Juvenilia is the name given to creative work produced by recognized authors and artists when they were children and young adults. The late eighteenth and early nineteenth century was a fruitful time for juvenilia, especially that of writers. Jane Austen, the Brontë family, and Dante Gabriel Rossetti, amongst others, among others, wrote extensively when they were young. Many of their manuscripts have survived, and a few are available on the Internet. The childhood and adolescent creative work of authors who became famous provides interesting comparison with the work of children and students we know in our lives. As editors of Stone Soup we have published extraordinary work by young writers, work that compares favorably with the best juvenilia. What makes writers, though, is not what they write as children and teenagers, but that they keep on telling stories throughout their lives. The juvenilia you will find on the Internet, in your local libraries and in the creative work publish in the pages of Stone Soup will provide entertainment for yourself, for your children, and for your students. And remember, after getting lost in the world of Jane Austen and the Brontë family, come back to us for the latest and most wonderful work by young people, being written today! To get you started on your journey through juvenilia, we have pulled together some links for you below. If you are interested in the original manuscripts, many of them tiny, handmade and handwritten books belonging to the authors, the British Library web pages have some excellent images and short articles of and about them. Jane Austen (1775-1817) Love and Freindship [sic], circa 1786, age 11 (see also our post on the 2016 movie by Whit Stillman with the same name, but actually based on a later novel, Lady Susan) Frederick and Elfrida, circa 1788, age 12-14 The Three Sisters, circa 1790, age 15-16 You can read more about Jane Austen’s juvenilia, and see images of some of her original hand-written notebooks, at the British Library website. Charlotte Brontë (1816-1855), Emily Brontë (1818-1848), Ann Brontë (1820-1849), (and Bramwell Brontë, 1817-1848) The young sisters and their brother created entire imaginary worlds–such as Emily’s Gondal and Bramwell’s Angria– which they wrote about prolifically in their youth, and produced tiny handwritten newspapers and magazines for themselves. The Brontë Sisters Web by Mitsuharu Matsuoka More links from Great Britain about the Brontës There are notes about and images of the Brontës’ notebooks, and an interesting video of a discussion about the Brontës’ juvenilia (in which experts handle the tiny original materials), at the British Library website. Dante Gabriel Rossetti (1828-1882) Poems written around 1843, age 14-15
writing process
Author Interview: Patricia Newman, author of Plastic Ahoy! talks to Stone Soup blogger Lukas Cooke
Lukas Cooke, our young blogger interested in nature and the environment, recently had the opportunity to read one of Patricia Newman’s books, Plastic Ahoy!: Investigating the Great Pacific Garbage Patch, and then talk to the author about her books, her writing process and being a published author. Read the interview below! Patricia Newman Plastic Ahoy! Investigating the Great Pacific Garbage Patch Sea Otter Heroes Zoo Scientists to the Rescue Lukas Cooke: What inspired you to become an author, specifically to write about saving the natural world? Patricia Newman: My husband’s mother first suggested I try writing. I remember the exact moment. I was reading picture books to my one-year old son and four-year old daughter on the sofa. Before that I’d never considered writing as a job. My first books had nothing to do with the natural world. I wrote about railroading slang in Jingle the Brass and fighter pilot slang in Nugget on the Flight Deck. I also wrote several books that editors asked me to write. Through all that writing and researching, I hiked, visited nature centers and zoos, recycled, composted, and saved water, and yet it never occurred to me to write about our environment. An article in my local newspaper planted the initial seed. I read about a group of young scientists who set sail for the North Pacific to study plastic. I was hooked! LC: Did you always dream of becoming a writer? If not, what did you originally plan to be your career? PN: Not at all! I knew I wanted to work with kids and I taught math for a while. Then I wrote computer code for a software company. I also worked for Cornell University, my alma mater, raising money, talking to high school students, and meeting alumni. Although my various jobs required that I communicate through writing, I’d never thought of it as a career. I think I was afraid to share. You see in fifth grade I was bullied. At the time, sharing stories seemed like painting a target on my back. Something about becoming an adult and a parent made the bullies of my childhood powerless. I’m glad I changed my mind, but I’m sorry it took me so long to figure it out. LC: What is your favorite tip for new or aspiring writers? PN: Read. All writers are readers. It’s how we soak up the elements of good dialogue or a page-turning plot. It’s how we discover what annoys us about certain stories. (Have you ever read a book where you disagreed with how the character acted?) Reading improves our vocabulary so we can describe settings. It