She noticed my tears and said softly, “Look at the sky” Illustrator Hoang-Mai Davis,12, for The Snowflake Lady by Katie Woodward,12. Published January/February 2006. A note from William Rubel What a year! What year for Stone Soup and what a year for the world! I can say that team at Stone Soup is looking forward to 2018 with real optimism. We have turned the corner on the print to digital conversion and are looking forward to a creative 2018 in which delve deeper into music and multi-media art forms and begin to develop creative projects that merge writing, art, music, and theater in ways that may not have been done before. But, more on that later in the post (and later in the new year). I’d like to start by thanking all of you who stuck with us through the transition, and all of our new subscribers. We were doing a lot of improvising this year to keep Stone Soup going. We at Stone Soup are looking forward to a calmer 2018! The 2018 print annual has already sold about 100 copies. We have also redesigned Stone Soup (to be revealed next week, with our January issue) so that your 2018 issues and Annual will have a beautiful new look. Past, present and future I had asked you all to think about family food traditions during this holiday season and send us one. Sarah Cymrot, one of our fabulous Stone Soup bloggers, posted an entry on her family’s tradition of making Monkey Bread. She talks about a recent death in her family, and how important it was for them to follow through on the Monkey Bread tradition, as usual. Traditions are anchoring. We can see how important they are through the comments you’ve left responding to Sarah’s piece. Thank you.I’d also like to welcome a new blogger to our growing roster of bloggers (if you are interested in blogging let us know). Dylan Gibson gives a short introduction to animationusing an iPhone app called Framecast. I don’t personally know this program. If you have an iOS device — and iPhone or iPad — I’d check it out. Welcome, Dylan! And thank you. I would like to see Stone Soup publish an animated story in 2018. The fact is that animated stories are hard to make. It takes real dedication. If you get the bug, master the technique and then use it to tell a meaningful story. But first, you have to learn how to make the dog walk (and draw a dog as cute as Dylan’s)! What I want to talk about today as the main portion of the newsletter is based on an article in today’s New York Times. It is an article about the opera singer, Maria Callas. Whether or not you are interested in opera I would urge all of you to click on the link I just gave you and look at the article. Within the article there are ten links to excerpts of Maria Callas singing. Now, remember that this is a NEWSPAPER. That is news-paper. But, obviously, you cannot make an actual article printed on paper sing. Please begin thinking in 2018 about Stone Soup as a place for you to experiment with new ways of being creative. Never before in history has it been possible to combine music with words outside of movies or the theater. I want you to begin sending us stories that incorporate music, animation, drama — let your own imagination roam. Keep the New York Times article on Maria Callas in mind. As a creative writer you are no longer limited to pure writing. Thank you all again for your loyalty to Stone Soup. We are trying our best to support creativity. When you support us through subscribing and through buying the Annual you help us realize our mission. On behalf of Emma Wood, Jane Levi, Sarah Ainsworth, Emma Birches, and myself, our best wishes for the New Year. Until next week, William Your subscriptions are what makes this project happen Sales are reviving. But, to be frank, more would be better. We are selling digital subscriptions for roughly $2.00 per month. This gives subscribers access to over 5,000 pages of creative work by kids, in addition to the current issues as print-ready PDFs. We are running Stone Soup right now as a bare bones operation — I am not receiving a salary. Every subscription helps get us back on our feet. The best deal is the digital/print combination which gives you access to the website, and pre-orders the 2018 Annual (published next December). Please help us by spreading the word and encouraging your friends, neighbours, schools and friends to join us! The dog grabbed the boy’s arm in his mouth and dragged him out of the water From Stone Soup, January/February 2001 The Ultimate Challenge: To Come Home Alive By Tara Stroll, 13 Illustrated by Jane Westrick, 13 Peter Bradbury stepped outside into the ten-degrees-below-zero Canadian air. The winter would get much colder. The bundled-up, seventeen-year-old boy was not cold. He had grown up in this weather. He was tall, lean, dirty, unshaven, strong, and tough. He had been born in the woods. With much difficulty, he trudged through the three-foot-deep snow over to a rack that his snowshoes were on. The frame was made from wood and the webbing was made from animal skin. They had to be kept outside the whole winter. The temperature change of bringing them in the house was not good for them. Wearing the snowshoes, he walked on top of the snow with ease over to a small doghouse. Curled up inside was a young malamute. He was a grayish brown with black ears and patches of white on his face. “Come on, Chocolate. We’re going to check the trapline.” The dog got up. Peter was wearing many layers to stay warm. He had a pack on his back. Chocolate had a thick coat of hair; he was always dressed for the weather. Peter put another pack on Chocolate’s back. “We’re ready to go.” The dog followed Peter into the woods. Peter Bradbury’s trapline was fifteen miles long. At the other
