Personal Narrative

Deep Observation, by Gedeon

In Nakivale, between basecamp and Kitiaza, nestled between rolling hills and verdant fields, there lies a water point that serves as the lifeline for the women of this tight-knit community. A weathered stone well, encircled by a ring of smooth-worn earth, stands at the heart of the village. Its edges bear the imprints of countless feet, a testament to the ceaseless pilgrimage of women who gather here, carrying not just empty containers, but hopes, dreams, and the sustenance of their families Each morning, as the first light of dawn gently kisses the horizon, a procession of women emerges from the thatched-roofed huts, their laughter and camaraderie woven into the fabric of this ritual. They come armed with jugs, pails, and buckets, each vessel a testament to the unique story. It carries a legacy of generations who have drawn from this same source. As the women gather around the well, a sense of unity pervades the scene. Conversations ripple through the group, an exchange of stories, advice, and laughter that binds them in a sisterhood forged by the shared purpose of securing water for their families. With practiced hands, they lower their containers, the creak of the pulley system harmonizing with their soft chatter. The water, cool and clear, gushes forth, filling each vessel with life-giving sustenance. Drops cascade, creating a symphony of liquid music that resonates with the women’s laughter and chatter. It is a melody of resilience, a harmonious tribute to their unwavering dedication. Yet, beneath the surface, there lies an unspoken understanding. These women bear not only the weight of their containers but also the aspirations of their families. They are the keepers of this essential resource, its guardians and stewards. With each trip to the well, they fortify the foundation upon which their community thrives. As the sun ascends higher in the sky, the women depart, laden with their precious cargo. Their steps are sure, their burdens carried with grace and purpose. They return to their homes, where the water will quench the thirst of loved ones, nourish the crops, and weave itself into the fabric of daily life. In this water point, I witnessed not only a source of sustenance but a reservoir of strength, unity, and unwavering determination. It is a place where women come not only to fetch water but to replenish the very essence of their community’s existence. This unassuming well is a testament to the indomitable spirit of these women, whose footsteps echo with a legacy of resilience, and whose hands hold the promise of a better tomorrow.

Deep Observation, by Clarise

It was a certain beautiful afternoon. I was in our garden harvesting maize. Our garden is situated in a swamp called Rhaga. Rhaga is a swamp situated in Nakivale where most inhabitants are locals, and not refugees. Our garden measures two hectars, which does give us a good amount of maize whenever we harvest. We hire a lorry to come and help us carry the harvested crops. This afternoon I was very tired since we had been harvesting all morning wand the work is almost reaching the conclusion. We were resting when some boys who were working in the next garden from ours started shouting. “Snake!!! Snake!!!” All of a sudden my brothers ran to them to check what had happened.  I saw a black cobra running. I felt freezing because I was so scared. It looked like the one I always see in my documentary and movies. The other guys were still yelling whereby my brothers went to hunt for it but they couldn’t find it. It never harmed anyone, but until now I’m scared of going to Rhaga again.  

Yellow Brick Road Rough Terrain, collaborative piece

The piece I chose to work on in the Half Baked Art Collaboration is named Yellow Brick Road in Rough Terrain. When I first saw it I was reminded of The Wizard of Oz. I learned that many refugees in those camps arrived as young adults and ended up as grandparents without ever leaving the confinements. The yellow brick road in the artwork seemed to me as a pathway to get out of the prison they were trapped in. The higher part of the road is a bright place where people aren’t trapped in camps. The road descends into darkness, which represents the camp and dwindling freedom. I decided to add some word bubbles to show cries of help from the refugee camp while the people who have freedom ignore them. I wanted to show the stark contrast between the two places and highlight the yellow brick road that leads from one end to the other. Caroline Gao United States