Stone Soup Magazine for young readers, writers, and artists

Saturday Newsletter: September 1, 2018

‘Parker’, by Kate Duplantis, 13, a work in colored pencil, ink and watercolor. A detail of ‘Parker’ is the cover of our September 2018 Science Issue. A Note from William Rubel I am so proud to be able to introduce to you Stone Soup’s Science and Science Fiction themed September issue. As always, to download the full issue and to read all of the contents you have to be a subscriber. Single copies of the print issue can be ordered from our online store. This issue marks the first anniversary of Editor Emma Wood’s first year with Stone Soup, and a continuation of the program of special themed issues that she initiated with her first issue last September, which was poetry. A huge thank you to Emma! The art in this issue is particularly fine. Emma commissioned illustrations for this issue, to complement our Science Fiction contest winners’ work. I’m going to write more about Emma, and our staff, and our plans for Stone Soup this school year in next week’s Newsletter. But, for today, I’d like to keep the focus of the Newsletter on this extraordinary September science issue. ‘Parker’, by Kate Duplantis, is the cover illustration. Look at the detail! This is classic science fiction in visual form. Real science—precise observation of nature—underpins the animal and plant forms. The bark on the trees is at once believably bark-like and exotic. The bird is clearly a bird—but not one living on earth today. Is it a throwback to the age of the dinosaurs, a future mutation, or something real as yet undiscovered? A real tour de force! This is what Emma wrote to introduce the issue: I’m thrilled to finally share the winners of our Science Fiction Contest with you, in this special Science Issue of the magazine. Each story is inventive, strange, suspenseful, and “scientific” in its own way. “Middlenames,” the winning story, imagines a society that assigns you a middle name—which determines your identity for life—at birth. “Young Eyes” explores the dangers of technology, while “Mystical Creatures of Blue Spout Bay” and “Sunk” take on the environment. This issue also features nonfiction writing on scientific topics—from the solar eclipse to organ transplants—as well as three poems that engage with scientific topics and ways of thinking. I hope this issue serves as a reminder that writing and literature don’t happen in vacuum; they aren’t separate from other subjects like algebra, physics, or biology. As you read, I want you to think about your largest, nonliterary passion. How can you engage it in your own writing? As always, send the results of your experiment to Stone Soup! This issue really challenges the boundaries we place on writing. Our own labels of fiction, science fiction, literature, science writing, etc. are conveniences. They are ways of packaging writing. And, of course, when you sit down with a book or a magazine article it is good to know that what you are reading is fiction or nonfiction, as that helps determine how you think about what you are reading. On the other hand, lots of great fiction writing and lots of great nonfiction writing cross genres. For example, while one of the most famous American novels, Herman Melville’s Moby Dick (1851), is clearly a work of fiction about the hunt for a whale, large portions of the book are pure non-fiction. The inspiring French naturalist, Jean-Henri Fabre (1823-1915) was a great scientist. And even more wonderfully, he was a great writer. Fabre wrote brilliant science about insects, and his texts are often woven through with personal observations. He uses descriptive language that is so elegant, eloquent, evocative, and beautiful that whole pages can transport you into the realm of poetry. And so, when you pick up Emma’s challenge to engage your largest non-literary passion in your writing, I encourage you to think outside the box; think outside the literary categories that you know about. You can write a novel that is also a work on marine science, or describe an ant colony in a way that fully draws us into that world. If you are someone for whom algebra opens up a beautiful world, then Emma is asking you how you might incorporate that algebraic way of seeing into something more literary, and in doing so help the rest of us who cannot see it to understand it and discover something new. So, pick up a pen and start writing! For many of us, the act of writing itself gets ideas flowing. Until next week Contests, submissions, and more There are two weeks left to submit material for two of our current calls for submissions. Recipes for our food issue, and entries for our concrete poetry contest should both be with us by September 15th. As ever, use the Submit button to send your work to us. Next week we will be telling you more about a brand new competition that we have been working on with MacKenzie Press: the Secret Kids contest. For this contest, we are looking for book-length work, and the prizes in several age categories include publication of your own book! Entries are due in January 2019, so you have time to polish your longer form entries. Look out for our more detailed email all about this contest, coming soon. Highlights from the past week online Visit the Stone Soup blog for thought leadership, reviews and more from our young bloggers, all age 13 and younger. There is new material throughout the week, every week. If you have something to say that you think our readers would be interested in, then please submit a sample blog entry. Don’t miss our young blogger and leader in our refugee campaign Sabrina Guo’s latest blog post. This week, Sabrina shares a summary and her reflections on a talk by Tara Abraham, Executive Director of Glamor Magazine’s The Girl Project, “Reflections on the Syrian Refugee Crisis.” Our sports blogger Leo T. Smith makes his predictions for the new NBA season. What do you think

Tara Abraham’s “Reflections on the Syrian Refugee Crisis”

