Writers often hear the advice: “show, don’t tell.” But what does it mean? Read and study a story from the Stone Soup archives to see the power of this technique, and then try it for yourself. Activity Eleven-year-old Ari Rubin’s story, “Lindy,” was first published in Stone Soup magazine in 1993, and it has been […]
The most remarkable part of Lena’s story as a demonstration of the power of dialogue is the last quarter, where four characters respond to a traumatic event. This section, beginning with the “No!” spoken by the narrator and continuing to the end, depends heavily on dialogue. It could almost be a play. Notice that, although the lines spoken by Sandy, Carrie, Mom, the narrator, and Mrs. Hall are often very short, we get a clear sense of how each character differs from the others and how they relate to each other as family, friends, and neighbors. This is accomplished through the narrative that accompanies the dialogue.
Juvenilia is the name given to creative work produced by recognized authors and artists when they were children and young adults. The late eighteenth and early nineteenth century was a fruitful time for juvenilia, especially that of writers. Jane Austen, the Brontë family, and Dante Gabriel Rossetti, amongst others, among others, wrote extensively when they […]