveal Ariel’s state of mind and her feelings incisively. In fact, Veera Hiranandani writes from a second-person point of view, which puts you (the reader) in Ariel’s shoes. This second person perspective immersed me in Ariel’s feelings, made me imagine the vivid scenery, feel close to Ariel, and helped me engage with story, rather than read it passively. This approach, in combination with poetry written from Ariel’s perspective and unique abilities, highlights the author’s extraordinary talent, creativity, and empathy. This approach makes the characters and setting extremely well drawn, making the reader a part of the story (as opposed to a passive viewer). I believe that there could not have been a better way to approach such a difficult and complex topic and make it accessible for children and youth, all without making it simplistic. How to Find What You’re Not Looking for is an intriguing title. I have concluded that the title is just like poetry. It can be interpreted in different ways and its meaning can change depending on the person’s experiences. For me, this title and the book is about how to deal with change and how to learn from those changes — joyous and sorrowful, expected and unexpected. The unexpected and sad events in Ariel’s life help her cultivate her own thoughts, talents, and independence. I was so inspired by the first Veera Hiranandani book I read and reviewed for the Stone Soup blog, The Night Diary. This book is equally inspiring and thought provoking. I am convinced after reading this book that we should do more to encourage meaningful interactions and friendships with people from different religious, cultural, and ethnic backgrounds at an early age. Exposure to books like How to Find What You’re Not Looking for is one such meaningful interaction. I strongly recommend it for readers of all ages for this very reason. How to Find What You’re Not Looking for by Veera Hiranandani. Kokila, 2021. Buy the book here and help support Stone Soup in the process!
Stone Soup Magazine for young readers, writers, and artists
Weekly Creativity #202 | Flash Contest #43: Write a Story where Somebody Betrays Their Best Friend for a Slice of Slightly Stale Pizza
Write a story where somebody betrays their best friend for a slice of slightly stale pizza.
Saturday Newsletter: April 30, 2022
Hanging Vines (iPhone 6) By Anna Weinberg, 11 (Washington DC), published in Stone Soup April 2022 A note from William What a week! So much good news! Stone Soup received a $25,000 gift for curriculum development, our site license beta testing program launched, and our Amazon store is now up and running. To begin. One million trillion gazillion thanks to Morgan Stanley, the Andreason Group at Morgan Stanley for a donation of $25,000 for developing curriculum that will be free to all users. This is a game changing donation. With this donation we intend to create the go-to portal for K-12 creative writing programs. Central to our business plan, a solid curriculum platform supports the Stone Soup website for teachers and home schoolers. We need your help! If you would like to help us develop curriculum for teachers and students, please write to me at education@stonesoup.com. I see developing Stone Soup curriculum as a community project. Site License Beta Testing Program Launched! We are giving away 1 year school site license subscriptions ($250 value) to teachers who agree to look over what we have, test it out, and give us feedback through phone calls, emails, and at least one Zoom meeting. We will use our new curriculum development budget to make the Stone Soup website function as the ideal support for creative writing programs. Amazon Store The amazing Chrisy Lo of PVT Creative Solutions has created an Amazon Stone Soup store. You can now go to Amazon to buy single copies of Stone Soup, novels and poetry collections, our anthologies, and our journals and sketchbooks. Being straightforward about how things work in 2022, we were down to a choice. Stop selling books and single issues of Stone Soup or use Amazon. Using Amazon radically simplifies the process of publishing books and it means better service, as well. Please check out our store, and when appropriate, give Stone Soup books as presents! Weekend Project I am sitting in my garden writing this Newsletter on a lovely spring afternoon. As soon as I finish, I will garden. More specifically, I will be building simple trellises and other types of supports for vines. Why? Because I am writing an article about garden vines for the magazine, Mother Earth News. Thus, a real pleasure for me to thinking about this lovely photograph, Hanging Vines by Anna Weinberg. Anna’s photograph rewards study. Let your gaze relax into it. I want you to notice the way in which Anna framed the branches. Notice the horizontal branch near the top of the photograph and then the flowering branches that drop down from that. This photograph has a strong geometrical focus. On an important level, one can say that Anna’s photograph is “about” lines, angles, and the shapes that they create. Moving back from the photograph, I am drawn to the three vertical splashes of color — splashes of white –AND the three window-like spaces framed by the branches. Part of the art of photography is framing your picture to create interesting visual patterns. This weekend, I’d like you to work with framing. I’d like you to find something with a strong geometrical structure. This can be something you find in nature, as Anna found patterns in this plant, but it can also be something in your house — furniture, a patterned floor. I want you to think about how the geometry of what you are looking at — squares, circles, arcs — whatever it is — creates interesting patterns when you look at them through your camera. This project is about framing. I want you to to move around whatever it is that has attracted your eye taking pictures at different angles and different distances. Make it obvious to the viewer what geometric shapes you are focused on. As always, if you make something you really like, then please submit it to Stone Soup via the pink button, below. Until next time, From Stone Soup April 2022 Eyes Full of Wonder By Katie Furman, 10 (Fogelsville, PA) A doorway to the starry sky where the stars shine so bright in the night you can see as clear as daylight the world full of wonder your eyes like a window for your soul grass so green and clean it almost seems as if a dream To read more work from the April issue, including another poem by Katie, click here! Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498. Stone Soup’s advisors: Abby Austin, Mike Axelrod, Annabelle Baird, Jem Burch, Evelyn Chen, Juliet Fraser, Zoe Hall, Montanna Harling, Alicia & Joe Havilland, Lara Katz, Rebecca Kilroy, Christine Leishman, Julie Minnis, Jessica Opolko, Tara Prakash, Denise Prata, Logan Roberts, Emily Tarco, Rebecca Ramos Velasquez, Susan Wilky.