Draw/paint/etc. a landscape from your dream.
How Stories Work—Writing Workshop #50: Flash Fiction
An update from our fiftieth Writing Workshop with Conner Bassett A summary of the workshop held on Saturday, November 19, plus some of the output published below This week, Conner focused on the art of flash fiction. To begin, he talked about how influential Ernest Hemingway was during the 20th century, which led to a discussion of Hemingway’s “Iceberg Theory”: the deeper meaning of the story should not be evident on the surface. If a writer knows what they’re doing, they should omit certain details and the reader will understand it just as well if they were there. This invites a reader to be involved in the creative act of interpretation. Conner then defined flash fiction as a fictional work of extreme brevity that (usually) mimics the conventions of short stories. With this definition in hand, we read the following works of flash fiction: “A Little Fable” by Franz Kafka. “Dog and Me” by Lydia Davis. “Unhappy People” by Lydia Davis. “The Old Woman” by Daniil Kharms “The Dinosaur” by Augusto Monterroso The Hemingway baby shoes story The Challenge: Write 10 one-sentence stories or write a one-paragraph story. The Participants: Emma, Anushka, Penelope, Anna, Allie, Savi, Zar, Alice, Samantha, Madeline, Tate, Josh, Ella, Arjun, Russell Five Works of Flash Emma Hoff, 10 Lamp An eye, glaring at the wall with tears welling up in its eyes and spilling over, extinguishing what could have been and creeping inside every corner, until a hand reaches out and undoes all the hard work. At the Table On top of the tablecloth sits the untouched chicken, as, out of politeness, the people have been waiting for their guest — he is hidden in the closet. For Sale The grass holds the sign in place, the dirt protects it, so, no matter how hard they try, their words and their colors and their smiles will always be for sale. Diagram He stood up and got dressed and looked at the poster on the wall and mumbled some nonsensical things to himself before looking in the mirror to give his hair a name and label his fingers. Cactus So many eyes and toes – all kinds of spikes and all flavors of needles — like an ad for toothpaste.
Flash Contest #49, November 2022: Write a story where a character confronts their worst fear—our winners and their work
Our November Flash Contest was based on Prompt #228 (provided by Stone Soup contributor Sage Millen), which asked that participants write stories (or poems) in which their characters confronted their worst fears. I’m particularly fond of this prompt as it is not only generative of new work, but it is also an extremely helpful exercise in revision. This month’s crop of submitters and submissions was particularly diverse, with pieces ranging from a story told from the perspective of a migratory bird to a poem from the perspective of a murderer to a love letter to baseball—just to name a few—and with three out of five of our selected winners being first-time winners! As always, we thank all who submitted and encourage you to submit again next month! In particular, we congratulate our Winners and our Honorable Mentions, whose work you can appreciate below. Winners “The Trick up Sam’s Sleeve” by Kyle Chinchio, 9 “I’m Sorry” by Eiaa Dev, 13 “Baseball Spirit” by Miles Koegler, 11 “Icarus” by Nova Macknik-Conde, 11 “A Long Journey” by Jack Ryan, 9 Honorable Mentions “Because of the Dog” by Sofia Grandis-Oliveira, 9 “Esmera’s Wish” by Kimberly Hu, 10 “Fear” by Yuqing Li, 11 “At Home with the Music” by Madeline Male, 14 “Wild Waters” by Natalie Yue, 10 The Trick up Sam’s Sleeve Kyle Chinchio, 9 Hi, I’m Sam and this, the story I’m about to tell you, is the scariest thing that’s ever happened — well at least to me. I’m a pretty ordinary kid. I have blond hair that reaches just past my ears, curling slightly at the ends. My face is dotted with freckles here and there; and I’m skinny, with knobby elbows and knees. And my personality? I’m shy and try not to call attention to myself. When I can, I grab a seat in the last row of every classroom, shrinking behind the kids in front of me. I go to school at Bellevue Elementary, and everyday my to-do list is the same. Get up, go to school, return home, rush through homework, play video games, have dinner, climb into bed – rinse and repeat. But at least I have my best friend at school, Daniel, to share it with. Daniel and I have known each other for forever. Our mothers met in yoga class while they were still pregnant with us and we were born within days of each other. Like me, Daniel is often bored by school too. He always asks plaintively, “Do we have to go to school today? Can’t we just skip it?” There’s one other thing that’s important to know about me: I have a weird phobia that pops up from time to time, preventing me from participating in seemingly innocuous activities like school assemblies, birthday parties, or museum outings. Not a boring phobia like a fear of spiders or heights, but rhabdophobia – which means I’m really scared of magic. My parents and friends always tell me, “Magic isn’t real!” Or my sister says, “You’re such a scaredy cat! Aren’t you eleven?” Despite everyone’s assurances, each stronger than the next, I’ve always felt magic was real -– not the Christmas kind, but something ancient and inexplicable, a malevolent force pulsing beneath the fragile fabric that makes up our reality. When I was three, I went to a magic show and my sleeve caught fire after a wayward spark flew in my direction. The magician, his ridiculous top hat askew on his head, looked at me as if we were the only two people in the room and smiled. From that day forward, I was convinced magic was real and I wanted nothing to do with it. But enough backstory, you’re probably thinking. Let’s get to the good stuff: Me, facing my greatest fear — Magic. It all began on a chilly Saturday evening. Daniel and I were walking toward the park, tossing a baseball back and forth, aluminum bats slung over our shoulders. The trees, their spindly branches bare of the leaves and flowers that will rebloom in the spring, rustled overhead as we walked past. We could hear the skittering of crepuscular rats and insects as they emerged from their dens, drawn by the darkening twilight. The vibe was decidedly eerie. That’s when I saw him: The magic man. Not a magician with trick cards and a box with a hidden compartment, but a real sorcerer — his crimson, velvet robe flapping in the air as he approached us and his steel-gray hair tied in anemic bun at the base of his neck. He didn’t say anything, lips pressed in a thin line, but I could sense magic — and evil — on him. Quickly, he strode past us, and although the wind was strong enough to plaster our jackets against our stomachs, suddenly the air stilled around him and he disappeared. I turned to Daniel, but he seemed unperturbed. “What?” he said, a crease had sprung up between his eyebrows. My eyes widened in surprise, but I only said, “Nothing, let’s head to Smith field and throw a few pitches.” I went to bed that night with a single thought crowding my brain “He’ll be back and when he returns, it’ll mean nothing good.” The next morning I told Daniel about what I had seen. To my surprise, he erupted into peals of laughter. “That’s so weird,” he said between giggling fits, attracting the attention of almost everyone in the hallway. “What do you mean you can ‘sense magic?’ I’m sorry about laughing, but this is just too funny! What does magic even feel like?” I knew to convince him, I needed to return to the park with him in tow. We slipped out after lunch and before math class when the playground monitors were busy with the first graders, who had released a box of earthworms by the swings. As I suspected, the strange figure was back, sitting with a few henchmen on the bench under a gargantuan oak. Like the