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COVID-19

Another Story for Mita, a Personal Narrative by Isabella Filart, 10

The sobbing was faint at first, echoing to me through shut doors. I curiously wandered into my parents’ room in no rush. My mind was still half-asleep, my eyelids drooping, my movements sluggish. At this point, the sun had not even risen. The door creaked open, revealing my parents and brothers anxiously huddled on the bed. Their shoulders shook, and their breathing was unsteady. I immediately noticed the glow of Mom’s phone, and the motion flashing across the screen. I approached my family cautiously, my presence noticed but not acknowledged. What was going on? Why was my family ignoring me? Why were they crying? The bitter taste of dread flooded my mouth, as even more thoughts raced through my head: Someone probably had COVID! It was 2020, the height of the COVID-19 pandemic, and I was positive one of my relatives was sick, causing this commotion. But who? And how?! We had all been so careful! We wore masks, we stayed home, we even wiped down our groceries. How could the virus have squeezed past all those precautions? I slipped onto the mattress, discreetly swallowing a growing lump in my throat. For a few moments I stayed like that, as silent as a mouse, my ears trying desperately to hear, my mind racing to put the pieces together. I was not used to being left in the dark, much less the shadow of pandemic that now engulfed the world. Finally, after a couple of quiet minutes, I heard a familiar voice saying something about my grandmother, Mita. Suddenly, a new ominous possibility emerged as I recalled that Mita was “high risk.” She had been living with stage 4 cancer for many years now. I remembered the colorful scarves she proudly wore on her head, her talks with Mom about healthy eating and cutting out sugar. Was her cancer acting up now of all times? Did she get COVID? Somehow, within seconds, the situation progressed from bad to worse. Beads of sweat formed on my forehead, despite the fan gently buzzing nearby to combat the summer heat. I continued to sit there, paralyzed in my own worry, as I overheard more bits and pieces of the tragedy: the paramedics could not come to help her… my uncle drove her around for hours before finally finding a hospital that would not turn her away… the doctors were now on their 7th attempt to resuscitate her. And as I listened to all that, as my dread and confusion intensified, and the sobbing turned into wailing, nobody turned around and hugged me tight, promising that it would be okay. What an unforgiving, harsh way for an 8-year-old to wake up. I ran out of my parents’ room, overwhelmed by all that was happening. I launched myself under my covers, screwed my eyes shut, and prayed harder than I had ever prayed before. It was the first time in my life that I really, intensely, legitimately prayed… And I did not just pray. I begged God for Mita’s life, tears finally finding my eyes, feeling the full weight of fear and sadness and pain straining my body. Dad entered my room, his head bowed low, and his shoulders slumped. My gaze met his, my heart somberly hopeful, as he opened his mouth to speak. It was a mere whisper, soft and delicate, but it shook my room – “Mita’s gone…” No, no, no!  How could this be happening? How could this be happening to me?! My flicker of hope, a dim light, faded, and all that remained was a deep cavern of black. I tried to breathe, but it seemed impossible in these depths. So, this is what drowning feels like.  I choked on my tears as I became fully aware that I would never again feel the joy of my long story times with Mita. Mita Mita video-called me each week, settled on her corner couch with a cup of piping hot coffee and a fancy notebook. She sat poised, as usual, sometimes with her legs crossed, sometimes with her legs propped up on her table, but always prim and proper. She would listen intently as I read my stories, oftentimes for hours on end. She would nod, she would take notes, she would ask questions about my crazy characters and their equally crazy adventures. No matter how cringey my stories got, she appreciated them wholeheartedly. She told me over and over again that I was her favorite storyteller. She told me my stories made her heart happy. Mita was supposed to call again so I could share my most recent story with her. But that was now an impossibility. How was Mita gone… how was she no longer with us… on this earth… smiling, dancing, and brightening the atmosphere? She was so full of life, even in her sickness. She was so strong. She was so special … so special to ME. She made MY heart happy. How could I ever write again? My family and I were in shambles, confined to grieve alone, literally locked down, stuck, and still reeling from the other blows the pandemic had hit us with. Surely my sadness could not be shared with anyone; so much heartbreak already existed among us, and around us. And so, for the next few years, I held on tight to my sorrow, and carried my burden alone, wrapping it tightly around my heart, vowing to never let it loose. A few months ago on my eleventh birthday, I stumbled upon an old shoebox. Inside lay cards and letters from years past written to me. As I rummaged through the stack, a dainty, handmade card caught my eye. I recognized the beautiful penmanship instantly — the scribbly cursive that could have easily come straight out of a calligraphy manual. In my hand was the last card Mita ever wrote to me before her tragic death. I hesitated. I braced myself for what I thought would be a crushing weight of emotions that