Women refugees from Syria queue to register on arrival at the Za’atari camp in Jordan. 26 Jan 2013. Picture: Jane Garvan/DFID via WikiMedia Commons. Tara Abraham is the Executive Director of Glamour Magazine’s The Girl Project, which promotes education for girls around the world who are not in school due to war, poverty, child marriage, and gender-based violence. Ms. Abraham traveled to Jordan in January 2018, to the Za’atari and Azraq refugee camps, as a part of the UNICEF USA delegation. I recently had the chance to listen to her speak when she gave a talk through Harvard’s Alumni Global Women’s Empowerment group called, “Reflections on the Syrian Refugee Crisis.” It’s estimated that 1.4 million refugees have fled to Jordan since the Syrian war began. Ms. Abraham interviewed refugee girls at the camps about their daily lives, how they were affected by leaving Syria, and what educational opportunities were available to them. Za’atari Camp was the first refugee camp to be founded in Jordan. The number of buildings there can seem endless, for they stretch to the horizon as far as you can see. It is home to almost 80,000 people and is considered Jordan’s fourth largest city. However, Za’atari was not planned—as people leaving Syria crossed the border into Jordan, they stopped almost as soon as they entered safe territory. Za’atari camp sprang up where they stopped, just twelve miles from the border. Shelters were hastily built in clusters without any kind of planned infrastructure to support the community. Because of this, the camp faces logistical challenges when it comes to things like security and delivering water to the people who live there. Due to its close proximity to Syria, Ms. Abraham said the sounds of ammunition and explosions are audible within the camp; even though the refugees had escaped from the war, the sounds of battle still followed them. Along with the trauma of having left their homes in Syria, the people in the camp face practical challenges as well. For example, they only receive twenty-eight dollars per week for food, which is not nearly enough. Also, there are extremely few formal job opportunities for refugees in Jordan. Despite all of this, Ms. Abraham explained the resourcefulness and resilience of the community. To make ends meet, some refugees travel to Amman, a city in Jordan, to buy goods that they can then resell at a profit to others in the camp. Also, because Za’atari grew organically, Ms. Abraham said it felt more like ‘life’ than other camps she visited, which were planned.  In Za’atari, people plant vegetable gardens between the jumble of shelters—life springs up here and there. There’s even a main market street, complete with barber shops and food carts, nicknamed the Champs-Elysees, after the famous street in Paris, France. According to statistics, families can spend an average of up to 10-18 years in the camp. In other words, an entire generation can grow up within the camp. For example, while Ms. Abraham was there, she met refugee children who were as old as 5 or 6 who had been born at Za’atari and knew no other life besides it. She described seeing girls and boys playing on the side of the road, just running around ‘being kids.’ It struck her as strangely carefree given the circumstances.  UNICEF has set up Makani (“my space”) centers to provide some educational and recreational outlets for young girls and boys. At the centers, kids do things like compete in soccer games, paint, and play with building blocks. After a few days of being in the camp, Ms. Abraham noticed something unusual. She began to realize that she rarely saw any adolescent girls outside of their houses. As she explained it, once girls hit puberty, they began to be more exposed to the companionship of men and all of the real and perceived risks that come with that. The parents, seeing their daughters’ vulnerability, restrict the girls’ movements to keep them safe and protect their virtue. Parents don’t want older girls to travel around the camp alone or even in small groups. Often, the older girls only leave the house with their mother or another older family member to go grocery shopping or visit people in their homes. The rest of the time, the girls are doing ‘women’s work’: cooking, cleaning, collecting water and caring for younger siblings, which is all incredibly important work for the family. However, Ms. Abraham couldn’t shake the feeling that as the girls retreated inside their homes, which she described as ‘aluminum boxes,’ they disappeared from other parts of their lives, including school. Luckily, the coordinators that work in the Makani Center are often young refugees themselves and can provide some support for the girls because they understand what they have to go through every day. But sometimes they meet resistance from the families, who worry about sending the girls alone to the Center, so the coordinators do everything they can to build trust with the families. For example, if the families are worried about their daughters walking alone to the center, they arrange transportation for the girls. Ms. Abraham spoke to two coordinators at the center, both young and married, who described their efforts to develop a pathway for the girls to keep attending school, and also help give them guidance and emotional support for life skills. They like to encourage openness in topics like boys, relationships, or wearing a bra for the first time. The girls look up to the coordinators as role models who aren’t a mother or sister, but rather a trusted mentor outside of the family who can give advice. The girls need extra support when they reach adolescence, because life is harder and more complicated at that point—they are entering the age when they might have to marry. According to statistics, many Syrian girls as young as twelve are discontinuing their education and getting married to much older men. Parents struggling to feed their families sometimes choose to marry

Software Review: Toon Boom Harmony

What it is: Toon Boom Harmony is a popular animating software that many professional animators use in films and animated series. It is also a software that I use frequently. Pros: Toon Boom has a LOT of complicated, amazing features!! One example is a tool allowing you to be able to animate something across a screen without needing to animate the cycle over and over again.  All you need to do is animate a cycle once, and then apply a tool to it that will make the animated figure appear to move across the screen! Another nice feature is how easy the software is to learn.  After just watching a tutorial like the one below, almost every other tool, so long as you have some animation experience, comes naturally to use! You also have many options when it comes to making your brush lines look different. You can have them look like a pencil, chalk, square, or pen! There are so many amazing other features in this program that I couldn’t even BEGIN to cover! Cons: Due to its many features, Toon Boom is also a very complicated program. Glitches occur if your computer software is not updated enough, and if your file’s name has spaces in it, it can also glitch out a bit. In addition, if you have not animated on too many other programs, you may have a hard time understanding the controls. One last con is that this software can cost from $180 to $876 a year, depending on how advanced the model is. My overall opinion: I think that if you have a fair amount of prior animation experience and can afford the high cost of the software, Toon Boom Harmony is definitely worth buying! If you want to buy it, you can find the manufacturer’s website by searching on the name of the software. There are a number of free video tutorials at the site, as well.