‘The Golden Brick Road’ Mixed media collage by Sage Millen, 11 (Vancouver, Canada). Published September 2019. A note from William Rubel I have been looking through the submissions to our recently closed contest for a book-length manuscript. A lot of you entered! I’m impressed. It isn’t just that there are so many entries, it is that the quality of the entries is exceedingly high. As a fellow writer, I can see how much work you put into the submissions. It seems like a lot of you are interested in writing book-length works, whether that is a single work of fiction or a collection of stories or poems. You have to think differently when working at this larger scale. We are pleased to see so many of you are rising to that challenge. A grocery store a block from my house has a sign board facing the street. This week the message reads, “Summer should get a speeding ticket.” That is certainly how I feel. Where did it go? Those of you who keep a journal are in a better position than most of us to answer that question. I am sure that at the beginning of summer I suggested (as I always do) keeping a journal. Did you? If so, please look through it to see whether there is anything there that you think we’d like to publish or post and, if there is, please submit it to the blog section in Submittable so that Stone Soup’s editors can read it. Rather than give you a new project for this Saturday I’d like to encourage you to go to a portion of the Stone Soup website that we know many of you haven’t noticed. That is the section of the website with writing and art activities. Subscribers who are logged in to their accounts have unlimited access. I’d like to say how much I like Sage Millen’s artwork, “The Golden Brick Road.” It is on the edge between art that is representational and art that is abstract. The colors draw me in. I want to follow that golden brick road. You? And if so, where to? Below, also from the September Issue, you will find Layla Linnard’s poem, “Us Three.” Wow! So simple. And so not simple. Until next week Our Current Fundraising Appeal: the Refugee Project This past week we sent out details of our late Summer/Fall fundraiser: raising funds to support the production and publication of creative work by children in refugee camps around the world. We want to raise a total of $5,000 to support workshops run by and for kids in camps, a Special Issue of Stone Soup, and associated projects–and you, our generous readers and supporters, have got us off to a terrific start. Within a few hours of our first letter going out, you had donated almost $500. That’s already enough to cover the first kids’ workshop being run by 3 talented teens living in Za’atari Refugee Camp. Please share the news of this appeal, and help us raise the money to continue this work. You can read more about this initiative at our website and help us by sharing the link with others. Thank you. Click here to donate to support our refugee project. Customer service and online accounts Last week we launched a new Customer Service FAQ which we hope you are finding helpful. We wanted to remind you that our previously published customer service email address(es) and telephone numbers are no longer functional, and we do not currently have a facility to take telephone queries. We intend to reintroduce a phone facility within the coming months, and for now we ask you please to email us with all of your requests and questions at subscriptions@stonesoup.com. We will keep you informed about improvements to our customer service as we work on it over the coming weeks. Highlights from the past week online Don’t miss the latest content from our Book Reviewers and Young Bloggers at Stonesoup.com! Are you familiar with Kabaddi? Blogger Himank walks us through the basics of the sport this week. Plus, stay tuned for a more in-depth post about Kabaddi, coming soon! From Stone Soup, September 2019 Us Three By Layla Linnard, 11 (Weston, MA) I liked it a few months ago It was just us three There was no sharing my room There was no screaming baby I at least slept when It was just us three It was just us three I at least slept when There was no screaming baby There was no sharing my room It was just us three I liked it a few months ago Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498. Stone Soup’s Advisors: Abby Austin, Mike Axelrod, Annabelle Baird, Jem Burch, Evelyn Chen, Juliet Fraser, Zoe Hall, Montanna Harling, Alicia & Joe Havilland, Lara Katz, Rebecca Kilroy, Christine Leishman, Julie Minnis, Jessica Opolko, Tara Prakash, Denise Prata, Logan Roberts, Emily Tarco, Rebecca Ramos Velasquez, Susan Wilky.
