The Trials and Tribulations of Swifty Appledoe

“Be yourself; everyone else is already taken.” —Oscar Wilde   Chapter 1 “And that’s exactly why you should try Milky’s chocolate ice cream!” I conclude, bowing as my excited audience showers me in a standing ovation. It’s Saturday night, and my parents are sitting on our squishy velvet sofa, watching me rehearse for the big advertisement audition coming up in a month-and-a-half’s time. It’s important that an actress is very prepared because, as they say, the show must go on. The TV is blaring softly behind me, showering me in a spotlight effect and bathing the living room in a cool glow. If I look down, I can see the glassy surface of the coffee table covered in a sea of audition papers, a lone clipboard floating at the surface. You see, when I grow older I want to become a famous actress. I want to go to the Oscars and win incredible awards, go to the Met Gala and wear a spontaneous-but-stunning outfit, pose and give daring looks to the press as they photograph me, live in a massive— I can suddenly hear the familiar sound of the Candyland theme song. Obviously an ad break. The actors’ voices start moaning sorrowfully from the TV. I know what they’re going to say. I auditioned for this ad but didn’t get in. “Oh no!” a woman cries. “My cat ate my pet bird!” “Come on!” an old man wails. “My walking stick snapped!” “Whaahhhh!” A stereotypically bratty toddler, wearing one of those caps with propellers on, shrieks like a hawk. “My cart broke!” “Don’t worry,” a familiarly dainty voice serenely assures. “I’ll take you to Candyland, where all of your dreams will come true.” In fact, this voice is very familiar. I spin around and stare in utter horror at the TV screen. A young girl around my age is dressed in a poofy, light-pink fairy costume, a sparkly rainbow belt slapped around her waist. The sleeves of the dress are Cinderella-like, and when you look at her feet, they have been slipped into slim silver high heels. Rainbow ombré fairy wings hide under golden locks of silky hair. She clutches a candy cane wand. But the one thing that stands out to me the most is the rosy, pale complexion of none other than Stella Chichester- Clark. My mouth hangs open like a door on loose hinges as I gape in envy and anger. The rest of the ad passes by. The woman adopts a candy bird made out of pink marshmallows. The old man is gifted a candy cane walking stick. Mint-flavored. And the bratty young boy is presented with a candy cart with lollipop wheels. I don’t pay much attention otherwise. Once it has finished, I slowly turn back around to face my parents. They stare at me with sympathetic grimaces. I can feel jealousy and hate crackling like fire in the center of my torso. Flames shoot through my veins, heating up my body. My head hurts— it feels like a grand piano has fallen from the sky, landed on top of it, and then exploded. My throat tightens. I can’t breathe normally. Something’s rising up in my throat. What is happening to me? Am I a dragon in disguise? “AAAAAAAAHHHH!” I scream to whatever deity is listening. Maybe the stupid universe can take yet another hint. “AAAAAAAAAAAHHH!” Then, without thinking, I slam my right hand down onto the coffee table. A sickening crack from the clipboard startles me, but I continue. I swipe at all my audition papers and they soar into the air, fluttering to the carpeted floor. “Zendaya Appledoe! Stop right there!” my mother gasps in anger. I stamp, stamp, stamp at the papers, tearing a few pages into shreds. I don’t care what happens to them. My life is over once again. I slump to the floor. My breathing is ragged and sharp. It feels like I’m sucking in spears. Strong arms hold me close. I sob into my dad’s shirt. My mum comes over and joins the hug. “Don’t worry, sweetie,” my mother’s voice says. “Listen, you have so many talents that this Stella doesn’t have,” my dad reassures me. I don’t bother to correct him. Stella is perfect at everything—from appearance and clothes to grades and sports, singing and dancing, acting and making friends. She’s annoyingly amazing. I once heard a rumor that she said her first word only a few weeks after she was born. Adding onto that, her first word was “honorificabilitudinitatibus,” a word that appears in one of Shakespeare’s plays. It’s probably true because she also won the Year Eight Spelling Bee at the age of three. I didn’t speak until I was four. My parents guide me upstairs to bed. A sense of calm has somehow overcome me. It was probably my overdramatic tantrum that did it. The last thing that I see before I drift off to sleep is Stella dressed in a fairy costume, waving a candy cane wand mockingly at my face. Chapter 2 The rest of the weekend passes by in dull form. My mind rages with fury at the ad that Stella appeared in. Finally, but unfortunately, it is Monday. A school day. When I arrive at school, I can see at least twenty kids outside the main brick building crowding around someone, probably Stella. A few of them walk away every now and then, clutching notebooks and grinning like crazy. For every one person that leaves, at least three others eagerly join. I gaze in envy. Soon enough, the large crowd starts heading up the steps to class chattering away, swarming the building like a plague of locusts. When I walk into class, the bright morning sun is shining through broad windows. Human-shaped silhouettes contrast with the sun’s gaze. I shift my focus and sigh grumpily. There are about half as many people as there were outside, but there are still many jabbering in front of the dozens of bright

