Stone Soup contributor and 20-21 intern Anya Geist, 14, talks to Liam Hancock, 12, about inspiration, persevering after rejection, and the Writing Workshop. 0:19 – How were you introduced to Stone Soup? 0:32 – What is your favorite thing about writing? 1:00 – How did you decide to submit to Stone Soup? 1:21 – How did it feel to have your story accepted? 1:46 – Was the accepted story, “Slaying Monsters,” one of the first stories you’d written? 2:14 – How did it feel when you were rejected the first time? 2:42 – Have you submitted anything else after your first acceptance? 3:00 – What was it like to write a book two years in a row? 3:39 – Do you feel like you grew as a writer between submissions? 2:54 – What inspired you to write “Slaying Monsters”? 4:35 – What is your favorite part about the Writing Workshop? 4:56 – Do you find that the writing you do for fun is different from the writing you do for school? 5:56 – Is there anything else you want to talk about? 6:10 – Do you have any writing advice for your peers? 6:47 – If you could tell somebody about Stone Soup, what would you say?
author interview
Author Interview: James Ponti, author of the City Spies books, speaks with blogger Thee
Editor’s Note: Recently, Stone Soup blogger Thee Sim Ling reached out to us to ask if she could arrange an interview with one of her favorite authors, James Ponti. Luckily, the bestselling author of the City Spies series generously agreed! Below is their conversation, where they discuss writing about different cultures, literary influences, favorite characters, and more. Thee Sim Ling: I read that a vacation in Europe first inspired you to write this series on juvenile secret agents. How did that tiny idea develop into City Spies? James Ponti: My wife and I went to visit our son who was studying in England for the year. We went to London and Paris and had the best time. Everything about the cities was exciting and it made me want to write an international story with kids from around the world. I also wanted to set it in great cities on different continents. The first part I came up with was give the spies code names based on the cities they were from and it just grew from that. The first thing I figure out when I write them is what cities will be in this story. TSL: What authors or books have had the greatest influence on your writing, especially for this book? JP: When I was growing up, my favorite book was From the Mixed Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsburg. That book as well as her others has always influenced my writing. I also loved Donald J. Sobol’s Encyclopedia Brown books. Currently there are many great spy and mystery writers who influence me. A good friend of mine is Stuart Gibbs, whose Spy School books are hugely popular. Stuart’s been very inspirational for me. TSL: In every single one of your books, you are able to create dynamic characters with distinct personalities, making them so real that they almost seem to leap off the page. Not only that, but you also are able to have them interact with each other in an authentic way. This is really crucial for your stories, which often require characters to work together as a team. What’s your secret? JP: First of all, that is so incredibly nice of you to say. Even though the plots of my books are on the unbelievable side (zombie hunters, a 12-year old consultant for the FBI, and a team of teen and tween MI6 agents), it is my main goal for the characters to be totally believable and for their relationships to feel like the relationships of the readers. I think without that the stories don’t work. I also try to give them a mixture of strengths and weaknesses, insecurities and confidences. TSL: You always seem to choose the best names for your stories. (Omega, T.O.A.S.T., Mother etc.) How do you come up with them? JP: I really wish there was an answer for this. Sometimes names come easy – both Omega and T.O.A.S.T. are examples of things that came instantly. With T.O.A.S.T. that was crucial. If Florian and Margaret did everything they do in the books exactly the same way, but didn’t have a name for the skill they developed, I think the books would be only half as popular. Having something to lock onto is important. Unfortunately, many times titles and names take forever and there’s no set pattern to developing them. You just have to keep trying until something sounds right. TSL: Of the five city spies, who is your personal favorite: Sara (Brooklyn), Solomon (Paris), João (Rio), Amita (Kat), or Olivia (Sydney)? Why? JP: I do not have a favorite. I think if I did, they would suffer on the page because I’d give better stuff to my favorite. As it is now, I find myself saying things like, “Rio didn’t get enough, let’s come up with something good for him.” I will say that it started with Brooklyn, because that’s where the story started and I had a vision of her first, but the others quickly developed. Instead a favorite character, I have favorite character traits to write. For example, I love to write the moments where Kat displays her incredible reasoning or the parts that really showcase Sydney’s sense of humor. TSL: How similar or different was writing City Spies, set all across the world, compared to writing Dead City, set in New York City, and Framed!, set in Washington D.C.? JP: I do a ton of research with regard to setting for all of my books. I think it’s such an important part to make the story come to life. For Dead City and Framed! this was easy because I’ve been to New York and Washington so many times that I could give you a tour and you’d think I had lived there are one time or another. For City Spies this is much more a challenge. I’ve been to all the places in the first two books except for one (there are a couple chapters in book 2 set in Oxford and I’ve not been there yet, so I had to talk to people who went to college there), but as I start writing book 3 I am going to have to branch out and that’s coming to make it harder, but also more fun in a way. The really upsetting part is that Covid has made travel so difficult I can’t go do in person research. TSL: I have noticed that as you were born in Italy, you often feature your Italian culture in your books. The narrators in your first two trilogies both have Italian heritage. Why is your Italian heritage very important to you in your books? JP: I don’t think it’s important for them to have Italian heritage, although I like that. I do, however, think it’s essential for them to have heritage of some type. It’s easy for me to write Italian because that’s my experience and
