Introduction to this Stone Soup Art and Writing Activity Many of the stories we print in Stone Soup are both written and illustrated by the author. Many authors illustrate their own stories—especially authors of books for children. I am sure your library has books by authors like this: Maurice Sendak, Arnold Lobel, James Marshall, and M. B. Goffstein being just a few. In the original manuscript that was sent to us, “When Smudgie got Lost” had twenty-three illustrations and was made into a book. The original manuscript is a “picture book” with a picture on every page. In a picture book, there isn’t much of a story without the pictures. The story and the pictures are of equal importance and they are often created at the same time. Of course, unless you are ambidextrous and able to do two things at once, it’s difficult physically to write words and draw a picture at exactly the same time! To produce your picture book you will have to decide which one–drawing or writing–takes the lead, for you. Do you visualise your story in pictures or images first, and then add the words to help your audience understand what they are seeing, or to help them pick out particular elements in your picture that you want them to notice? Or do you have the outline of a story in words that you want your readers to be able to see in your picture rather than visualise for themselves using more words? Make a Picture Book Make a book where the pictures take the lead or the pictures and text are equal, where you can’t imagine one without the other. In a book of this kind there will probably be a picture on every page, and the text itself will be very short. In a picture book, one often finds that without the pictures, the written story doesn’t mean very much. It is in the pictures where a “picture book” comes alive. When Smudgie Got Lost! By Karine Faden, 10, Rockville, Maryland Illustrated by the author From the September/October 1986 issue of Stone Soup Erik and Ashley lived in England. They had a dog named Smudgie. Smudgie liked to go for walks to the marketplace where they had food, but even more Smudgie liked to go to the butcher and sit outside where all the good smells were. She came to the nursery every afternoon before tea for her daily walk with her leash in her mouth. Smudgie scratched at the door. Nanny said, “Smudgie, sit!” Smudgie sat. Then out came Erik and said, “Good girl.” Then Ashley came out and put on Smudgie’s leash. And then, out came Nanny, with the coats and mittens, hats and scarves, and said, “Button up, children.” Then Nanny put on Erik’s hat and buttoned up Ashley. “Come now,” said Nanny, motioning toward the door. Like soldiers they all marched out the door and down the stairs, Nanny first, then Erik, and then Ashley walking Smudgie. Finally, they were out on the street—Erik and Ashley and Smudgie, that is. Nanny was stuck in the door. But Smudgie tugged Nanny out while Erik and Ashley went inside the house the back way and pushed from the back. And then they marched out the door. Then we walked Smudgie to the market. Smudgie was very happy. Nanny had said that we were going to the butcher’s. That’s why Smudgie was happy. She always got a bone at the butcher’s. Smudgie did get her bone. Smudgie tugged at her leash very hard and Erik let go! In less than a minute Smudgie was out of sight. “Uh oh!” said Erik. “Whoops!” giggled Ashley. “This is not a laughing matter,” replied Nanny. They searched all over South London and didn’t find a trace of Smudgie. Finally, at seven o’clock P.M., way past tea, a bit past dinner, and almost bed time, they hadn’t found Smudgie. When they got to Markshire Square, Nanny said, “Let’s take a cab home. It might cheer us up.” But that depressed them even more. Smudgie had always followed any car that Erik or Ashley traveled in. By the time Nanny had brought the poor children home, they were all too tired to do anything but go to bed. While all this had been going on, Smudgie had gotten herself lost. Smudgie had seen a cat and she just had to chase her, but the minute she rounded the corner she had lost her. Smudgie had tried looking for Nanny and listening for Erik and Ashley’s call. But she hadn’t heard a thing, and right now was in a very bad neighborhood. And a mean dog had stolen her bone. About nine o’clock Father was driving home and he saw Smudgie in a side alley along the road. Then the two of them drove home. Erik, Ashley, Mother, and even Nanny were all happy to see Smudgie. And, of course, Father.
Art education
Art Activity: exploring the power of strong colors with ‘Fishing’ by Halima Said Ali, 6
Introduction to This Stone Soup Art Activity Halima’s colorful picture is made in felt pen. It is so completely colored in it looks like painting! But because it is made with felt pen, it is the kind of painting that is easy to do at home or at school. What makes this picture so wonderful to me are the colors. Halima approached the task of coloring her scene with great courage. She said to herself, “I am going to make a bright, strong picture, a colorful picture that makes me think of cool water and the bright hot sun shining on fishermen at the beach.” And then she went ahead and did it! Look at the picture closely, and look at it from a distance. Notice the effect of the bright colors. Look carefully at the black lines—at the faces and fish and nets. One might say that, with colors, Halima tells the story of the bright hotness of the day. And, with lines, she tells another story—the story of the fishermen and the fish they caught that day. Project: Make a Picture That Tells Two Stories Using lines, tell us what some people are doing outdoors on a clear bright hot summer day. Using color, tell the story of the weather, the story of that brightness and hotness that make certain summer days so special. Using pencil, lightly draw the basic shapes of people, some details of their faces and clothes, the buildings, cars, trees, whatever you need to tell the story of what your people are doing. Then, using felt pens, colored pencils, or paint, boldly and courageously transform your sketch into a brightly colored painting. Use color to tell the story of heat and brightness. You may discover that in some cases the “right” color to use is not the real color that you seem to see with your eyes. For instance, let’s say the day is very hot and the sky very blue. What color sky will best give the idea of a hot day? It might be blue, but it might also be red, orange, or some other “hot” color. So, in choosing your colors, be brave, and experiment! Go with all your senses! Follow Halima’s example and make your picture exciting as a carnival! From the May/June 1986 Issue of Stone Soup Fishing, by Halima Said Ali, age 6, Oman
Art Activity: Capturing activity in image with ‘Collecting Wild Hares’
Introduction to this Stone Soup Art Activity Hares are a bit like rabbits, and this picture from Hungary by Katalin Kiss, 13, shows a group of people hunting hares for food. Look carefully at the picture. There is a lot going on! There are thirteen people, nine hares, four houses, four trees, bells, bags, sticks, a fence, clouds, and there is even a well. This picture is in one color only, but look at all the detail in the men’s clothing. Some men wear hats, some don’t. There are a couple of styles of trousers, of boots, shoes, shirts. What is most amazing to me about this picture is the way each figure is posed. Everyone, including the dogs, is doing something. The characters are frozen in time, in the midst of moving, as we might see them in a snapshot. Project: Capturing an Active Moment Like Katalin, make a drawing in one color. Katalin’s picture is a linoleum print or lino cut, but you will probably use pencil or pen. For a subject, choose something where lots of people (at least six) are doing something active. Following Katalin’s example, capture the movements of each person in the scene at the moment you freeze the action. Examples of subjects you might choose where you could “catch” a number of people in interesting positions are in sports, people working together building or repairing something, a family working or playing together, chefs in a kitchen cooking, all the different activities in a railway station or airport, or people buying groceries in a supermarket. In this last example you could show someone leaning over a shopping basket dropping something in, a couple of people walking down an aisle, a child reaching out to touch something on a shelf, and a worker unpacking boxes of cereal. The more people you can show making different gestures, the more interesting your picture will be. Whatever subject you choose for your picture, follow Katalin’s example and use the entire paper for your scene—from the top of the paper to the bottom. From the March/April 1986 Issue of Stone Soup Capturing Wild Hares, by Katalin Kiss, 13, Hungary
