An update from our fifty-second Writing Workshop with Conner Bassett A summary of the workshop held on Saturday, January 21, plus some of the output published below In our first workshop of the new year, we were so happy to see many familiar faces, as well as many new ones. Conner began the workshop by reading three examples of micro fiction—“Sticks” by George Saunders, “Give It Up” by Franz Kafka, and “You Know, Quiet” by David Gaffney. Then, Conner asked students to outline characteristics of micro fiction based on these examples. Students concluded that some key features of microfiction are that the brevity of the pieces forces readers to “think about the title, and the “iceberg technique” is used, meaning much context is left unwritten. Conner advised students to move fast, start in the middle, introduce few characters, and choose words carefully, using few to no adjectives. As a mini-challenge, Conner then gave students one minute to write a prompt based on the examples of micro fiction they had read. The Challenge: Using one of the prompts from our mini-challenge, write a piece of micro fiction. The Participants: Lindsay, Anushka, Amaya, Genevieve, Seva, Lucy, Catherine, Yueling, Stella, Ava, Srujana, Lina, Emma, Arjun Where’s My Coffee? Arjun Nair, 11 I didn’t get my coffee this morning. They said they were out of milk, so I walked right in and checked for myself. This made me mad all day, and I even ripped some important documents up. Later today, I was fired. I tried to explain to my boss that there was no coffee, but he didn’t want to hear it. I took his coffee mug with me as I walked out the door.
Stone Soup Magazine for young readers, writers, and artists
Jonathan Livingston Seagull, Reviewed by Nova, 11
Several people are kept in a cave. They have lived in the cave their entire lives, chained to the ground, watching blurry shadows dance on the stone wall in front of them. They think that this is all there is to the world. But one day, one of the captives breaks free of his bonds and leaves the cave. He is amazed by all he sees outside, but when he returns to tell the other prisoners of his findings, nobody believes him. Instead, they kill him. This story is known as the allegory of the cave. Plato, an ancient Greek philosopher, wrote it in reference to his teacher, Socrates, another Greek philosopher. Socrates was sentenced to death and made to drink poison for “corrupting the youth” with his new ideas. But what would have happened if Socrates was not killed but exiled? And what if he returned one day, years and years later, to teach others about the wonders he discovered while banished? And what if Socrates and the other Athenians were not humans but seagulls? Okay, the last question probably sounds extremely weird, but this is basically the plot of Jonathan Livingston Seagull, a novella written by Richard Bach and first published more than fifty years ago. At the start of the story, a seagull named Jonathan feels incomplete. Unlike the rest of the flock, he yearns for more than food. He wants to learn more about flight. He keeps experimenting, and one day learns how to fold his wings, using only his wingtips for maximum speed. After he bursts through the flock at terminal velocity, he is called forward and banished for disrupting his community. He lives a quiet, peaceful life on the Far Cliffs for many years, and then he goes to the next stage of his existence, in which he realizes his true purpose: to return to the flock and teach them the wonders of flight. I was apprehensive at first about this novella, because it starts off slowly and the action only gradually builds up. But once I warmed up to the story, I saw that it was written wonderfully, with many sensory details. I could feel Jonathan’s heartbreak, his fear, and also his euphoria whenever he discovered a new flying trick. Readers will also learn a lot about amazing aerial acrobatics and flight mechanics from the author, Richard Bach, a pilot who has written many fiction and nonfiction books about flying. Even though I am not a flight expert, I could still picture Jonathan’s aerial whirls and spins in my mind’s eye. I also enjoyed the black-and-white photographs of seagulls in flight, taken by Russell Munson, which illustrate my copy of the book. I would recommend Jonathan Livingston Seagull to eight-year-olds and up. Jonathan Livingston Seagull by Richard Bach. Macmillan Publishers, 1970. Buy the book here and help support Stone Soup in the process!
Weekly Creativity #238: Write the Same Scene from Different Characters’ Points of View
Write the same scene from different characters’ points of view.