A note from Sage Summer School News: Registration is open! And, the age ranges for Emma’s (poetry, memoir, and story writing), Conner’s (playwriting) and Jane’s (creative food writing) classes have all been lowered from 11–14 to 9–14. You can register for these classes and more here. Hello, readers of Stone Soup! I’m Sage, a current Stone Soup intern, and I am writing today to remind you that Stone Soup publishes original musical compositions on its blog, and to encourage you—whether or not you have experience composing—to consider trying to make and record your own song. When I was nine, I decided to write a group of songs as a present for my cousin’s birthday. I had composed little pieces here and there before, but this was probably the first time I had actually set out to create my own music. It was an amazing experience! I assembled a group of family and friends: my brother, his violin teacher, and my mom’s cousin. They played various instruments while I played the piano and sang. I loved being able to “conduct”—directing everyone when and what to play. Even though composing music can seem intimidating, I encourage all of you to try! And if it’s possible, I would highly recommend collaborating with other people when you compose music. It’s so much fun, and there are so many more options and possibilities for your songs. A few things to keep in mind as you sit down to compose: Songs don’t have to have lyrics to convey messages or tell stories. In fact, sometimes purely instrumental songs give a sense of emotion better than words ever could. The theme music in movies is often wordless, and yet it can evoke fear, glory, sadness, and many other feelings. For instance, the theme song to the movie Jaws totally makes listeners on edge and fearful. The music sets the scene for a villain to appear and pounce on the protagonist—a kind of foreshadowing without any writing involved! When you’re composing music, try to think about the goal of your song. What do you want your listeners to take away from it? Do you want to write an eye-opening song or just a fun, danceable tune? Of course, sometimes you just want to mess around with notes and melodies—and that’s perfectly fine too, especially if you’re new to this! But if you’re really trying to impact somebody with your song, keep your ultimate goal in the back of your mind. If you want to compose a piece but don’t know where to begin, something I find really helpful is a theme. For example, when I was writing the songs for my cousin, I had to write them about topics she would find interesting, such as herself and our family. Her birthday also served as a deadline to keep me motivated. Finally, COVID-19 has limited us in many ways, but it has also made us more aware of ways to virtually connect. This is a great time to compose music with a friend who lives somewhere distant! If you’re a writer, team up with somebody who plays an instrument—you could write lyrics, and they could write the melody! Again, collaborating on compositions is such a fun way to socialize. There are so many different types and styles of music; I truly believe there is something for everyone. Hopefully, you feel inspired to start or continue creating your own music and share it with the world. And remember, if you like what you create, we encourage you to submit your work to the Stone Soup Blog. Have fun composing! Book Contest 2021 For information on submitting to the Stone Soup Book Contest 2021, please click here. To submit your manuscript, please visit our submittable site. Highlights from the past week online Don’t miss the latest content from our Book Reviewers and Young Bloggers at Stonesoup.com! Young Blogger Leah Musak wrote a stunning poem, “Broken America Must Rise.” Young Blogger Madeline Cleveland reviewed Ivan Doig’s 2006 historical fiction novel, The Whistling Season. Young Blogger Dylan Scrivener wrote a beautiful story composed mostly of dialogue, “Tig and Lomster.” Aditi, 12, wrote a poem about hope for a new beginning. Tarin, 13, drew a beautiful depiction of COVID’s impact.Writing classes and Book Club Writing classes and Book Club Are you looking for classes to inspire, improve, and practice your writing with great teachers and a group of like-minded young writers and readers? Join us! We do charge fees for our clubs and workshops, but we try to keep them as low as possible, and we offer discounts to subscribers and scholarships to students who need them. Contact us at education@stonesoup.com with any questions. Writing Workshop: we have two writing groups for spring/summer that meet via Zoom every Saturday except for William’s class that does not meet for the last Saturday of the month. Come write with us and share your work with your peers. Find out more and register for a workshop at Eventbrite. To see some of the great work produced by current workshop members, read contributions published at Stonesoup.com, or join us at one of our free public readings! Book Club: a book club for writers that meets via Zoom on the last Saturday of every month. Find out more and register for book club at Eventbrite. Check out which books we are reading on our website. Young Author’s Studio Summer Camps: we are offering a wide range of classes through the summer jointly with the Society of Young Inklings. Each camp runs for two hours per day, Monday through Thursday. All details and bookings via Society of Young Inklings. From Stone Soup November 2020 The Mental Mind Music By Eli Nimchonok, 6 (Toronto, Ontario, Canada) The mind is birthed in the day but in the night it is silent Every day the mind has a memory and removes the math When the mind music comes you hum. Read work from our current issue. Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.
