Horse in Dreamland (oil pastel) by Tutu Lin, 13; published as the cover for Stone Soup November 2022 A note from Caleb Greetings! This week I have the pleasure of announcing our December 10 reading for Writing Workshop students: Blame the Squirrels, and Other Stories. The event is our first formal reading for Writing Workshop students in over a year. As a proctor for Conner’s workshop, I can’t wait to listen to the students I’ve gotten to know this session read their work, as well as have an opportunity to listen to the magnificent work of the students in William’s workshop. As writers, reading our work aloud is the culmination of hours and hours of effort, and there is no greater feeling than facilitating the measured silence of an audience and receiving raucous applause. So please, mark your calendars for 10 – 11:30 AM PST on December 10, and come out in support of our terrific writers—your presence goes a long way. The event is free to attend. I also wanted to talk briefly about the blog, namely in order to highlight the recent undertaking of one of our most prolific contributors, Emma Catherine Hoff. On top of having published multiple poems in Stone Soup magazine and numerous reviews and opinion pieces on the blog; on top of being one of our longest standing Writing Workshop students; and, on top of just being announced as a winner of our most recent Book Contest for her book of poems An Archeology of the Future (please scroll to see our winner in fiction, as well as the other finalists), Emma, 10, has created a podcast called Poetry Soup, in order to “share [her] love of poetry, and inspire others to read more of it.” She has already released two fantastic episodes, the first about John Ashbery’s sestina “The Painter”, and the second about the poem “The Keeper of the Sheep” by Fernando Pessoa, written under the heteronym Alberto Caeiro. Her third episode will go live either next week or the following, so make sure you take a visit to the Stone Soup blog, where these episodes exclusively air. Until next time, Announcing the 2022 Annual Book Contest Winners! We’re thrilled to announce the results of this year’s Stone Soup Annual Book Contest. It was a pleasure and an honor to read and consider all the manuscripts as well as incredibly difficult to select our two winners. We are excited to share more about the authors and their books in the coming months—stay tuned! ♦ Winners ♦ Poetry An Archeology of the Future, Emma Catherine Hoff, 10 Fiction The Handkerchief Woman, Lily Jessen, 14 ♦ Finalists ♦ Poetry REALITY IS HERE FOR YOU, Analise Braddock, 11 Imagination, Bethel Daniel, 12 Sunny Fitting Sangeeta, Raeha Khazanchi, 13 Simply Complicated, Madeline Male, 14 Scenes From Before, Pauline McAndrew, 14 Fiction Cousins, Emily Chang, 14 Let Me Go, Ariadne Civin, 13 Shattered Moon, Ivy Cordle, 13 Autumn Floods and Winter Fires, Nami Gajcowski, 12 In the Secret Cedar Woods, Elena Gil, 13 The Roaming Realm, Madeline Longoria, 14 Norcelia, Sabrina Lu, 14 These Words That I’ve Written, Jenna Reenders, 14 Maple of the Moss Folk, Kana Shackelford, 13 Overthrowing Antecessum, Isabella Washer, 13 Sparks, Eleanor Wernly, 11 Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.
Newsletter
Saturday Newsletter: October 29, 2022
Drift (Sony a5100) by Anna Koontz, 13; published in Stone Soup September 2022 A note from William Rubel Dear Friends— An update: continuing website improvements! The Stone Soup team has been working for months with britecode, our web design and development firm, to make our site easier to navigate as well as more beautiful. We’re very proud of the new homepage launched some weeks ago. We recently completed the new landing page for the magazine. I encourage you to visit the page and enjoy the linked writing—the stories, poetry, and memoir—and art! Anna Koontz’s dreamlike photograph is not the only photograph Stone Soup has published that rewards contemplation. We have two more big pages to go in our revision process. They are the blog and classes pages. Improving these pages is important to us and Stone Soup’s future as we begin to market Stone Soup’s website to teachers to use in their creative writing programs. We will begin our Annual Drive within the next few weeks and are looking for sponsors to help with this redesign project. Each page will cost in the neighborhood of $3,000. If you would like to sponsor a page, please write to finance@stonesoup.com All my best, William’s Weekly Project A dream, a sigh. Anna Koontz’s photograph captures the ineffable. A wisp, a gesture, it takes us into the realm of shadows dancing by the candlelight, clouds blown by the wind, shape-changing. Anna’s photograph is like a poem, a haiku, capturing an instant in time. I’d like you to look at this picture for some moments, letting your eyes follow the gorgeous curves of the smoke. Congratulations, Anna, for finding this flash of beauty, this emanation from the spirit world! As you, our newsletter readers, view this photograph, let it speak to you and jot down your impressions. They may be very different from mine. Then, sit down and describe what you see around you. They can be small observations, like a spider in its web in the corner of the windowsill or your cat curled up sleeping. Try to capture what you see as mysteriously and succinctly as Anna did in her photograph. And as always, if you like your creation, please submit it for possible publication in the magazine. Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.