Stone Soup Magazine for young readers, writers, and artists
Jesse James’s Catch That Wasn’t a Catch
Photos courtesy of Brian Kunst, @brianleestudios On Sunday, December 17th, the Pittsburgh Steelers played the New England Patriots in a crucial AFC showdown to help determine the top seed for the playoffs. Late in the fourth quarter, the Steelers took over possession. On the first play of the drive, Ben Roethlisberger threw a pass to wide receiver Juju Smith-Schuster that looked to be a short gain, but he evaded most of the Pats’ secondary and came out with a 69-yard catch. On the very next play, Big Ben threw a pass to the tight end, Jesse James, that was caught, for a Pittsburgh touchdown! Everyone was sure that it was a touchdown, even most of the Patriots. Normally, the other team will signal the sign for an incomplete pass when the play is even close. No Patriots player did that. Even the Pats’ coach, Bill Belichick, looked like he wasn’t in the mood to dispute the call. Tony Romo, the analyst, said confidently, “This is going to stand. What a touchdown!” When the ref announced the ruling that it was overturned, Romo said, ” Ooooooooh, oh my god!!” The reason that the touchdown was overturned is that a player who completes the catch must “survive the ground.” Jesse James appeared to catch the ball, pull it back in, then reach it to the end zone. He had control of the ball in the end zone, but then the ball hit the ground and became loose, even though it was still in his hands. Even with the botched call, the Steelers were only down by three, and they were definitely in field goal range, so they could just run down the clock and make the field goal, right? Wrong. Nobody really considered that it would be an incomplete pass, so Ben Roethlisberger didn’t even talk with Todd Haley, the offensive coordinator. The Steelers picked up a yard on the next play, so it was third down with the clock running. The normal thing to do would be to spike the ball and bring up a chip shot field goal to send the game into overtime. Instead, the Steelers tried a fake spike. When a fake spike works, it is because the defense is on their heels and thinks that the QB will throw the ball into the ground and then they can focus again. The Pats were less confused than the Steelers. Ben Roethlisberger threw a pass that was tipped up into the air and caught… by the Patriots. If the play to Jesse James had stood, the Patriots would have had 28 seconds to score a touchdown. With quarterback Tom Brady on your team, it could have happened. But everyone can agree that the call changed the whole game.
The Basics of Animation: Walk Cycle
Animation is a complicated activity. It may look easy enough, but it’s actually not all that simple. It takes many steps to create even the most simple of animations. In this blog entry, I will be showing how to make a walk cycle, which is a character walking in a loop, in three steps. –Editors Note: The examples that are included here are posted to YouTube. Be sure you have autoplay turned off so that the examples are not immediately followed by someone else’s videos. Step 1: Creating basic shapes The way you always start off any animation is by animating basic shapes. You would start out with shapes like circles, squares, and ovals. However, you NEED to have these shapes very rough and sketchy looking, so they are easy to draw over. Make several drawings (frames) that are only a tiny bit different from each other. The walk cycle linked below is an example of this that I made about a year ago. Walk cycle 1 Step 2: Lineart and Shadow Lineart is just going over the shapes that you made previously so they pop out, and the animation looks much better. Adding shadows is something that some animators do at the same time as lineart, and others do at the very end. I choose to usually do the shadows at this point, as they make the characters more realistic. This next link is this second step that I have animated. Walk cycle 2 Step 3: Coloring Coloring is the final basic animation step. This obviously makes a character completely pop from a background, and just makes the animation more clean and beautiful. I have included the final product in the following animation. Walk cycle 3 Congratulations! You just made an animation!!! Go give yourself a pat on the back and a doughnut for your hard work. Animation isn’t easy, but it’s all worth it! If anything, you come out of animating with the knowledge of what full-time animators who create cartoons and movies have to go through. This particular animation was created through an app available on iPhones and iPads called Framecast. It’s a good program for short animations, and is great if you’re just trying to learn how to animate. I hope you have a great day and hopefully try out animation yourself!