Stone Soup Honor Roll: June 2021

Welcome to the Stone Soup Honor Roll! We receive hundreds of submissions every month by kids from around the world. Unfortunately, we can’t publish all the great work we receive. So we created the Stone Soup Honor Roll. We commend all of these talented writers and artists and encourage them to keep creating. – The Editors Scroll down to see all the names (alphabetical by section), including book reviewers and artists. ART Isolde Knowles, 9 Tang Li, 8 PERSONAL NARRATIVES Stella Langille, 9 Natalie Tang, 10 Erin Williams, 11 POETRY Isha Patel Ahya, 11 Antoinette Katsas, 10 Iris Kindseth, 9 Dhilan Sethupathy, 9 Ismini Vasiloglou, 11 STORIES Nora Ahearn, 8 Anthony Caprara, 12 Ritam Chakrabarti, 13 Revaya Davis, 10 Colton Etheridge, 11 Olivia Hush, 11 Claudia Laurine, 8 Audrey Li, 12 Mohan Bharghav Rangavajjula, 8

Highlights from Stonesoup.com

From Stone Soup Writing Workshop #17: Writing about Music The Writing Challenge Use any musical element—different instruments, arrangements, styles, and settings—to write about music. It could be about how music makes someone feel, or the story of someone involved in music, or anything else you think up. An excerpt from “My Brother Was the Bayou” Liam Hancock, 12Danville, CA “I want to listen to the man tonight,” I said nonchalantly, leaning back in my rocking chair. I glanced over to Mama, who seemed a world away. With needles, and thread, and tablecloths strewn about tables. She sighed, her fingers artfully dancing around one another in a timeless ballet. Needle, thread, tablecloth. Tablecloth, needle, thread. “If Pops is in the mood,” she replied, her voice distant as the indigo sky spanned out about the swaying trees and warming bayou air. A small, wooden raft trundled by. “And it’s up to the man, Jackson, if he wants to play.” I shrugged, grabbing hold of our shambled roof and yanking myself to a stand, nodding in satisfaction as the rocking chair rolled back and slammed headlong into our small swamp cabin, sending the precarious boards shuddering in protest. I leapt down to the muddy banks, swatting away an assault of mosquitoes. “He plays when I want him to,” I pressed, the brown-greenish sheen of river water and soppy dirt seeping into my hunting boots. “And when I want to sleep, he stops.” I hesitated. “I think he likes me.” Mama took a pretty second to cast me a quizzical look. “That’s the most fine dandy and rediculous idea I’ve ever heard with these two ears.” She returned back to her knitting. “Pops should be nearby, maybe on Elkdead Island. Why don’t you take the skiff over?” I grinned. “I knew you’d come around!” I cried, leaping into our humble two-seater skiff and unknotting the rope in a supersonic leap. Pops’ favorite hunting stop was Elkdead Island, and on a good day, he’d return back to the cabin with a hunk of deer meat and some camouflage paint smudged over his nose that Mama would fuss over for the entirety of the dinner meal until he washed up. It wouldn’t take much too long to find him in the shallow sawgrass. The island didn’t offer much in the way of tree cover, naturally making the job of gator hunting much cleaner than on the other side of the river. I was out onto the river with a good shove of the arms and started on my way. Oars in, oars out. Oars in, oars out. And hope none of the gators are about. About the Stone Soup Writing Workshop The Stone Soup Writing Workshop began in March 2020 during the COVID-19-related school closures. In every session, a Stone Soup team member gives a short presentation, and then we all spend half an hour writing something inspired by the week’s topic or theme. We leave our sound on so we feel as though we are in a virtual café, writing together in companionable semi-silence! Then, participants are invited to read their work to the group and afterward submit what they wrote to a special writing workshop submissions category. Those submissions are published as part of the workshop report on our blog every week. You can read more workshop pieces, and find information on how to register and join the workshop, at https://stonesoup.com/stone-soup-writing-workshop.

