Dear friends and supporters of Stone Soup, As director of the Stone Soup Refugee Project, I would like to extend my heartfelt thanks for your support of this innovative, empowering endeavor as well as of Stone Soup’s broad aim to provide a platform for creative young people across the globe. The Stone Soup Refugee Project was inspired by Sabrina Guo, a Stone Soup contributor, prolific writer and extraordinary activist, and the collaboration she pioneered with Another Kind of Girl Collective, a non-profit which provides an artistic outlet to displaced Syrian girls. Since the launch of the Refugee Project, we have partnered with seven organizations providing on-the-ground support to children living in refugee camps, and those resettled in host countries. Through these partnerships, we have collected over three-hundred pieces of artwork and writing by refugee youth. These creative works are currently on display in our newly created web portal for the project, which you can explore here: https://stonesoup.com/refugee-project/ Our vision for the project: “Will be the next day better.” A drawing by a Syrian refugee child of her idea of a good future. Over the course of the past year and half, we half successfully overcome the limits of the Covid-19 pandemic as we forged relationships, through the help of Zoom, with organizations serving refugee youth in Kakuma Refugee Camp in Kenya, as well as in Turkey, Lebanon, and Greece, and even along the Syrian refugee trail to Western Europe through the Balkans. In the next phase of the Refugee Project, as we continue to collect creative works by refugee youth for display on the Refugee Project portal of our website, we are also working to expand and deepen our collaboration with current Refugee Project contributors. Our central goal for these ongoing collaborations is to facilitate a substantive, ongoing engagement between our broad Stone Soup audience and the artists and creative works displayed through the Refugee Project. We hope to achieve this goal through several endeavors, including: 1) Delivering creative writing teaching content to young people in refugee camps and those resettled in host countries. This content will be developed by members of the Stone Soup team and designed to help young people to share aspects of their daily lives and experiences that they wish to share; and 2) To facilitate collaborative learning experiences, such as the exchange of creative writing and artwork, between our Stone Soup contributors from refugee backgrounds and our broader audience. As an example of this type of expanded collaboration, planning and logistic development is currently underway between myself and key stakeholders at Kakuma Refugee Camp, Kenya, for me to deliver a portion of my Anthropology of the Everyday summer camp (which I have taught over the past two summers) to young people living in Kakuma Refugee Camp. I will deliver this workshop initially through mobile phone exchange via Whatsap, and once Covid-19 protocols allow, through interactive video conference sessions. The initial delivery of this workshop is set for this coming September, after which we hope to facilitate a creative exchange of the writing and artwork produced by young people who took the workshop in Kakuma Camp, and those who signed up through Stone Soup. Afghan girl, age 10, in a Serbian refugee camp in Bogovadja. Support the Project: To make this vision a reality, we need your help. We have set ourselves a target goal of $10,000 to pilot the program. These funds will go towards the development of workshops delivered to young people in refugee camps, the facilitation of creative exchanges between young people, and the work of collecting and publishing more material on the Refugee Project website. In addition, funds will be used to support our Refugee Project contributing organizations and the young people they serve in the ways in which they deem valuable, such as purchase of supplies and possible scholarship funds. As we have said many times before, the media so often portrays refugee youth as the subject of a narrative. The Stone Soup Refugee Project provides a platform for these young people to tell their own stories, in their own voices. Please donate toward our goal and help us to empower these young people. Thank you for believing in us and our mission. Your continued support has made this project possible. Sincerely, Laura Moran Refugee Project Coordinator Donate to the Stone Soup Refugee Project Recent Work by Refugee Children Mixed media, paper mache using old exercise books, tissue paper, paint, glitter, pen Hala was in Greece for almost 3 years with her father and sister. Her mother was waiting for them patiently in Germany. She loved to draw more than anything. They were living in a squat when Love Without Borders met them and placed them in a house. They used art as a way to heal as well as to pay for basic necessities during their time in Greece. They were finally transferred to Germany to be reunited with the rest of her family. Now Hala is studying German and sends photos of his paintings from time to time, as well as leaving sweet voice messages in German. Khalid recalls: all his friends say something nice about him, that he helps people. He offers friends food, or anything they need. He jokes with his friends. Sometimes during the activity he forgets himself and starts to sing. He is a very natural, grounded personality, very instinctual. He does things without thinking. When asked about the painting, he said it is about nothing. He said, it means nothing. He said, black is for scariness, and red is for blood. Ezgi asked, is this a painting of a monster? The boy said, yes. Ezgi said, let’s talk with this monster. What you want to say to him? The boy said, I am not afraid of you. Ezgi said, what did the monster say to you?The boy said, the monster says, no, you are afraid of me. Answer him, Ezgi said.The boy said a loud, laughing voice, I am not afraid of you!
