Forest Creature (collage) by Eva Stoitchkova, 11 (Ontario, Canada), featured on the cover of the March 2018 Issue of Stone Soup A note from Tayleigh Ciao for now! We are taking a vacation from our weekly newsletter for the month of August. Don’t worry—we’ll be back in September with a brand new (and better than ever) format. In the meantime, be sure to check out book reviews, writing, and art on the Stone Soup blog. And remember that the deadline for the annual Stone Soup book contest is August 16th. We will select two winning manuscripts—one in fiction and one in poetry—to be published and distributed by Stone Soup in both print and ebook forms, available for sale on Amazon, in the Stone Soup store, via our distributors, and advertised along with the rest of our books. This is a contest you don’t want to miss. So, good luck, and happy writing! Selfie Contest Since Stone Soup’s last selfie contest in 2017, the selfie has taken on a new form: the masked selfie. That’s why we’re enlisting you to participate in our 2021 Selfie Contest: With and Without Masks. For more information on how and what to submit, please visit our Submittable form. Weekend (August) Project Now, I’d like to draw your attention to Eva’s breathtaking collage, Forest Creature. As collages do, this piece creates an image, in this case a raptor, out of something else. But what distinguishes Eva’s piece from the standard collage, and what I admire most about it, is the fact that she has used clippings of a forest, the bird’s habitat, in order to create its form. Moreover, Eva has made the white space work for her, allowing the viewer’s mind to fill in the gaps of the image. In this sense, Eva has managed to enhance the relationship between viewer and art, allowing the two to work together, not unlike the forest and the raptor. All in all, what we have is a work of genius whose primary concept works on multiple levels. Rainer’s poem, “Rainer’s Mind,” is similar to the collage in content and form. To start, both works feature a forest as the setting, and a bird as subject. And, in both works, a bird is born from the fecund combination of forest and mind. The key difference, however, is that in Rainer’s poem, the mind consumes its creation, a metaphor for its endless capacity to entertain itself. But the brutal action of the poem calls into question this cannibalistic ability. The poem’s speaker appears cognizant of this brutality (“I didn’t even say hello”), yet helpless to change it (“I just walked home”). In short, Rainer’s poem builds off of Eva’s collage, posing questions about the mind’s tendency to create beauty for its own consumption—questions well worth considering. Taking all of this into account, I would like you to spend the month of August meditating on why it is that you create art. Then, I want you to choose a magazine—maybe an issue of Stone Soup—and either make a collage that utilizes white space to fill in the gaps of its image, or write an erasure poem by blacking out selected chunks of text. Until next month, Book Contest 2021 For information on submitting to the Stone Soup Book Contest 2021, please click here. To submit your manuscript, please visit our submittable site. Highlights from the past week online Don’t miss the latest content from our Book Reviewers and Young Bloggers at Stonesoup.com! Young Blogger Mason Li wrote about his experience running a triathlon! New blogger Anirudh Parthasarathy wrote about why he finds Bobby Kennedy inspiring. April, 13, reviewed Alexandra Bracken’s new novel Lore. Daniel, 12, reviewed S.E. Hinton’s classic novel The Outsiders. From Stone Soup June 2021 Rainer’s Mind By Rainer Pasca, 14 (Bay Shore, NY) I was in a forest with nothing but my mind. It opened a little bit— lifted its mouth like a shark. Suddenly, a bird. Snap, said my mind. Delicious! I didn’t even say hello. I just walked home. …Read more from the June Issue of Stone Soup, including more of Rainer’s poems Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498. Stone Soup’s Advisors: Abby Austin, Mike Axelrod, Annabelle Baird, Jem Burch, Evelyn Chen, Juliet Fraser, Zoe Hall, Montanna Harling, Alicia & Joe Havilland, Lara Katz, Rebecca Kilroy, Christine Leishman, Julie Minnis, Jessica Opolko, Tara Prakash, Denise Prata, Logan Roberts, Emily Tarco, Rebecca Ramos Velasquez, Susan Wilky.
weekly
Weekly Creativity #163: Set a Timer for 45 minutes and Draw a Portrait of Your Pet or a Favorite Toy Looking Directly at You
Set a timer for 45 minutes and draw a portrait of your pet or a favorite toy looking directly at you. (You might need to use a photo of your pet as they probably won’t stay still that long!)
