Glance (graphite by Saira Merchant, 13; published in the November/December 2023 issue of Stone Soup A note from Emma Wood Dear readers, As I’ve gotten older, and as the holidays have grown in significance (as they do when you have young children for whom they are magical and new and thrilling!), they have also seemed to grow even closer in time: Halloween, Thanksgiving, Christmas—with multiple family birthdays thrown in! And there is so much to do for each: plan travel, prepare meals for large groups that fit all the dietary needs, buy and wrap meaningful presents, coordinate holiday parties and school events, somehow make time to slow down and reflect on the past year, and, of course, give to causes that matter to me. So I am grateful that you are taking the time to read this letter now, whether you are standing in line at the post office reading this on your phone, or sitting down on a sofa at home. Right now, the causes that are dear to me, as a teacher and educator with two young children, involve both education and children (not counting Stone Soup!). I like participating in coordinated efforts to buy gifts for families who can’t afford to—to help perpetuate both the magic of Christmas and the spirit of generosity that animates it. In her memoir “Halloween Guilt” from our November/December issue, Yanling Lin explores what it feels like to do the “right” thing versus the “wrong” thing. While her story discusses trick-or-treating, and specifically whether to take more candy than is allowed, the lesson applies to life. As she watches a boy dump an entire bowl of candy into his bag, Lin writes, “I wished I’d had the nerve to do so without any mental quandaries. At the same time, I liked that my morals were strong enough to keep me from doing the same.” I love the reminder, wrapped in a metaphor, that this memoir gives us: not to take more than our share and to leave resources for others who are yet to come—another way of giving. As you reflect on your year and on the causes you plan to support, I hope you will consider including Stone Soup among them. It has been a tumultuous year for the organization but I am proud of all we have accomplished in our fiftieth year and very grateful to be a part of it all. Thank you for supporting us as readers, writers, artists, and more! Warmly, Support Stone Soup Purchase a Gift Subscription From Stone Soup November/December 2023 Halloween Guilt by Yanling Lin, 11 Every year on Halloween night, I spot something bewildering. I spot something that makes me audibly gasp, guffaw, or simply gawk. This year was no exception. The moment took place long into the night, catching me more off guard than usual. * * * Rewinding back to earlier during Halloween evening, I sat by the window watching the sun set. I had scarfed down dinner and pulled on my costume, only to wait for my mom to finish as well. “The candy will still be there in fifteen minutes,” my mom told me. That was easy for her to say. She was only a bystander in the game of gathering sweet treats from neighbors. I was a player. After enough pleas and other people going outside, we finally joined the parade. The golden glow of the sun waving “goodnight” kept my breathing even. In my mind, I had all night to collect sweets from around the neighborhood. I sauntered along the sidewalk, letting the giddy five- and six-year-olds sprint past, knowing they had to be in bed by nine o’clock. As darkness descended, I became those giddy kids running from door to door. The night was growing, and so was my desire for candy. I passed numerous empty houses as I traipsed down the unlit sidewalks. With each step I heard my boots scratching against the ground, creating a rhythmic thump-thump. The bag handles sank into my flesh, slowing me down. That didn’t stop me from going on. I half-skipped between doorsteps, my “Trick or treat!” bouncing as I spoke it. I powered through the night because within those dark alleys were the treasure troves of Halloween. Many of these dark houses were accompanied by bowls of candy. Attached to these bowls were signs saying “Please Take 1” (or “2,” if I was lucky). These directions posed a moral dilemma. As I dug through the bowls, I wondered, Do I follow my own goals, or obediently do as told? Click here to find out what happens next. Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.