Saturday Newsletter: April 1, 2023

Longhorn in Bluebonnets (acrylic) by Shaivi Moparthi, 12; published in the April 2023 issue of Stone Soup A note from Caleb Berg Hi Friends, Happy April Fools Day! (Though I promise everything in this newsletter is 100% true.) I know that those of you living in California have seen more than enough rain, but here’s to hoping that the rain brings flowers as vibrant as those in Shaivi Moparthi’s beautiful painting Longhorn in Bluebonnets, the cover photo for our April 2023 issue. Having moved from California to Texas, this painting is particularly resonant; it reminds me of the longhorns and fields of flowers Tayleigh and I drove past as we made our way to Houston. A few notes on the blog. I wanted to remind everyone that we no longer accept fiction or poetry for publication, unless they’re apart of our COVID-19 blog, which is still alive and well! The fact is that we are still living with the effects of COVID, and we want all your art — prose, poetry, non-fiction, visual art, etc. — that explores how you have navigated and/or are navigating a world forever changed by the COVID-19 pandemic. Please check out some recent publications on the COVID-19 blog, “Home Sick,” a poem by Carolina Ulloa-Compton, 12, and “Out of It,” a poem by Madeline Male, 14. We also receive a vastly disproportionate number of book review submissions, so if you’re looking for a way to get involved as a regular blogger, I’d suggest sending us movie, game, or album reviews, as well as general writing about the world. Get involved! Send me your blog proposals directly at caleb@stonesoup.com, and send me your work via Submittable. Lastly, I’d like to spotlight the work of a Stone Soup alum, Tara Prakash. Tara is a tenth grader who created her own non-profit, Write to Right, in order to teach creative writing to underserved communities in the scope of social justice. Via Write to Right, she has also launched the online literary journal, Between the Lines. Between the Lines is looking for previously unpublished submissions related to any and all social justice issues (gun reform, climate change & the environment, race & identity, etc.) from writers of all ages and geographic locations. They welcome all kinds of written submissions: creative, academic, and journalistic. You can submit to Between the Lines here. For those of who approaching the age cut-off for Stone Soup (and anyone interested in this kind of work), Tara’s initiative is a great one to consider. The world needs more writers and it needs more journals to publish those writers, so why not consider starting one yourself! Regarding our classes: Our spring session is also now open for enrollment. You can purchase tickets here. We decided to cap enrollment at 20 students and to increase tuition accordingly. While we would love to work with as many students as possible, our instructor has found larger class sizes limit his ability to connect to his students and offer feedback. This was the reasoning behind our registration cap. And to make the change sustainable, we needed to increase tuition. Subscribers will now pay $22 per session and non-subscribers will pay $27.50. Please write to stonesoup@stonesoup.com with any questions or concerns. Regarding our book contest: Our 2023 Book Contest has officially launched! If you haven’t already started working on your manuscript, now is the time! If you’d like some help kickstarting the project, we encourage you to sign up for the Design a Novel workshop, run by our partner, Society of Young Inklings. Till next time, Stone Soup is published by Children’s Art Foundation-Stone Soup Inc., a 501(c)(3) educational nonprofit organization registered in the United States of America, EIN: 23-7317498.  

Home Sick, a poem by Carolina Ulloa-Compton, 12

staying at homeand being alonemy mom says it will endbut my dad says this is not the enddiscussing what will happenof something that we don’t know nobody knows longing for normalcylike a curious mousewondering when it will endwhen even a feather could break meinto microscopic piecesthat no one would noticeI am dead on the inside just a screen to stare atonly memes to giggle atlike the sunset on the other side going to the bathroom was never so easyjust a quick walkto the other side of the roomand the same path that now becomes my roommy boring roomand my messy roomeverything is the sameexcept when the broom streaks my roomfrom the dust and boredomthat this Covid brings through my room when can I stop staring at initials in front of a screen of math?with no understanding of what is onwhen no one believes that we will be freeof the sorrow and worrythat this brings