Saturday Newsletter: October 22, 2022
The Fall Impression (gouache) by Serena Li, 10; published in Stone Soup October 2022 A note from Laura This week I’d like to draw your attention to Olivia Lee’s piece of short fiction, “The Note.” For me, this piece perfectly combines a sense of mystery and intrigue that carries the story and makes you want to read what happens next, with an attention to detail—a kind of deep observation—that allows you to imagine yourself at the center of the narrative. As I read this story, I want to know the narrator better. How did she discover the tree, and why is she so certain that the mysterious girl she discovers there wouldn’t want to be her friend? I also want to know more about the mysterious girl. Where did she come from? Why is she there? Did she leave the note alerting the narrator to the hunters? But despite the mystery that the narrative holds, there’s much that I can relate to and imagine clearly, like the appeal of the tree itself with its soft patches of grass beneath and the solitude it affords. Aside from the sharp detail provided in the story, another tool the author uses to help plant the reader in the center of its setting is the use of second person narration. The author uses this narrative style briefly and effectively in the second paragraph. Lee writes: If you felt the grass, you knew that it was very soft. When gazing up, you would see many birds of different shapes and colors sitting on the high branches. You would feel safe under the tree, like it was protecting you from bad things. Using this technique, the author transforms “you,” the reader, into a character in the story, steering you to experience the unfolding narrative firsthand. This weekend, I invite you to try using second person narration in a piece of writing. Play with this style of narration to see how it affects the tone of your writing and how it can act to immerse the reader more deeply in your story. Until next time, A New Magazine Page We are delighted to announce the launch of a new magazine landing page on our website! The new page makes it easier to navigate to the current issue, our archives, and past artwork and writing, all from a central location. We very much appreciated your patience during its preparation and testing phases. Be on the lookout for more exciting revisions to stonesoup.com in the coming months! From Stone Soup October 2022 The Note By Olivia Lee, 10 The path that led to the tree went zigzag, but it wasn’t very long. It had slight curves with small bumps. It was like a stone platform, with barely any cracks. But what was really a sight was the tree. It was a very tall one, its leaves dark green as ripe cucumbers. The branches curled softly, like breezes tickling waves into the air. Under the tree was a spot to sit, with patches of grass covering the dirt. If you felt the grass, you knew that it was very soft. When gazing up, you would see many birds of different shapes and colors sitting on the high branches. You would feel safe under the tree, like it was protecting you from bad things. You would sit there for a long time, but then it would be time to go. The patches of grass would sit still, hoping you would come again. I only saw someone else come once. She was a girl, one who sat quietly under the tree by herself. Often, she would fling one of her long legs over a thick branch while the other leg stayed hopelessly on the ground. I tried to say “Hi,” but before I could, the girl went off into the forest behind the gates to the left of the tree. I wanted to follow her but decided not to because if she saw me, she wouldn’t want to be my friend. I sighed. I came to visit the tree whenever I had time left in my day. Even if I had only a few minutes, I wouldn’t miss a single moment to come to the stony pathway. I’d come here before breakfast, before school, before anything, or after anything. But sadly, I had no one to bring with me. I’d ask my mother, but she was always busy knitting with her sharp darning needle or busy dealing with my sister, who was always running around. I’d ask my father, but he was too busy changing into his work clothes. I’d ask my sister . . . actually, I wouldn’t. She would be too loud and energetic to sit under a quiet, peaceful tree, and people would be annoyed. I’d ask my friend Cindy, but she was just like my sister. Talkative and energetic. I wanted someone who would enjoy the tree with me. …More Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.