Author Interview: Alexis Fajardo, author of Kid Beowulf, talks to blogger Mirembe
Mirembe Mubanda, one of our young bloggers, recently got the chance to read Alexis E. Fajardo’s graphic novel Kid Beowulf: The Rise of El Cid, and then talk to the author about his inspirations, his process, and writing multiple storylines. Read the interview below! Mirembe Mubanda: As a child, what were some of your favorite stories? Did they play a part in your inspiration to write Kid Beowulf: The Rise of El Cid? Alexis Fajardo: I’ve always loved mythology, in particular the Greek and Norse myths. One of my favorite books growing up was the D’Aulaire’s editions of Greek and Norse mythology; they were wonderfully written and illustrated. As a young reader I was particularly drawn to the Norse myths because they were always a little bloodier than the more refined Greek myths. Those stories were a gateway to epics like Beowulf and El Cid. MM: If you were to host a dinner party where you invited characters from different comics and graphic novels, whom would you invite, and why would you invite them? AF: This is a hard question! Hmm…I suppose first off we would need someone to cook the meal, and I think Phoney Bone (from the graphic novel BONE) is a pretty good cook. Then of course we need some good conversation, so I would invite Delilah Dirk (from the graphic novel series, Delilah Dirk), Tintin, and Asterix to tell me about all their adventures (and we’ll need plenty of food if Obelix and Captain Haddock come along too). Finally, I don’t want to do any dishes so I think we’ll probably need Smiley Bone in the kitchen to help Phoney clean up. MM: What was it like when the idea of writing The Rise of El Cid came to mind? AF: When I started the Kid Beowulf series I knew I wanted Beowulf and Grendel to interact with epic heroes from other countries, Spain was always on the list because of El Cid. I was also looking forward to writing The Rise of El Cid because part of my family is from Spain, so to weave in some of that history was important to me. One of my favorite parts of creating new stories is doing all the research. I love reading the source material (in this case, the epic poem El Cid) as well as histories and other stories related to the topic. The research is fun because it means all ideas are on the table. Eventually, the hard part of writing begins when I have to whittle away at the story until the story takes shape. I knew for the Rise of El Cid, I wanted to tell the story of how a Rodrigo Díaz becomes the great knight known as “El Cid” but must stay true to himself to achieve that title. MM: While creating Kid Beowulf: The Rise of El Cid, did you have a favorite character? If so, who and why? AF: There are a lot of fun characters in this book but one of my favorites is Rodrigo’s friend Pedro the mute. He is small, feisty, but never says a word! He has a slate board that he communicates with by drawing pictures on it; it was fun to come up with the different things he would have to say. I am also fond of Rodrigo’s horse, Babieca and especially enjoyed creating the part of the story where the two first meet. Horses are very hard to draw though so Babieca was a challenge. MM: On a scale of one through ten, how much is Kid Beowulf: The Rise of El Cid based on the poem El Cid? Why is it this number? AF: In the book there is a Prologue in which I retell the original epic poem and that is a solid “10.” The rest of the book is inspired by events in the epic poem, other stories about El Cid, as well as the history of the time. My story is intended to be a prequel to the events depicted in the epic poem. The research is pretty detailed and thorough and the history is mostly accurate, at the same time it’s an original story, especially the parts involving Beowulf and Grendel! MM: Kid Beowulf: The Rise of El Cid is the third graphic novel in the Kid Beowulf series. Which comic book did you enjoy writing the most? AF: Even though they are all part of the same series and we follow Beowulf and Grendel from one book to the next, each book is very different from the other. Book one is very much a fantasy that has elements of magic in it. Book two is a swashbuckling adventure story with some comedy thrown in. And book three is a more serious adventure with some romance and political intrigue. Each one has its own challenges and when I’m creating them I am fully invested in that adventure; it’s only after I’m finished when I can begin to judge them. That said, book two, The Song of Roland has some of my favorite characters and sequences in it and I always like coming back to that setting. MM: In Kid Beowulf:The Rise of El Cid there are three different story lines. Did you ever think of making only one? AF: Ha! There are multiple storylines in all my books! I think that’s because I try to create three-dimensional characters who have a lives and stories of their own…which can sometimes complicate plots. Ideally all the different storylines come together by the end of the big story; so in the case of El Cid, we have the story of Rodrigo Díaz which is very separate from what Beowulf and Grendel are doing however by the climax of the book all their storylines intersect and (hopefully) pay off. MM: Were any of the characters personalities based on yours or someone you know well? If so which characters and people? AF: I have a few friends who sometimes become the