Saturday Newsletter: July 24, 2021
Spring, by Myra Nicolaou, 8 (Cyprus), and published in the May/June 1985 Issue of Stone Soup A note from William Hello again! I haven’t written our Saturday Newsletter for some months, as I have been writing a book about the history of bread. Thank you to my colleagues who have taken over during this time. I turn 68 on Thursday, which also brings us into the 49th year of Stone Soup. In 1972, I gathered a few fellow students at my college, and we set to work to teach ourselves how to be publishers. The first issue of Stone Soup was published in May, 1973. I must say, between the magazine, our blogs, and the work coming out of our writing classes, Stone Soup is publishing more creative work than it ever has—and this is attracting ever more brilliant young writers and artists. I am a writer. I write every day. I am in awe of the work Stone Soup is publishing. I encourage all of you to subscribe to the magazine so you can get copies of our important literary magazine, and gain access to our vast catalogue of writing on the Stone Soup website. Stone Soup Classes Our classes resume on September 18th. The fall session runs until December 3rd, with class readings scheduled for December 11th. Registration will open early August with my writing class, Conner Bassett’s, and a new class taught by Isidore Bethel, a French-American filmmaker who will teach students how to tell stories through film. All of our teachers practice what they teach. Both Conner and I are published authors. Isidore is a well respected filmmaker. Please check out his Wikipedia entry. We are in school expansion mode! We will be adding more classes as we find appropriate teachers. We will also be expanding the types of classes. Poetry, photography, long-form fiction, and book illustration are examples of classes that we are hoping to add to our listings. We also hope to offer classes to students in Asia. Refugee project Please check out our new Refugee Project web pages. A gift you can give to these young artists is to simply read their work and speak their names. We will be fundraising for this program in September, so check back then for more information. Right now, you can help by looking at the current material. COVID-19 broke the momentum that Laura Moran, who runs this program, had built. Our Refugee Project web pages have all been approved by the agencies currently featured. Laura put in a ton of work on getting approvals and managing requested revisions. Thank you, Laura. Weekend Project The magnificent painting from Cyprus was part of a group of paintings given to us in 1977 by the Cypriot embassy, in Washington, D.C. For me, this work captures the exuberance of spring. Art and writing projects based on seasons are often one of the dullest of school projects. I want you to put all uninspiring back to school projects out of your head. One of the most famous musical pieces of all time is a set of four violin concertos by the Baroque composer Vivaldi, which he published in 1725 under the name, Le quattro stagioni, or “The Four Seasons” in English. Here is a link to a YouTube recording of the spring concerto. The many sunflowers paintings by the Dutch painter Vincent Van Gogh are representations of summer. Most of his sunflower paintings—and he made a lot of them!—are of sunflowers in a vase. These can be thought of as summer brought into the house. A vase filled with hollies with their red berries would be a comparable image for winter. The painting he made of a sunflower growing in a communal garden in July, 1887 is another approach to memorializing a season. This painting could only be made in the summer, when sunflowers bloom. Depending on where you live, thunderstorms might also suggest summer. As we are at the height of summer, I want you to think of something that screams “Summer!” where you live, and then capture that idea in a drawing, painting, photograph, or in a story or poem. If you are currently working on a piece of fiction, then if appropriate, you could work something in that might anchor your story in the summer. As always, if you like what you produce and think that our Editor, Emma Wood, would be interested in publishing it in Stone Soup, please go to our website and submit it. Thank you. Lastly, please read the poem, “The Memorial Tree,” by Amber Zhao, which was published in the February 2021 Issue of Stone Soup. This is an unusual, evocative, and complex poem. Congratulations, Amber! As COVID-19 surges again, please, please, please stay safe. Until next time, Book Contest 2021 For information on submitting to the Stone Soup Book Contest 2021, please click here. To submit your manuscript, please visit our submittable site. Highlights from the past week online Don’t miss the latest content from our Book Reviewers and Young Bloggers at Stonesoup.com! Emily Collins, 12, wrote a staggering, evocative story about desire for change in the face of the ongoing aftermath of COVID-19. Jaslyn Kwan, 12, wrote a personal narrative about her return to competitive ballet in the YAGP (Youth America Grand Prix). Make sure to read Pragnya’s (12) review of Laurie R. King’s 1994 novel, The Beekeepers Apprentice, the first novel in her Mary Russell series. Meleah Goldman, 10, wrote a lyrical and inspirational work, “The Roots of Our Peace.” April, 13, reviewed Jenna Evans Welch’s sweet, debut novel, Love and Gelato. Calling all 9-14-year-olds to Virtual Summer Camp! It’s not too late to join our summer classes with Young Inklings–we have a few spaces left in all our July classes. Each interactive writing camp runs for two hours per day, Monday through Thursday, with plenty of prompts and activities for you to take away and use outside class, too. Have fun writing and learning with us this month! July 26-29 – learn from two generations who have started journals before