The Trials and Tribulations of Swifty Appledoe (Part Three)

This is the third and final installment of Ariana Kralicek’s novella. You can read the first two installments in the April and May 2021 issues of Stone Soup, or in its entirety here. Chapter 17 On the way to the hospital, everything is like a jumble. It kind of feels like sorting through old books, if you know what I mean. There are the ones you love, ones you hate, and ones you can’t even remember reading. Like now. We’re speeding along the streets, Grandma at the wheel and me yelling, “Go, go, go!” I hate that it’s uncertain about how Mum and my brother are. I haven’t heard anything about them yet. And I can’t remember what happened at school. It’s like it was one of those dreams you can’t think about after it’s over because you’ve forgotten. Finally, we arrive at the Auckland Hospital. “Hurry, Grandma!” I impatiently beg as she unloads bags upon bags of gifts. She asks me to carry some for her. I do. They probably weigh at least several kilograms, but they feel as light as feathers to me. We race inside the main building, Grandma briskly walking and me pulling her along crazily. When we get to the reception desk, the lady sitting behind it stares at us boredly. How is she not excited?! This is so weird! Ugh, Swifty. Snap out of it! “Purpose of visit?” she blandly asks. “Grace McClean!” My grandma’s dentures nearly fly out of her mouth. She’s really excited. “Okay. That’s level seven, ward three,” she replies. We hurry over to the elevator. I jab repeatedly at the button going up, while Grandma smiles at me, stressed but bursting with excitement, her foot tapping on the hard floor. Oh boy! The elevator finally arrives, and we race inside. I jab at the level-seven button, and slowly but surely, we go up. “H-hurry, hurry, hurry,” I whisper. “H-hurry, hurry, h-h-hurry.” Ding! The elevator doors roll open. Grandma wobbles out, a big smile plastered on her face. “Ward three—there it is!” she shrieks cheerily. But just as we’re about to go in, I feel a terrible nervous pang in my stomach. My throat squeezes shut in panic. I feel like I can’t breathe. I grip my grandmother’s hand tightly, feeling the map of her life stretched across her wrinkled palm. “Hey, sweetie. It’s okay to feel nervous,” she says gently. “Why don’t we just go inside. You can hide behind me if you want to!” She grins cheekily. “Now smile!” I stretch my lips into a fake grin. She nods, and clasping hands, we walk inside. The room is dim and grey. My mum is on a big hospital bed, cradling a tiny lump. My dad walks over to us and gives me and Grandma a big hug. “Come on, Swifty,” he whispers. He sounds quite emotional, but I suppose it IS one of those kinds of situations. I go over and sit on the edge of my mum’s bed. There’s a drip going into her, but nothing is actually that scary. “Swifty, meet your baby brother,” my mum whispers. And then suddenly my hand is stroking my brother. O. M. G. He’s so warm and tiny, wrapped up in cozy pale-blue blankets. He’s silent, but he’s making little tuts as he sleeps. Thin wisps of hair frame his chubby cheeks. And his little pinched face . . . Ughh, soooo cute. No matter what happens, I’m going to do whatever it takes to protect him. This is the moment I want to last forever. I lie on the thin air mattress my grandma set up for me. I need to stay with her until tomorrow because my mum needs to rest at the hospital. Don’t get me wrong: I love my grandma, but I really want to be in my own homey bedroom instead of trying to sleep in the nearly empty, dim spare room in her small house. I check the time on the digital clock propped beside me. It reads 12:01 a.m. I need to get to sleep. Tomorrow are the student council elections, and I have to be wide awake for that. But I can’t seem to shut my eyes. I’m worried about my brother. What if something happens to him in the night? If he gets sick? If the next day he’s given to the wrong people after a test? I squeeze my eyelids closed and for the hundredth time try to fall asleep, telling myself that the people at the hospital know what they’re doing, that he was fine when I saw him, and that my mum will keep him safe. Chapter 18 It’s the day of the student council tryouts. I squirm nervously in my seat, just like at the concerta and while in the car on the way to my first (and last) ballet class. My hands clench sweatily around my cue cards (which are ripped because of my impulsive gripping, just like they clenched the scissors when I cut off nearly all of my hair), and I can’t stop my teeth from chattering like when my baby brother was born. I can handle this. Mrs. Mulberry bounces into class. “Good morning, first of all,” she exclaims, placing her books on her desk. “And secondly, could all of the students trying out for the role of our class councilor please stand up and go outside? Write your names on the board before you go, though,” she adds with a smile. Mrs. Mulberry loves the student council tryouts. Rumor has it she loves it more than watching Keeping Up With the Kardashians. I stand up and shuffle over to the door. I can hear my classmates gossiping. Especially about me. Someone holds the door open, and I quietly walk through. I hear it click shut, and then I look up. Oh . . . kay. All of the popular kids in my class are pacing around in circles or biting their lips,

