kids photography

Film: Remembrance (75th anniversary D day montage)

https://youtu.be/I7sXPz9U7KY My music has a military feel paired with a more “grey” tone in a slower tempo to convey the atmosphere for a piece on remembrance so we do not forget the past. I chose the sounds of the piano, flute and drums. Drum represents the light military beat, piano the base layer and for contrasting or duet with the flute (main voice). The flute can be used to express both happy and sadness. My physical experience of being present at the various different D-day sites while listening to stories told my our guide, in addition to seeing reenactment vehicles that were setting up was more powerful than reading all the books on the topic. We visited the following areas related to D-day: Normandy beach, Juno beach, Utah beach, Omaha beach, Pointe du Hoc and Normandy American cemetery. You can physically feel the courage, fear, will and the enormous disadvantages the Allies soldiers had to overcome to break through at each of the locations. I do not think you can truly understand without going there yourself and hope to share a little through my music paired to my family video

Historic Photography by Kids

The Kodak box camera, first produced in the 1880s, became the iconic camera for the amateur photographer. The camera was as easy to use as our phone camera’s. Point and shoot. Even a child could do it. And even children did. Photograph by Anne Burrow, age 13, 1914 The best source of historic photographic images by children is in St. Nicholas Magazine (1871-1940). The first editor was Mary Mapes Dodge, author Hans Brinker and the Golden Skates, until her death in 1905. In the early 20th-century St. Nicholas Magazine innovated the publishing of writing and art by children. They were unquestionably the first major publication to take the creative work of children seriously. The title of this image, “A Lucky Snap-Shot” does not really live up to the image. Now that the issue of photography as art is long settled we can appreciate the image for the work of art that it is. For me, what is most striking is the intensity of the horses’ gaze. Ears and eyes on us. They look at us as sentient beings. The framing is remarkable. If you draw an X from corner to corner you will that the horses mouths just about exactly reset on that line. A very simple set of photographic experiments can be derived from this image. Print out the photo. Draw and X corner-to-corner. Have your child or students take photographs thinking about where the central image — the face — the dog — the flour — the building– is situated in relation to the actual center of the image. As with digital photography you can take as many images as you like without incurring cost you and your students can experiment with how the feel of the image changes with framing.