“Birds are a special problem, birds are hard to deal with.” This is what many people seem to think, and understandably, when a bird has just robbed their shop. However, Louis, in E.B.White’s The Trumpet of the Swan, proves exactly the opposite. Louis is a swan who was born with no ability to make sound or communicate with his family. His father breaks into a store in Montana to find Louis a trumpet so that he can make swan sounds like everyone else and persuade Serena, the swan he loves, to be his mate. With the help of Sam Beaver, an animal-loving boy, he goes to school and learns to communicate with humans by writing on a slate. He also works to earn money to pay for the stolen trumpet by playing songs which Sam helps him learn. The Trumpet of the Swan is special because of the strong relationship that forms between Sam and Louis, right from when Louis first meets Sam in the woods of Canada, and how they work together to solve Louis’s problems. Their friendship is the heart of the story and is what makes it a forever favorite for me. Something that surprised me was finding humor in an otherwise moving story. One instance among several that comes to mind is when Louis is swimming in front of the swan boat in Boston playing “Row, Row, Row Your Boat” when a boy shouts, “This swan is as good as Louis Armstrong, I’m going to call him Louis.” Then Louis writes on his slate, “That’s actually my name.” This really made me laugh. White’s poetic description of nature is another feature I enjoyed. For example, the coming of spring is described as a time when “Warm air, soft and kind, blew through the trees.” With elements of humor, suspense, and realistic imagery, The Trumpet of the Swan is a classic that many people will easily relate to and that you just can’t read too many times. Trumpet of the Swan by E.B. White. HarperCollins, 1970. Buy the book here and support Stone Soup in the process! Have you read this book? Or do you plan on reading it? Let us know in the comments below!
young writer
Writing Activity: challenging prejudice and developing empathy through storytelling
The story by 11-year-old Nate Sheehan, “Conrad and Fate” is about prejudice based on a student’s ethnicity. This story, set in the late 1950s is about prejudice against Japanese people, something that was very strong in in the United States during and some time after World War II, which ended in 1945. If you follow the news at all, then you know that today (in 2019) there is a big rise in prejudice in the United States and in other parts of the world. People trying to come to the United States for a safer and better life are being stopped at the Mexican border. People who get caught sneaking through are being put in prison. This includes children. Adults and children are being treated badly. And in our schools, and on our streets, there is increasing intolerance for people born in other countries, or whose parents were born in other countries, especially if their skin tone is not “white.” And also an increase in prejudice against people who are not Christians. It is very easy to write an essay that talks about why prejudice against others is bad. But essays rarely convince people. Fiction can be a more effective way of arguing for things you believe in. Empathy, the ability to share and imagine the feelings of others is one of the most powerful human emotions. Empathy is what makes it possible for a writer to create convincing fictional characters. Your job as an author highlighting how it feels to be discriminated against is to make your readers identify with the character so that they can imagine what it would be like for this to happen to them. The activity In this writing activity we want you to write a story from the viewpoint of a person who is thought of as “other,” like the Japanese boy in the story “Conrad and Fate” published in the January/February 2015 issue of Stone Soup. Write about what it feels like to have to fight for acceptance because of something you have no control over–your religion, where you were born, or where your parents were born, or because of the color of your skin. Perhaps you have had personal experiences of prejudice of these kinds–I have. It has been fifty-five years since I was in middle school and bent down to pick a penny up off the concrete in front of a classroom only to discover it was glued down, and that I was surrounded by a group of boys shouting “Jew!” and laughing. This memory is fresh, like it happened yesterday. Think about your own experiences and the feelings you had at the time, and try to imagine them happening to someone else. What does it feel like to be mocked, teased, excluded, or worse, because you are not seen as a person by other students? This is a story, so show us what it feels like.
Juvenilia: an introduction via Jane Austen, the Brontës and others
Juvenilia is the name given to creative work produced by recognized authors and artists when they were children and young adults. The late eighteenth and early nineteenth century was a fruitful time for juvenilia, especially that of writers. Jane Austen, the Brontë family, and Dante Gabriel Rossetti, amongst others, among others, wrote extensively when they were young. Many of their manuscripts have survived, and a few are available on the Internet. The childhood and adolescent creative work of authors who became famous provides interesting comparison with the work of children and students we know in our lives. As editors of Stone Soup we have published extraordinary work by young writers, work that compares favorably with the best juvenilia. What makes writers, though, is not what they write as children and teenagers, but that they keep on telling stories throughout their lives. The juvenilia you will find on the Internet, in your local libraries and in the creative work publish in the pages of Stone Soup will provide entertainment for yourself, for your children, and for your students. And remember, after getting lost in the world of Jane Austen and the Brontë family, come back to us for the latest and most wonderful work by young people, being written today! To get you started on your journey through juvenilia, we have pulled together some links for you below. If you are interested in the original manuscripts, many of them tiny, handmade and handwritten books belonging to the authors, the British Library web pages have some excellent images and short articles of and about them. Jane Austen (1775-1817) Love and Freindship [sic], circa 1786, age 11 (see also our post on the 2016 movie by Whit Stillman with the same name, but actually based on a later novel, Lady Susan) Frederick and Elfrida, circa 1788, age 12-14 The Three Sisters, circa 1790, age 15-16 You can read more about Jane Austen’s juvenilia, and see images of some of her original hand-written notebooks, at the British Library website. Charlotte Brontë (1816-1855), Emily Brontë (1818-1848), Ann Brontë (1820-1849), (and Bramwell Brontë, 1817-1848) The young sisters and their brother created entire imaginary worlds–such as Emily’s Gondal and Bramwell’s Angria– which they wrote about prolifically in their youth, and produced tiny handwritten newspapers and magazines for themselves. The Brontë Sisters Web by Mitsuharu Matsuoka More links from Great Britain about the Brontës There are notes about and images of the Brontës’ notebooks, and an interesting video of a discussion about the Brontës’ juvenilia (in which experts handle the tiny original materials), at the British Library website. Dante Gabriel Rossetti (1828-1882) Poems written around 1843, age 14-15
