Stone Soup Magazine for young readers, writers, and artists

Author Interview: Alexis Fajardo, author of Kid Beowulf, talks to blogger Mirembe

Mirembe Mubanda, one of our young bloggers, recently got the chance to read Alexis E. Fajardo’s graphic novel Kid Beowulf: The Rise of El Cid, and then talk to the author about his inspirations, his process, and writing multiple storylines. Read the interview below! Mirembe Mubanda: As a child, what were some of your favorite stories? Did they play a part in your inspiration to write Kid Beowulf: The Rise of El Cid? Alexis Fajardo: I’ve always loved mythology, in particular the Greek and Norse myths. One of my favorite books growing up was the D’Aulaire’s editions of Greek and Norse mythology; they were wonderfully written and illustrated. As a young reader I was particularly drawn to the Norse myths because they were always a little bloodier than the more refined Greek myths. Those stories were a gateway to epics like Beowulf and El Cid. MM: If you were to host a dinner party where you invited characters from different comics and graphic novels, whom would you invite, and why would you invite them? AF: This is a hard question! Hmm…I suppose first off we would need someone to cook the meal, and I think Phoney Bone (from the graphic novel BONE) is a pretty good cook. Then of course we need some good conversation, so I would invite Delilah Dirk (from the graphic novel series, Delilah Dirk), Tintin, and Asterix to tell me about all their adventures (and we’ll need plenty of food if Obelix and Captain Haddock come along too). Finally, I don’t want to do any dishes so I think we’ll probably need Smiley Bone in the kitchen to help Phoney clean up. MM: What was it like when the idea of writing The Rise of El Cid came to mind? AF: When I started the Kid Beowulf series I knew I wanted Beowulf and Grendel to interact with epic heroes from other countries, Spain was always on the list because of El Cid. I was also looking forward to writing The Rise of El Cid because part of my family is from Spain, so to weave in some of that history was important to me. One of my favorite parts of creating new stories is doing all the research. I love reading the source material (in this case, the epic poem El Cid) as well as histories and other stories related to the topic. The research is fun because it means all ideas are on the table. Eventually, the hard part of writing begins when I have to whittle away at the story until the story takes shape. I knew for the Rise of El Cid, I wanted to tell the story of how a Rodrigo Díaz becomes the great knight known as “El Cid” but must stay true to himself to achieve that title. MM: While creating Kid Beowulf: The Rise of El Cid, did you have a favorite character? If so, who and why? AF: There are a lot of fun characters in this book but one of my favorites is Rodrigo’s friend Pedro the mute. He is small, feisty, but never says a word! He has a slate board that he communicates with by drawing pictures on it; it was fun to come up with the different things he would have to say. I am also fond of Rodrigo’s horse, Babieca and especially enjoyed creating the part of the story where the two first meet. Horses are very hard to draw though so Babieca was a challenge. MM: On a scale of one through ten, how much is Kid Beowulf: The Rise of El Cid based on the poem El Cid? Why is it this number? AF: In the book there is a Prologue in which I retell the original epic poem and that is a solid “10.” The rest of the book is inspired by events in the epic poem, other stories about El Cid, as well as the history of the time. My story is intended to be a prequel to the events depicted in the epic poem. The research is pretty detailed and thorough and the history is mostly accurate, at the same time it’s an original story, especially the parts involving Beowulf and Grendel! MM: Kid Beowulf: The Rise of El Cid is the third graphic novel in the Kid Beowulf series. Which comic book did you enjoy writing the most? AF: Even though they are all part of the same series and we follow Beowulf and Grendel from one book to the next, each book is very different from the other. Book one is very much a fantasy that has elements of magic in it. Book two is a swashbuckling adventure story with some comedy thrown in. And book three is a more serious adventure with some romance and political intrigue. Each one has its own challenges and when I’m creating them I am fully invested in that adventure; it’s only after I’m finished when I can begin to judge them. That said, book two, The Song of Roland has some of my favorite characters and sequences in it and I always like coming back to that setting. MM: In Kid Beowulf:The Rise of El Cid there are three different story lines. Did you ever think of making only one? AF: Ha! There are multiple storylines in all my books! I think that’s because I try to create three-dimensional characters who have a lives and stories of their own…which can sometimes complicate plots. Ideally all the different storylines come together by the end of the big story; so in the case of El Cid, we have the story of Rodrigo Díaz which is very separate from what Beowulf and Grendel are doing however by the climax of the book all their storylines intersect and (hopefully) pay off. MM: Were any of the characters personalities based on yours or someone you know well? If so which characters and people? AF: I have a few friends who sometimes become the