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Saturday Newsletter: November 11, 2023
Golden Muse and Sun Flowers (acrylic) by Arwen Gamez, 14; published in the November/December 2023 issue of Stone Soup A note from Emma Wood Dear readers, It is that time of year again: when more leaves fall from the trees with each gust of wind or heavy rain, and when we announce the winners of our annual book contest. The 2023 winner is His Tower of the Night: A Nathalia Kitzmiller Mystery by Siri Nelson, 12, of Illinois. His Tower of the Night is a murder mystery set in the fictional Maine town of Little Rose; its heroine is the spunky Nathalia Kitzmiller, who, as one of eight kids, seizes every opportunity she gets to sneak away from the chaos and responsibilities of family life. Nelson’s novel manages to be simultaneously suspenseful and playful, realistic and also fantastical, silly and sweet. We can’t wait to share it with you soon! While I am excited to announce our winner, I always do so with a heavy heart, as I know a win for one means a loss for many others. Writing a book is a difficult task, and putting it out into the world can be even harder. We thank all of you who wrote this year and who dared to submit. Please know that we read your work carefully and that we are sorry we don’t have better news to share. Below, you can find our full list of finalists. And, as a reminder, if you have not yet purchased our 2022 winner, the truly visionary poetry collection, An Archeology of the Future, by Emma Catherine Hoff—please consider doing so today! The authors and everyone at Stone Soup put so much time, effort, and love into each book, and we want nothing more than to share the work with all of you readers—young and young-at-heart alike. Yours from Cincinnati which recently turned to winter overnight— Buy An Archeology of the Future 2023 Stone Soup Book Contest Winner (Fiction) His Tower of the Night: A Nathalia Kitzmiller Mystery Siri Nelson, 12 We did not select a poetry winner this year. Finalists Fiction Secrets and Blueberry Pie by Oola Breen-Ryan, 12 Waterfall Rocks by Anika Burst, 11 The Exchange by Yutia Li, 14 Cherry Knots by Chloe Ruan, 14 The Groundworld Heroes by Adrian So, 13 Traten by Alexandra Steyn, 14 Kingdoms of Glass by Isabella Washer, 14 Glimpse of Another World—a Collection of Short Stories by Samantha Wu, 14 Poetry Poet in 5 by Madeline Cleveland, 13 Tree Alone by Amity Doyle, 13 rainbow dreams by Xi Huang, 10 Little Bay Soup by Marilena Korahais, 13 and Petros Korahais, 10 Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.
Saturday Newsletter: October 28, 2023
Arriving in Kakuma by Bus (mixed media, paper, straw, and card) by group of young teenagers in Kakuma Refugee Camp originally from DRC, Rwanda, Ethiopia, Burundi, South Sudan, and Somalia; published on the Stone Soup Refugee Project portal. A note from Laura Moran Dear Stone Soup community, I am thrilled to share that we, through the Stone Soup Refugee Project, are now able to extend the opportunity to participate in our writing workshops to young people living in refugee camps in many parts of the world. This week marks the first of a four-part series of creative writing workshops offered to young refugees living in Nakivale Refugee Settlement in Uganda. Nakivale is one of the world’s largest refugee settlements and currently hosts approximately 120,000 refugees, mainly from Northeastern and Central Africa. In our first session, thirteen young people gathered around a laptop in a church hall at Nakivale, from 5:00 to 7:00 in the evening. I ran the session over Zoom with the help of our co-facilitator and founder of Humanitarian Service Team, our partner organization based in Nakivale. Though we had to be creative to overcome various technological challenges (using the video function on Zoom, the audio function on WhatsApp, and the chat function on both!), the session was productive and, according to student feedback, invigorating for all. This workshop is based on the Anthropology of the Everyday summer course Stone Soup offered over the summer in collaboration with Society of Young Inklings. We will eventually facilitate creative writing exchange opportunities for those who participated through our summer programs and participating refugee youth. The material produced in the workshop will also feature on our Refugee Project web portal. Our deepest thanks to all of those who have contributed to make this and other Stone Soup Refugee Project initiatives possible. I humbly ask for your continued support. If you are able to donate, please click here. In addition to Stone Soup operating costs, a portion of your funds will go directly to Nakivale Refugee Settlement in order to help with the data costs to run the workshop via Zoom and to provide tea and snacks to participants. In gratitude, Visit the Refugee Project Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.