Stone Soup Magazine for young readers, writers, and artists
How Stories Work-Writing Workshop #5: The Poetic Turn
An update from our fifth Writing Workshop with Conner Bassett A summary of the workshop held on Saturday May 15, plus some of the output published below “The turn is the most important literary effect since Homer wrote his epics… It is the dramatic and climactic center, the place where the intellectual or emotional release first becomes clear and possible.” -T.S. Eliot “If there is no turn, no transformative moment, then the poem is a journal entry, at best a laundry list of reflections and anecdotes, or what I think of as a ‘litany of relapses’–the barren passage of time unthwarted, moving predictably toward a predictable end.” -Gregory Pardlo For this week’s Writing Workshop, Conner turned our attention towards the multitudinous uses of the “poetic turn.” Building off an earlier talk on “veering,” the class began with a group analysis of the poem”Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota” by James Wright. We then defined “the turn,” in its purest form, as the point when “a text breaks its deepest and most characteristic habit.” Next, we turned to one of the shortest stories ever written, “The Dinosaur,” by Augusto Monterroso, noting how the story’s independent clause, “the dinosaur was still there,” constituted a turn from the dependent clause, “When he awoke.” Thus, we learned that turns can even occur within a single sentence. We then turned to one of Kobayashi Issa’s haikus in order to denote how turns can constitute hypocrisy and contradiction. Following our discussion of Issa was a reference to Toni Morrison’s Song of Solomon, which, in its ending, represented a turn into magical realism away from its prior logic of realism. Our penultimate literary reference was that of Lydia Davis’ short story, “Mown Lawn.” We turned to this story as a depiction of multiple turns within a single space—in fact it was a story made up almost entirely of turns! Finally, as a warm up to our final prompt, we spent a minute trying to write out the last two lines in John Ashberry’s poem, “This Room.” The Challenge: Write a story or a poem that uses a “turn.” For example, this can be a turn like the constant shifting in Lydia Davis’ “Mown Lawn,” Issa’s haiku that had an ironic, imagistic shift, or like the turn in Ashberry’s poem, “This Room,” wherein he turns to address the reader. The Participants: Georgia, Jackson, Lucy, Sophia, Svitra, Liam, Aditi, Emma, Zhilin, Simran, Noa, Julia, Sasha, Sinan, Harine, Isolde, Josh, Sena, Alice, Samantha, Emi Isolde Knowles, 9,(New York, NY) The Bird Isolde Knowles, 9 The bird sat on the branch pruning its feathers. They were brilliant blue like the ocean. A butterfly carefully landed in a flower as its delicate wings beat it down. The beat of a woodpecker could be heard in the distance. A cow moved in a not too distant farmhouse. The bird cocked it’s head hungrily at a trail of ants working their way through the forest, every couple of ants carrying a leaf. A twig cracked under a heavy boot sounding not nearly as sinister as the truth behind it. Swoosh! The bullet struck the tree directly under it. The bird was off its perch and flying into the distance a split second later. The ring of the shotgun seemed to echo out. “Harry,” the hunter’s wife called from inside the cabin. “You’ve already caught us a quail, now leave the poor birds alone.” “Calm down. I can’t seem to catch anything anyways,” the gruff man replied. “There there; you should come inside and get your rest. Do any of your clothes need to be stitched up? I’m going to town to buy some new thread either way.” Aditi Nair, 13, (Midlothian, VA) Abandon Aditi Nair, 13 Bubble. Bubble. She watched her drink bubble. The green clear, plastic container Amazed the little girl. It was so perfect, Yet imperfect. Bubble.
Rea and the Blood of the Nectar, Reviewed by Aditi, 12
Twins are always known to be together even when apart, but have you ever read a book where the relationship between a pair of twins is slightly uneven? Hidden under the sleeve of every argument or ignorant glance, siblings will always have affection for one another; that’s the true beauty of having someone related to you by birth, let alone grow to the same heartbeat! Rea and the Blood of the Nectar by Payal Doshi is a book that encompasses magical wonders, presents foreign worlds in a new way, and represents sibling love! With seemingly unsolvable riddles, nightmares with hidden clues, and a new friend, the main protagonist, Rea, trudges her way to find her kidnapped twin brother, Rohan. The story is set in Darjeeling, India, where Rea lives with her mother, grandmother, and Rohan. Rea was never born with a silver spoon. Her mother has to work long hours by cleaning houses or by picking tea leaves at a tea plantation, just to make a living. Having to live under her brother’s shadow, who excels at everything compared to her, Rea feels pressure and sibling rivalry. For as long as they can remember, Rea and Rohan have always celebrated their birthday together. However, this time around, things were different. When the clock strikes midnight, Rohan slips out of bed to play cricket with his friends on their twelfth birthday. Rea secretly follows him. Longing to partake in the sport, she joins the opposing team and emerges victorious. Following Rea’s victory, Rohan walks away– puddled in a cloud of embarrassment – and mysteriously goes missing! Rohan’s disappearance and the strange reaction by her family to this untimely event left Rea suspicious. Holding herself responsible, she sets a new goal for herself: finding Rohan! As Rea sets out on her quest, she meets a fortune-teller and picks up clues on Rohan’s whereabouts. The story gains momentum as Rea discovers a mysterious portal in Darjeeling! With the help of her new friend, Rea embarks on a life-changing adventure, gripping onto the hope of finding her lost brother. Books that involve the evolution of the main character as a person are inspiring and entertaining. Rea and the Blood of the Nectar is one such book that perfectly portrays character development. At the start of the book, Rea’s selfish and demanding nature left her lonely and self-contained. However, once she portals into the kingdom of Astranthia, she uncovers new secrets about her family. While entering the world, Rea only had one goal– saving Rohan. An encounter with the evil queen, Razya, leads to a change in plans; Rea has to protect the kingdom of Astranthia and save her twin! Astranthia thrives on the sacred petals of the Som, and its nectar is used by the royal family and some common folk as powerful beams. The only way to unlock the powers of the blood nectar is to go on a personal trial. After saving a mob of people who were hurt by the queen’s guard, Rea slowly starts uncovering all of the secrets about herself, including her family. Rea and the Blood of the Nectar is a family-centered, magical tale. With the neatly woven theme of personal growth and perseverance, Payal Doshi can warm any reader’s heart with her well-organized plot twists. The captivating storyline ends with the celebration of Diwali in their village in Darjeeling. This Indian holiday celebrates the triumph of good over evil, resonating with Rea’s victory over the reign of Astranthia’s evil queen. Rea and the Blood of the Nectar explicitly reflects Payal Doshi’s culture-bound allusions and vivid imagery that revolves around show-stopping characters and a compelling self-growth theme! Rea and the Blood of the Nectar by Payal Doshi. Mango & Marigold Press, 2021. Buy the book here and support Stone Soup in the process!