helps us understand that people are complicated so we create characters with complex emotions. Reading stimulates ideas and exercises the imagination. We uncover fascinating aspects of the world. I read because I’m curious. There’s no limit on knowing. Pack it in and let it shape who you will become. LC: It seems like a lot of research went into writing your books. Can you describe the process of how you do the research for a book you’re writing? PN: My books start with a kernel, such as the article about scientists sailing to the North Pacific to study plastic (Plastic, Ahoy!); my daughter’s job as an undergraduate with the Elephant Listening Project at Cornell University (Eavesdropping on Elephants); or a group of girls in a Kenyan village who can’t go to school (Neema’s Reason to Smile). From there I read—online, books, magazines, newspapers—anything my library or the Internet spits out on my topic of choice. I watch videos. I listen to speeches about my topic. I want to be sure the idea is book-worthy and will appeal to kids. I also look at published children’s books to see if anyone else has already written about my topic. Next, I contact the people I’d like to interview. In the case of Neema’s Reason to Smile, I interviewed two women closely involved with a school similar to the one in the book. In the case of my science nonfiction, I interview scientists. These people have jobs to do so they don’t have an unlimited amount of time to spend with me. If they don’t have the time or the interest in working with me, the idea dies. I know that sounds sad, but believe me, there are plenty more ideas to take its place! For Neema’s Reason to Smile I conducted several hours of interviews and watched video of real life kids who go to the school I was writing about. I also reread my travel diary from my long-ago trip to Kenya to remind myself of the smells and colors and light of Africa. I wrote the entire picture book before submitting to publishers. But my environmental science nonfiction is longer. Instead of writing the entire book, I write a proposal to sell my idea to an editor. The proposal includes an overview of my idea, a chapter outline with a brief explanation of what I plan to include in each chapter, and a section on the competition—what’s already out there on the subject and how my book will be different. Once I receive an editor’s go-ahead, I begin researching in earnest. Sometimes I travel, sometimes I don’t. For Sea Otter Heroes my daughter, Elise, and I went to the Elkhorn Slough near Monterey Bay in California. Brent Hughes, the scientist I interviewed, took us on an amazing boat trip down the slough. We saw a lot of marine life, including sea otters, seals, pelicans, herons, jellies, and crabs. I interviewed Brent and some of his colleagues. Elise took photos and asked her own questions. For Zoo Scientists to the Rescue photographer Annie Crawley and I visited three zoos in the US. We interviewed the scientists and took behind-the-scenes tours with them. We touched a rhino and watched an orangutan baby climb all over her mother. Traveling is a blast AND hard work. Scientists are extremely busy and can
A young author talks about getting published: Tara Prakash, 11
After we featured her self-published book, The Hunting Season, in our Saturday Newsletter, we asked its young author Tara Prakash to write something for us about the process she went though. From here, it’s over to Tara. The Hunting Season by Tara Prakash, age 11 I got inspired to write The Hunting Season when I went to Wyoming and explored Yellowstone and Grand Tetons National Parks. We saw a lot of bears on that trip and I kept wondering what they were thinking about and what was in their heads.That was when The Hunting Season was born. So when I got home, I wrote on Microsoft Word a story about what I thought the bears would be thinking about, what their fears were and what events exploded excitement into them. I wrote whenever I could. Between my soccer practices and basketball games, every open time I got, I would sit at the computer and write. The plot never got boring or the long amount of time it took to write in never got to be too much. I sometimes got frustrated though, when parts of the plot didn’t match up, like a puzzle piece that didn’t fit. My parents’ friend, who is a self published author, told us about Create Space, the self publishing company. Then, my nanny and I uploaded the Word document into Create Space, and Create Space helped us format the book; we scanned my cover artwork so it would show, we wrote a summary of the book on the back, choosing the color, font, size, etc. Then, from Create Space, my dad uploaded the book to Amazon and we chose the price to set it at and I wrote my ‘About The Author’ there. After it was out to the public, my dad emailed my school teachers, my friends, my sports team coaches, and family, and family friends. Once my teacher bought it and left a five star review then lots of my friends bought it, leaving reviews and giving me compliments at school. I started the story at age nine and finished the story right as I turned ten. I turned was almost eleven when we got it onto Amazon. If there’s one thing I learned during this whole process, it’s this: Keep on writing. All writing starts with one great idea. You can find a copy of The Hunting Season on Amazon.