Saturday Newsletter: April 6, 2019

“Color City,” paper collage by Adhi Sukhdial, 7 Illustration for “The Juggle Man,” a poem by Analise Braddock, 7 Published April 2019 A note from Emma Wood Although I love to read in all genres, I am always particularly excited to read the poetry submissions to Stone Soup since I am a poet. For me, the “wow factor,” the main thing that makes me sit up straighter in my chair as I read poetry submissions, is not beauty or even emotion but strangeness. The poet Wallace Stevens once said, “A poem must resist the intelligence almost successfully.” What does this mean to you? To me, this means that a poem should operate just on the edges of reason and rational thinking. It should tell me something that I don’t quite understand. The poem should force me to spend time with it, to read and reread it, and, with each rereading, to come closer to my own understanding of it. When I was in school, I was taught to see a poem as a puzzle I had to decode. I’m not advocating for that kind of reading. However, the best poems are the ones you want to reread, and that grow and change as you do. With this in mind, I wanted to highlight a poem from the April issue: “The Juggle Man” by Analise Braddock, who wrote it at age seven. You can scroll down to read it at the end of this letter. “The Juggle Man” is dark and funny and weird. It is separate from my reality—from the world I live in and the way I think. It is up to something… but what exactly? That is a question I am still asking myself. I didn’t understand this poem when I first read it, and I still don’t—even after reading it maybe 30 times. It was precisely because I didn’t understand it that I knew I needed to publish it. But what does it mean to “understand” a poem? In school, we tend to learn that this means “finding” a “hidden message” or moral. We want to get something out of a poem—some wisdom or an idea. We want to use the poem. But, as another poet, William Carlos Williams said: “Don’t try to work it out; listen to it. Let it come to you. Sit back, relax… Let the thing spray in your face. Get the feeling of it; get the tactile sense of something, something going on…Don’t attempt to understand the modern poem; listen to it.” And as Stevens also said, “People should like poetry the way a child likes snow.” This weekend—the first weekend of National Poetry Month!—I encourage you to read some poems, and I give you permission to simply enjoy them. Whisper them to yourself. Declaim them to your parents after dinner. Sing them to a tune of your own making. Try to really feel and hear the language. Only after that should you try to write your own poem. One place you might start is with your own dreams. Dreams, like poems, operate within their own unique world, filled with bizarre images and nonsensical rules. Start by describing a dream, and see where the poem takes you from there. Once you’re done, send what you’ve written to us at Stone Soup.   To celebrate National Poetry month we are offering a discount on the wonderful Stone Soup Book of Poetry, a collection of 120 poems published in Stone Soup between 1988 and 2011. Pick up print copies at 25% off, and eBook editions at half price in the Stone Soup Online Store, throughout April 2019. And, for more poetry ideas, don’t forget to visit the Academy of American Poets’ website–especially, check our their “Dear Poet” initiative.   Our spring contest and partnership news Write for a podcast: Closing date April 15 Our current contest, in partnership with the By Kids, for Kids Story Time podcast, to write a short story about climate change or other environmental theme. Your work could become a dramatized reading, broadcast on the podcast, and be published in an issue of Stone Soup! All the details about entries and prizes are on our website contest pages. Summer writing mentorship program for 9th-graders and up: Application deadline April 15 We’ve partnered with The Adroit Journal, a literary magazine for teens. The applications for their Summer Mentorship program, which takes place from June to August, are open now. This program pairs young writers in grades 9 through 12 with an experienced writer who helps them learn more about the creative process. We know this is for an audience older than ours, but if you are a former reader or contributor, or know any teenagers who are aspiring writers, encourage them to apply! Highlights from the past week online Don’t miss the latest content from our Book Reviewers and Young Bloggers at Stonesoup.com! Rizwan takes us through A Day in the Life in the Amazon Rainforest. Macaws, jaguars, ants and more! Click on the link to read Rizwan’s account a day in a bustling ecosystem. In Being a Fan, Thomas describes the emotional experience of watching his favorite team compete in the Copa America: “A sinking feeling tried to penetrate my confidence, but I wouldn’t let it. I had believed in this team for too long for them to let me down now.” From Stone Soup, April 2019 The Juggle Man By Annalise Braddock, 7 One day I went to the juggle place and on a shelf sat the juggle man. He said to me you took a juggle now give it back to me. The owner of the juggle place said to go home and then she called the police. The police said outside there is young poor Sally with balls in hand but cannot juggle. Then the police said on a Monday you took a suitcase on Tuesday you took a toothbrush and on Friday you poured milk. What a bad girl you have been. You can hear Analise talking about how she came to write her poem at Soundcloud   Stone Soup’s advisors: Abby Austin, Mike Axelrod, Annabelle Baird, Jem Burch, Evelyn Chen, Juliet Fraser, Zoe Hall,