Ghost of a Killer

Acrylic Artist description of the piece (translated from Arabic): The colors are nice. Behind the picture, there is a ghost. It is the ghost of a killer. This painting was created with the support of the Inside-Outside Project. Suzan, 10 Syria (Kurdish) About the Project There are millions of children affected by war, social collapse, and climate change now living in refugee camps, or dispersed in host countries far from their original homes. The work that appears here is a part of Stone Soup’s growing collection of creative expression by young people whose lives have been upended by such conflict throughout the world. To explore the entire collection, please visit the Stone Soup Refugee Project online: https://stonesoup.com/refugee-project/

Untitled

Acrylic Artist description of the piece (translated from Arabic): There is something hiding behind the painting. There is a ghost behind it. It is the ghost of someone. (Who?) (No answer to that.) It is not me (says the artist); it is another girl who is afraid. The ghost frightens people, but it does not hurt them. (What does the girl in the picture say?) The girl (in the picture) says the ghost came to her. (What does the girl say to you about the ghost?) She told me so we can help her. This painting was created with the support of the Inside-Outside Project. Halil, age unknown Syria About the Project There are millions of children affected by war, social collapse, and climate change now living in refugee camps, or dispersed in host countries far from their original homes. The work that appears here is a part of Stone Soup’s growing collection of creative expression by young people whose lives have been upended by such conflict throughout the world. To explore the entire collection, please visit the Stone Soup Refugee Project online: https://stonesoup.com/refugee-project/

Cornered

Deep in the White House, maybe in a closet, the door is shut and barricaded from the inside by an armoire and a heavy sofa. To his left you might see a machine gun. To his right is a decoy: a rifle labeled the 2nd Amendment. The man’s face is in shadow. On the wall, his country’s upside-down flag hangs crookedly. On the wall opposite, the flag of treason has been nailed to the wall beside the hanging skeletal figure of a young man. A Bible sits, brand new and yet covered in dust, on a barren shelf behind him. On the back wall, a flat-screen TV frames his face. There is a whiteboard deep inside the closet. An Expo marker is tied on a string to the corner of the board. It has been recently erased. A picture of his daughter has been tacked to the board with a round black magnet, her face false with make-up. If you look closely, you will see that his right shoelace is undone. The hem of his pants are crooked. Perched on the bridge of his nose is a pair of borrowed glasses. If he knew these things, if he could see these things, he would not let them slide. The man is cornered. He has cornered himself. Cora Burch, 13Van Nuys, CA