Stone Soup Magazine for young readers, writers, and artists
The Stone Soup Refugee Project
About our Fall 2019 fundraiser Help needed for our upcoming Refugee Special Issue Dear friends and supporters of Stone Soup, As some of you know, we have recently embarked on an exciting endeavor. In 2020 we plan to launch a special issue of Stone Soup which will feature the creative work of children in refugee camps around the world. We have been fortunate enough to partner with Laura Doggett and her art initiative, “Another Kind of Girl Collective,” (AKOGC) which has been working for the past five years to give teenage girls in Za’atari Refugee Camp in Northern Jordan the ability to express their inner worlds through film documentation. We want to raise a total of $5,000 to support the Special Issue and associated projects. Make it possible for teen refugees to mentor the younger children Khaldiya, Younid, and Marah are three teen girls who live in Za’atari Refugee Camp. They have agreed to lead a two-month-long photography workshop for children with the intention of generating submissions for our Stone Soup refugee issue. Here is where we turn to you, our generous donors. $2,000 will pay Khaldiya, Younid, and Marah a stipend, purchase workshop supplies, and mail back issues of Stone Soup to Za’atari so the children can hold the magazines in their hands and see what is possible for them, too. With your help, our partnership with “Another Kind of Girl Collective” will foster creative inspiration and guidance. Support the wider project: production, web development, and printing Funds raised in excess of this amount–the other $3,000 of our goal–will be used to support the costs of publishing additional material from this group of children on our website, and towards the costs of producing the Special Issue of Stone Soup magazine, as well as providing print copies of the Special Issue to all of the participating camps. It will also contribute towards a campaign to publicise their work. If we exceed our fundraising goal, we might even be able to sponsor additional workshops. We have set ourselves a target goal of $5,000. Will you help us reach it? So often, media portrays refugee children as the subject of a narrative. This project gives them agency to tell their own stories. Our hope is to make it easier for people and the international press to access creative work that may inspire action. Please donate toward our goal and help to empower the voices of refugee children. Thank you for believing in us. We wouldn’t be where we are today without your support. Sincerely, Margie Chardiet Refugee Project Director Donate to the Stone Soup Refugee Project Be inspired by Stone Soup’s legacy of publishing this kind of work Dear friends It’s a depressing reality that these situations are not new, and that children are always part of the group of people caught up in events outside their control. Creative practice is one of the few outlets these children might have to express themselves and to process and describe what they have experienced. The work Margie Chardiet has been doing for us to build partnerships with people working on the ground in camps is really helping Stone Soup to contribute something towards making their work and the children’s experiences more widely known and understood. Stone Soup has a history of publishing extraordinary work by children who have lived through the trauma of war and fleeing their homes, both their art and their writing. Visit our website to see images produced during the Cyprus conflict, and some powerful, harrowing writing by child refugees from Vietnam. This is the kind of work your donations will help to make possible, and to make public via Stone Soup. Please consider helping us with a contribution towards this Special Issue, and the on-the-spot work that will empower creative refugee children today. Thank you. William Rubel President & CEO Donate now to support child refugee creativity Not convinced? Be inspired to help by our current Stone Soup writers Our young readers and writers in the United States and elsewhere have provided us with inspiration, information, and fantastic blog posts throughout this project, which we first proposed in early 2018. Some of them have already donated to this campaign with both money and time. You can read some of their insights on our blog. Sabrina Guo has been particularly prolific. Read her pieces on Za’atari Camp and the crisis for refugee children more generally, as well as some personal reflections on the Stone Souprefugee project, and a specific piece on AKOGC and Laura Doggett’s work. Ivy Halpern’s review of the book Refugee by Alan Gratz also offers some reflections on the experiences of refugee children from Syria and at other points in history. Follow our young writers’ lead and help us to support and encourage their contemporaries in camps around the world. Thank you. September 2019 Donate today
How to Play Kabaddi: Part 1
Kabaddi is a sport that undoubtedly very few of you must have heard of if any at all. Unlike a lot of sports, Kabaddi does not include a ball as part of the game. The game is like football, wrestling, and tag all at once. Kabaddi originated in the modern Tamil region of the Indian subcontinent, a few thousand years ago, as a pastime that has evolved into the national sport of India, with competitions all over the world and currently, the VIVO Pro Kabaddi Tournament is taking place in India. The game can go by different names like Ha-doo-doo, chu-kit-kit, and hu-tu-tu. Kabaddi is played with 2 teams of 12 players each, 7 starters and 5 reserves, playing for two twenty minute halves. At the end, the team with the higher score wins. The Kabaddi court is 13 meters by 10 meters. The midline divides the court into two halves. Around the middle of one of the halves, is a baulk line. A bit after that, is the bonus line. The rectangles at the sides are known as the lobbies. Whichever team wins the coin toss, they send out a person known as a raider first, which in this case is the blue team. His job is to tag as many defenders, which consists of the entire other team, and make it back to the midline. However, he must cross the baulk line while raiding. The raider gets only 30 seconds to raid and at the same time must chant the word Kabaddi repeatedly, without stopping to pause for breath: that is, he only gets one breath. The defenders jobs, who are the yellow team, are to tackle the raider, and not let him back to the midline, thus preventing a successful raid. But, if the raider touches one of the defenders, and makes it back to the midline, not only does the raiding team get a point for each defender touched, those touched defenders are out. All players who are out must go and sit in the sitting block. The catch is that no one can substitute him back in, until someone from his team gets a point. Then, the team may call a player back in. The lobbies can only be used once the player has touched a defender, so that he gets a bit more space to run to his side. In most Kabaddi matches you will see the defenders holding hands. The reason is because, if a defender steps out of bounds, then he is out, and the raiding can continue.This process repeats for the entire game, switching back and forth between the two teams. Following are some special terms that you should know: How to play Kabaddi – Part 1 All Out/Lona: When all of the players are out. Then, seven of the players get revived, but only seven, because that is the limit for one team on a court. Super Tackle: A super tackle is when three or less defenders are defending a raider, and they make the tackle. Super Raid: When the raider scores 3 or more points in a raid, it is known as a super raid. Do-or-Die Raid: If a raid has been unsuccessful for two consecutive times, then the third raid must be successful, or the raider is out, and the defending team receives a point. In my next blog, I will continue this one by explaining how scoring is kept, and how to score. Leave a thought in the comment section, and see you next month!