Being a Fan

I was eight, just a third grader. It was June 2016. I had my mind full, because the Copa America Centenario was happening, and my team, Argentina, was doing well, and had a good chance of making it to the final. When I got home one afternoon, my dad said, “We’re going to the Copa America final at Metlife! I have tickets!” I couldn’t believe my ears. I could be watching Argentina play in the final, live! That weekend, I watched Argentina vs. U.S.A. – the semi-final – with anticipation. After ninety minutes of waiting, I knew I was going to see my favorite international soccer team play, with my favorite player: Lionel Messi! The next week was the longest week I could remember. I went from counting the days, to hours, to minutes. Finally, the big night arrived! As we arrived at the Metlife Stadium, I heard the announcer talking about how you should drink Pepsi, and how they sponsored the game. I stepped into the stadium. Many smells filled my nostrils: hot dogs, burgers, chicken and so many other things. But I didn’t want any of it. I was too nervous to eat. I looked around. The stadium was huge! Each floor was packed with vendors that were selling all of these delicious things, and hundreds of people trying to find their seats. All of the Argentinian and Chilean fans were chanting in Spanish, the Argentinians in blue, the Chileans in red. Even though I couldn’t understand what they were saying, I could feel the strength in their singing, the passion. I was one of those fans. A few years before, my dad’s friend from work had given me my first Argentina shirt, with Messi’s name on the back. When I got that shirt, I didn’t know who Messi really was, but since that day, I had followed his career and watched Argentina play many times. Now Messi was my idol, and Argentina was my team. I had to pinch myself to believe that I was actually going to see him play in less than an hour! After a completely excruciating 40 minutes of waiting, while the two teams warmed up and my nerves took over, the game began. The first 10 minutes of the game were very even and then Argentina took control of the ball and I started to relax. I was about to ask my dad for something to eat, when an Argentinian, Marcos Rojo, fouled a Chilean player and got a red card! My heart sank. How could Argentina win the final when they had one less player than Chile? That thought got stuck in my head until a Chilean player also got a red card, and the teams were even once again. The rest of the first half went by with little action and so did the second half. Because the score was still 0-0, and the teams couldn’t share the trophy, they played another 30 minutes of soccer. For the first time that day, that week, the reality dawned on me that Argentina might not win, but I pushed that thought away. I believed too much in this team for them to let me down. I sat on the edge of my seat until extra time was over. There was still no score. It was down to a penalty shootout. Messi was going to take the first penalty for Argentina, but it was Chile’s turn first. Everyone in the crowd in front of me was standing up, blocking my view, so I had to listen to the crowd to know whether or not the Chilean player had scored. Penalty shootouts are usually a 50-50 battle, so there was no way of knowing who would win. Suddenly, a roar from the Chilean fans filled the stadium. He had scored. A sinking feeling tried to penetrate my confidence, but I wouldn’t let it. I had believed in this team for too long for them to let me down now. Then it was Argentina’s turn. “Piece of cake,” I muttered to myself, as Messi got ready to take the penalty. The whole crowd became silent, just like they were holding their breath. Out of nowhere, everyone gasped, and I saw the best player in the world bury his face in his hands and walk away to his team. He had missed! Tears started to pool in my eyes. He was the player that I’d wanted to see play more than anyone. And he’d let me down. I didn’t even care if Argentina won anymore. “He missed,” my dad said breathlessly. “I … I know,” I stuttered back. My dad and I stood and watched as Chile won the penalty shootout and the tournament. My eyes became two faucets, and poured and poured. I got up from the slippery plastic seat and cried, “I don’t want to see them lift it!” (the trophy). “Okay, okay. We’ll go then,” said my dad. The train ride went by very quickly because I slept like a baby. It was, after all, 1:00am. As we pulled into Penn Station, my eyes popped open, and I was removed from dreamland. After the taxi ride home, just as my dad and I walked into the apartment my mom said,“I’m sorry.” I felt like throwing my Copa America scarf against the wall and storming into my room. I felt like giving up on Messi and Argentina for good. I wanted to do so many things because of the way I was feeling. But I didn’t do any of them. Instead, I walked over to my mom and gave her a hug… As I lay my head on my pillow, I thought about what had happened at the Metlife Stadium. Messi was probably feeling way worse than I was. I thought of all the amazing goals I had seen him score before on TV. I couldn’t stop liking him because of one bad penalty. I knew I’d be cheering for Argentina again the