Saturday Newsletter: September 4, 2021
Woodpecker (watercolor)By Aspen Clayton, 11 (Lisle, IL), published in the September 2021 Issue of Stone Soup A note from William Hello to all of you during these crazy, crazy times! We hope that all of you are safe from the natural disasters that are affecting so many of us. And, of course, that you are doing what needs to be done to stay safe from the pandemic. I have added a newsletter innovation today—a video! I hope you like it. I think that this is a mode of communication that works for me. Today’s video is about the publication of The Other Realm by Tristan Hui, the winner of this year’s Stone Soup Book Contest. Congratulations to Tristan for a job super well done! I’d also like to mention today—but there will be more in another newsletter—about our editor’s choice winner, who is Anya Geist. I am a working writer. I’d like to say to those of you who didn’t win that, unfortunately, not winning contests and having works rejected is part of the life of the writer. We look forward to reading what you come up with for next year, and you are also free to keep working on the novel you submitted this year. Refugee Project Fundraiser We have just sent out our first solicitation for our Refugee Project fundraiser. I don’t want to focus on that today, as for today Tristan’s book is the most important thing. So, more on this project next week. I will not explain that, in fact, in the words of the song from Cabaret, “money makes the world go round.” Classes As you all know, enrollment is open—we have two writing classes, the monthly book club, and now a filmmaking class starting next Saturday, September 11. There is flexibility in shifting between my writing class and Conner Bassett’s. The new filmmaking class does require that you know how to do basic video editing. However, if you don’t know how to edit, but this is something you really, really want to do, then please get in touch and we will discuss options. You will be able to enroll in classes after they start, but, obviously, starting at the beginning is ideal. Weekend Project Please read Summer Loh’s elegant poem about the woodpecker. And also, look at the paired illustration by Aspen Clayton. I was surprised a few months ago by a woodpecker just outside my kitchen window pecking away at the bark of a quince tree. Like Summer, I wondered what it was going for. And, like Summer, I found the sound comforting. I always enjoy the sound of woodpeckers. There is a trail I go on that starts at the Pacific Ocean and goes into the Santa Cruz Mountains. For an early stretch of the trail, before it gets into the redwoods, it goes through some old farmland. There are several huge old walnut trees along this part of the trail. I always stop to look at them—so many woodpecker holes! For this weekend’s project, I want you to observe something from nature. If you are where there has been extreme weather or fires, then use as a subject something from these momentous days. Otherwise, watch a bird, watch a cloud, watch your cat stalking a butterfly, watch the shadow being cast by a mountain as the sun sinks behind it. It doesn’t matter. Look for the center of your feelings, look for the center of how you are reacting to what you are watching. Note that Summer both gives you a sense of the bird with its “peck, peck, peck,” but also reaches into her imagination to describe what she is seeing in an original way—I am thinking there of the idea of the bird gliding like a paper airplane. As school has started and you may be busy this weekend still adjusting to being back in school—and for some of you, as it was for my daughter, back in school for the first time in a year and a half—I suggest that if time and focus is an issue, interpret what you see and feel either with art or with words. Prose or poetry are both OK. As always, if you are happy with what you make and think that our editor, Emma Wood, might like it for Stone Soup, then please submit it to us! Until next time, Refugee Project Dear friends and supporters of Stone Soup, Since the launch of the Refugee Project, we have partnered with seven organizations providing on-the-ground support to children living in refugee camps, as well as those resettled in host countries. Through these partnerships, we have collected over 300 pieces of artwork and writing by refugee youth. These creative works are currently on display in our newly created web portal for the project, which you can explore here. As we have said many times before, the media so often portrays refugee youth as the subject of a narrative. The Stone Soup Refugee Project provides a platform for these young people to tell their own stories, in their own voices. To make this vision a reality, we need your help. We have set ourselves a target goal of $10,000 to pilot the program. These funds will go toward the development of workshops delivered to young people in refugee camps, the facilitation of creative exchanges between young people, and the work of collecting and publishing more material on the Refugee Project website. In addition, funds will be used to support our Refugee Project contributing organizations and the young people they serve in the ways in which they deem valuable, such as the purchase of supplies and possible scholarship funds. —Laura Moran, Refugee Project Director Selfie Contest Since Stone Soup’s last selfie contest in 2017, the selfie has taken on a new form: the masked selfie. That’s why we’re enlisting you to participate in our 2021 Selfie Contest: With and Without Masks. As has always been the case, we want these selfies to tell us a story. Think about how masks can both aid and make more difficult the expression of thoughts and feelings. How can you
Outdoor School, by Diya Chakrabarti, 12
Diya Chakrabarti, 12 (Cupertino, CA) Where I live, it is usually pretty pleasant this time of the year. So, my school arranged an outdoor school to enjoy the weather and allow us to learn more about nature. Nature is so beautiful, and we need to look outside more often, and be more mesmerized by its endless beauty. Anyways, let me share a little about what I learned in my science class—let’s talk about fractals and FBI. A fractal is an infinite shape, you can search it up if you need a visual! I learned that fractal shapes can be found in nature, even in the minutest of places. The most common places to find fractals are in snail shells, snowflakes, and infrequently appearing clouds! Secondly, the FBI does not mean the Federal Bureau of Investigation, because that’s what I thought when I first heard that word. In this case, it means Fungus, Bacteria, and Vertebrates. The organisms can break down dead organisms and create new compounds, like soil. I had read a little about these before, but a refresher is always welcoming! The dead plants and bodies are like fertilizers, making the soil more fertile, which means plants will grow healthier. As I mentioned before, nature is mesmerizing and has endless opportunities to explore. By going outside, I discovered so much. Readers, why don’t you go exploring outdoors since you probably finished reading my write-up? Have a great summer peeps!!
